| Tom Wilkinson | ... | James Manning | |
| Emily Watson | ... | Anne Manning | |
| Hermione Norris | ... | Priscilla | |
| John Warnaby | ... | Simon | |
| Rupert Everett | ... | Bill Bule | |
| Richenda Carey | ... | Sarah Tufnell | |
| Linda Bassett | ... | Maggie | |
| Christine Lohr | ... | Nurse | |
| Alice O'Connell | ... | Maggie's Daughter | |
| John Neville | ... | Lord Rawston | |
| Peregrine Kitchener-Fellowes | ... | Bill's Son Charles | |
| Henry Drake | ... | Bill's Son Freddy | |
| David Harewood | ... | Inspector Marshall | |
| Sabine Tourtellier | ... | Receptionist | |
| Philip Rham | ... | French Lawyer | |
| Jeremy Child | ... | Angus Burrell | |
| Horlicks | ... | Dog | |
| rest of cast listed alphabetically: | |||
| Keith Bisset | ... | Dr. Morgan (uncredited) | |
| Leonard Silver | ... | Minister (uncredited) | |
| Terence Stamp | ... | Joe (uncredited) | |
Directed by | |||
| Julian Fellowes | |||
Writing credits | ||
| Nigel Balchin | (based on the novel by "A Way Through the Wood") | |
| Julian Fellowes | ||
Produced by | |||
| Steve Clark-Hall | .... | producer | |
| Christian Colson | .... | producer | |
| Paul Smith | .... | executive producer | |
Original Music by | |||
| Stanislas Syrewicz | (music) | ||
Cinematography by | |||
| Tony Pierce-Roberts | (director of photography) | ||
Film Editing by | |||
| Alex Mackie | |||
| Martin Walsh | |||
Casting by | |||
| Janey Fothergill | |||
Production Design by | |||
| Alison Riva | |||
Art Direction by | |||
| Niall Moroney | |||
Set Decoration by | |||
| Lee Sandales | |||
Costume Design by | |||
| Michele Clapton | |||
Makeup Department | |||
| Elaine Browne | .... | makeup artist | |
| Lesley Noble | .... | makeup artist | |
| Jamie Pritchard | .... | hairdresser: Mr. Everett | |
| Roseann Samuel | .... | hair designer (as RoseAnn Samuel) | |
| Roseann Samuel | .... | makeup designer (as RoseAnn Samuel) | |
Second Unit Director or Assistant Director | |||
| David Brown | .... | first assistant director | |
| Lee Grumett | .... | third assistant director | |
| Toby Hosking | .... | second assistant director | |
| Aurélia Michon | .... | trainee assistant director: Paris | |
| Charles Senard | .... | second assistant director: Paris | |
Art Department | |||
| Dave Allen | .... | construction manager | |
| Lionel Callari | .... | props standby: Paris | |
| Frank Carr | .... | stagehand | |
| Lesley Cross | .... | production buyer | |
| Chris Cull | .... | prop master | |
| Jonathan Holbrook | .... | standby painter | |
| Pete Lennox | .... | standby carpenter | |
| Rob MacPherson | .... | standby props | |
| Kerry-Ellen Maxwell | .... | props trainee: FT2 | |
| Simon Riley | .... | standby props | |
| Fabrice Spelta | .... | art department assistant | |
| Sam Stokes | .... | assistant art director | |
| Sarah Stuart | .... | standby art director | |
| Stephen Thomson | .... | prop hand | |
| Denis Villand | .... | carpenter: Paris | |
| Penny White | .... | store woman | |
| Billy Wilson | .... | prop hand | |
| Dorrie Young | .... | art department trainee: FT2 | |
| Martin Kane | .... | props (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor: Reelsound | |
| Gillian Dodders | .... | supervising dialogue editor | |
| Nathan Duncan | .... | sound assistant | |
| Stan Fiferman | .... | foley artist: Reelsound | |
| Peter Gleaves | .... | adr mixer: Reelsound | |
| Andrew Griffiths | .... | sound maintenance | |
| Mark Heslop | .... | sound editor | |
| Melissa Lake | .... | foley artist: Reelsound | |
| Nicolas Le Messurier | .... | re-recording mixer (as Nic LeMessurier) | |
| Chris Munro | .... | sound mixer | |
| Tom Sayers | .... | supervising sound editor | |
| Richard Street | .... | re-recording mixer | |
| Kevin Taylor | .... | foley mixer: Reelsound | |
| Andy Thompson | .... | adr mixer: Reelsound | |
| Paul Wrightson | .... | dialogue editor: Reelsound | |
| Tony Currie | .... | additional dialogue editor (uncredited) | |
| Mike Grimes | .... | sound effects editor (uncredited) | |
| Nigel Heath | .... | adr recordist (uncredited) | |
| Ben Meechan | .... | sound effects editor (uncredited) | |
