Byron lives with his ex-wife, her kids, and her boyfriend, and when he's not pursuing his primary passion, women, he spends his time smoking weed and loafing around. But he's grown restless... See full summary »
The true story of Graeme Obree, the Champion cyclist who built his bicycle from old bits of washing machines who won his championship only to have his title stripped from him and his mental health problems which he has suffered since.
George 'Beau' Brummel, a penniless but witty London gentleman, maintains a refined lifestyle with his loyal servant, cook Robinson. Only the friendship of the unpopular Hanoverian heir and ... See full summary »
The skilled pilot Denis Hopkins lives with his pregnant wife Valerie and has a comfortable lifestyle. When the gang of criminals headed by the sadistic Ricky Barnes breaks in his seaside ... See full summary »
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
Cameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
The green pelisse with ribbon trim down the middle of the front and back worn by a guest at the London Salon is the same costume worn by Anna Chancellor (Caroline Bingley) when she visits Jane Bennet on Gracechurch Street in London in Pride and Prejudice (1995), and by Alex Kingston (Mrs. Bennet) in the coach en route to the Netherfield Ball in Lost in Austen (2008). See more »
Half way through the first episode there is a long distance shot of the coach and horses coming down a hill. To the left of the road, at the top of the hill is a pile of about 20 black plastic wrapped silage bales. See more »
This is the only film depiction of Byron I've seen that attempts to portray him as the clever, funny man that he was rather than some cartoon goth with a big floaty cloak, eyeliner and an evil, reverberating laugh. Other films tend to be simple, self-indulgent perpetuations of Byron's partially self-made myth and this film is the only one I have seen so far that shows something of what was beneath: Regency society seen through Lord Byron's eyes as he rips the piss. Jonny Lee Miller carries off the parallel aspects of Byron's personality with aplomb, making him smug and petulant while unavoidably charismatic and likable. Of course it's still all conjecture, as is emphasised at the start of the film, but as far as Byron films go, there's nothing out there to touch this.
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