George 'Beau' Brummel, a penniless but witty London gentleman, maintains a refined lifestyle with his loyal servant, cook Robinson. Only the friendship of the unpopular Hanoverian heir and ... See full summary »
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of ... See full summary »
Jonny Lee Miller,
A delightful reflection of the era as seen on the background of the story of three priviledged girls growing up in between wars. The main character leads us kindheartedly through their ... See full summary »
Elisabeth Dermot Walsh,
Tide of Life follows the fortunes of young housekeeper, Emily Kennedy, as she learns about relationships with three very different men. Forced from home of her first employer, Sep McGilby ... See full summary »
Yorkshire in the 1880's: Joe Skinner marries Lily Whitmore, the woman he has long admired, to give a name to her illegitimate child by Lionel Fillmore, the opportunistic son of an ... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
Set in 1870s England, the story tells of Annabella Lagrange and the terrible secret her wealthy parents have kept from her. When she finally learns the truth, she runs away and eventually ... See full summary »
The dark purple velvet and silk gown Jane How (Lady Holland) wears at the London party is the same costume worn by Harriet Walter (Fanny Dashwood) to dinner at Norland Park in Sense and Sensibility (1995), and by the theatre guest seated next to deSade's wife in Quills (2000). See more »
Half way through the first episode there is a long distance shot of the coach and horses coming down a hill. To the left of the road, at the top of the hill is a pile of about 20 black plastic wrapped silage bales. See more »
a disappointingly lack lustre depiction of the philanderingly immortal poet which was better done by richard chamberlain in the aforementioned robert bolt writen and directed effort. johnny lee miller has his moments as the lead but is let down by a script which never really catches fire and a terrible soundtrack. forget.
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