| Hilary Wyatt | .... | supervising dialogue editor (uncredited) | |
Special Effects by | |||
| Michel Gery | .... | special effects assistant: Paris | |
| Daniel Lenoir | .... | special effects assistant: Paris | |
| Carol Styczen | .... | special effects assistant: Paris | |
| Piotr Styczen | .... | special effects coordinator: Paris | |
Visual Effects by | |||
| Alan Church | .... | visual effects supervision | |
| Tim Davies | .... | inferno artist: VTR Digital Cinema | |
| Simon Giles | .... | visual effects supervision | |
| Danny Pagan | .... | data co-ordinator: VTR Digital Cinema | |
| Safiya Ravat | .... | combustion artist: VTR Digital Cinema | |
| James Tillett | .... | film recording supervisor: VTR Digital Cinema | |
Stunts | |||
| Abbi Collins | .... | stunt performer | |
| Gary Connery | .... | stunt coordinator | |
| Neil Finnighan | .... | stunt performer | |
| Sarah Franzl | .... | stunt performer | |
| Steve Griffin | .... | stunt performer | |
| Dave Holland | .... | stunt coordinator | |
| Dave Holland | .... | stunt performer | |
| Adam Kirley | .... | stunt performer | |
| Andy Merchant | .... | stunt performer | |
| Gordon Seed | .... | stunt performer | |
Casting Department | |||
| Camilla Evans | .... | casting assistant | |
| Myriam Haquin | .... | crowd casting: Paris | |
Costume and Wardrobe Department | |||
| Chloe Aubry | .... | costume assistant (as Cloe Aubry) | |
| Rose Goodheart | .... | costume supervisor (as Rose Goodhart) | |
| Cristy Watson | .... | costume assistant | |
Editorial Department | |||
| Marsha Bramwell | .... | cutting room trainee | |
| Alison Carter | .... | first assistant editor | |
| Sally Clayton | .... | production supervisor: VTR Digital Cinema | |
| Mike Fraser | .... | consultant: VTR Digital Cinema | |
| Heidi Freeman | .... | first assistant editor | |
| Steve Harrow | .... | post production consultant: Steeple Post Production Services | |
| Peter Hunt | .... | colour timer | |
| Rod Shelton | .... | producer: VTR Digital Cinema | |
| Laurent Treherne | .... | data supervisor: VTR Digital Cinema | |
| Mark Vincent | .... | colorist (as Mick Vincent) | |
Music Department | |||
| Niv Adiri | .... | music editor | |
| Zbigniew Graca | .... | conductor: Polish Radio Orchestra | |
| Julian Kershaw | .... | orchestrator | |
| Tadeusz Mieczkowski | .... | recording engineer: Polish Radio Studios | |
| Mike Ross-Trevor | .... | music mixing engineer: Whitfield Street Studios, London | |
| Devin Workman | .... | assistant engineer: Whitfield Street Studios, London | |
Transportation Department | |||
| Gary Barnes | .... | unit driver | |
| Mick Boddy | .... | driver: standby props | |
| Brian Brookner | .... | unit driver | |
| Marie-Elise Chocroun | .... | driver: Paris | |
| Graham Dolloery | .... | driver: minibus (as Graham Dollery) | |
| Matt Evans | .... | driver: facilities | |
| Geraldine Girault | .... | driver: Paris | |
| Georg Grohmann | .... | unit driver (as Georg Grohman) | |
| Mark Hatchwell | .... | driver: grip van | |
| John Hogbin | .... | driver: minibus | |
| Russell King | .... | driver: camera truck | |
| Rob MacKnight | .... | driver: minibus (as Rob McKnight) | |
| Mac MacLean | .... | facilities captain (as Mac McLean) | |
| Nigel Morris | .... | driver: props runaround | |
| Maxime Mund | .... | driver: Paris | |
| Simon Saunders | .... | unit driver | |
| Mike Smith | .... | unit driver | |
| Colin Stephenson | .... | driver: facilities (as Colin Stevenson) | |
| Alexandre Vernerey | .... | driver: Paris | |
| Sean Warwick | .... | driver: standby construction | |
| Darren Watson | .... | driver: facilities | |
| Mike Wheeler | .... | unit driver | |
Other crew | |||
| Adrien Adriaco | .... | assistant unit location manager: Paris | |
| Sarah Baker | .... | assistant: Paul Smith, Celador Films | |
| Tyson Barber | .... | location runner | |
| Georgie Bayford | .... | accountant: Celador Films | |
| Clare Bennett | .... | assistant co-ordinator | |
| Carey Berlin | .... | production assistant: DNA Films | |
| Alexandra Bouillon | .... | assistant: Steve Clark-Hall (as Alex Bouillon) | |
| Gregory Bruneau | .... | location production assistant: Paris (as Grégory Bruneau) | |
