The true story of Graeme Obree, the Champion cyclist who built his bicycle from old bits of washing machines who won his championship only to have his title stripped from him and his mental health problems which he has suffered since.
The skilled pilot Denis Hopkins lives with his pregnant wife Valerie and has a comfortable lifestyle. When the gang of criminals headed by the sadistic Ricky Barnes breaks in his seaside ... See full summary »
Cameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts ... See full summary »
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of ... See full summary »
Jonny Lee Miller,
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are ... See full summary »
Jonny Lee Miller
The dark purple velvet and silk gown Jane How (Lady Holland) wears at the London party is the same costume worn by Harriet Walter (Fanny Dashwood) to dinner at Norland Park in Sense and Sensibility (1995), and by the theatre guest seated next to deSade's wife in Quills (2000). See more »
This is the only film depiction of Byron I've seen that attempts to portray him as the clever, funny man that he was rather than some cartoon goth with a big floaty cloak, eyeliner and an evil, reverberating laugh. Other films tend to be simple, self-indulgent perpetuations of Byron's partially self-made myth and this film is the only one I have seen so far that shows something of what was beneath: Regency society seen through Lord Byron's eyes as he rips the piss. Jonny Lee Miller carries off the parallel aspects of Byron's personality with aplomb, making him smug and petulant while unavoidably charismatic and likable. Of course it's still all conjecture, as is emphasised at the start of the film, but as far as Byron films go, there's nothing out there to touch this.
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