Following the success of his poem "Childe Harold's Pilgrimage", Byron becomes the toast of London.




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Cast overview, first billed only:
William Fletcher
Samir Hassan ...
Turkish Captain
Irena Micijevic ...
Beautiful Turkish Woman (as Irena Micijevic Rodic)
Turkish Governor
Tracey Murphy ...
James Daley ...
Page Boy
Crispin Redman ...
Dandy in Salon
John Hart Dyke ...
Hollands' Butler
Jane How ...


Following the success of his poem "Childe Harold's Pilgrimage", Byron becomes the toast of London.

Plot Summary | Add Synopsis


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Release Date:

22 October 2005 (USA)  »

Also Known As:

Lordos Vyron  »

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(2 parts)

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Aspect Ratio:

1.78 : 1
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Did You Know?


The aqua pelisse worn by Julie Cox (Annabella Milbanke) at the London party where she meets Byron is the same costume Emilia Fox (Georgiana Darcy) wears at Ramsgate in Pride and Prejudice (1995); Emilia Fox wears the cosume again in David Copperfield (1999), and it is also worn by Olivia Williams (Jane Fairfax) at Box Hill in Emma (1996), and Anna Madeley (Lucy Steele) at Fanny's London house in Sense & Sensibility (2008). See more »


Half way through the first episode there is a long distance shot of the coach and horses coming down a hill. To the left of the road, at the top of the hill is a pile of about 20 black plastic wrapped silage bales. See more »


Annabella Milbanke: What did you mean when you said you've done evil?
Lord Byron: Nothing, I was bored.
See more »

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User Reviews

The only decent Byron adaption I've seen so far
6 December 2004 | by See all my reviews

This is the only film depiction of Byron I've seen that attempts to portray him as the clever, funny man that he was rather than some cartoon goth with a big floaty cloak, eyeliner and an evil, reverberating laugh. Other films tend to be simple, self-indulgent perpetuations of Byron's partially self-made myth and this film is the only one I have seen so far that shows something of what was beneath: Regency society seen through Lord Byron's eyes as he rips the piss. Jonny Lee Miller carries off the parallel aspects of Byron's personality with aplomb, making him smug and petulant while unavoidably charismatic and likable. Of course it's still all conjecture, as is emphasised at the start of the film, but as far as Byron films go, there's nothing out there to touch this.

33 of 40 people found this review helpful.  Was this review helpful to you?

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