| Marie-France Calif | .... | production co-ordinator: Paris | |
| Steve Clark | .... | chef: Set Meals | |
| Mike Clark-Hall | .... | floor runner | |
| Melanie Claus | .... | production co-ordinator (as Mel Claus) | |
| James Cooper | .... | production runner | |
| Rachel Cooper | .... | production assistant: DNA Films | |
| Ginger Corbett | .... | publicity: Premier Public Relations | |
| Sarah Critchley | .... | script clearances | |
| Matt Curtis | .... | title designed by (as Matthew Curtis) | |
| Sébastien Delepine | .... | location production assistant: Paris | |
| Sean Desmond | .... | security manager | |
| Stephen Dover | .... | financial management: Celador Films | |
| John Ensby | .... | laboratory contact | |
| Larry Eydmann | .... | health and safety advisor (as Larry Eydman) | |
| Penny Eyles | .... | script supervisor | |
| Camille Gatin | .... | stand-in | |
| Yolandi Groblar | .... | catering assistant: Set Meals | |
| Harriet Harper | .... | assistant to director | |
| Kate Hudson | .... | publicity: Premier Public Relations | |
| Patrick Isherwood | .... | production accountant | |
| Rachel James | .... | post production accountant | |
| Nicky Jarvis | .... | unit nurse | |
| Claire Kendall-Price | .... | production trainee | |
| Lisa Leibo | .... | assistant: Christian Colson, Celador Films | |
| Ivana Mackinnon | .... | development executive: Celador Films (as Ivana MacKinnon) | |
| Simon Maxwell | .... | production runner | |
| Lara Murray | .... | location manager | |
| Cindy Newman | .... | supplier: Horlicks the Dog | |
| Ben Nicholas | .... | production assistant: DNA Films | |
| David Oliver | .... | stand-in | |
| Zohra Salhi | .... | production accountant: Paris | |
| Isaac Sananes | .... | assistant accountant | |
| Joan Smith | .... | cashier | |
| Joanne Smith | .... | general manager: DNA Films | |
| Jane Soans | .... | location manager | |
| John Stewart | .... | chef: Set Meals | |
| Sue Summerskill | .... | chaperone | |
| Grégory Valais | .... | unit location manager: Paris | |
| Jen Lambert | .... | construction nurse (uncredited) | |
| Charles Senard | .... | location scout (uncredited) | |
Thanks | |||
| Cassandra Balchin | .... | the producers wish to thank for their assistance | |
| Charles Balchin | .... | the producers wish to thank for their assistance | |
| Freya Balchin | .... | the producers wish to thank for their assistance | |
| Jane Balchin | .... | the producers wish to thank for their assistance | |
| Stephen Critchlow | .... | the producers wish to thank for their assistance | |
| Gerard Crosnier | .... | the producers wish to thank for their assistance | |
| Donald Douglas | .... | the producers wish to thank for their assistance | |
| Zizi Durrance | .... | the producers wish to thank for their assistance | |
| Prudence Hopkins | .... | the producers wish to thank for their assistance | |
| Robert Jones | .... | the producers wish to thank for their assistance | |
| James Kay | .... | the producers wish to thank for their assistance | |
| Laurence Kaye | .... | the producers wish to thank for their assistance | |
| Cathy King | .... | the producers wish to thank for their assistance | |
| Sarah King | .... | the producers wish to thank for their assistance | |
| Martin Koch | .... | the producers wish to thank for their assistance | |
| Penelope Leach | .... | the producers wish to thank for their assistance | |
| Rhoda Lewis | .... | the producers wish to thank for their assistance | |
| Andrew Macdonald | .... | special thanks | |
| Alastair Mackenzie | .... | the producers wish to thank for their assistance | |
| Patrick Massey | .... | the producers wish to thank for their assistance | |
| Nora Mullally | .... | the producers wish to thank for their assistance | |
| Allon Reich | .... | special thanks | |
| George Stiles | .... | the producers wish to thank for their assistance | |
| Jesus Torres | .... | the producers wish to thank for their assistance: Le Caprice, London | |
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| So Sweet, So Dead | Stage Fright | And Now... Ladies and Gentlemen... | Kings & Queen | The Heart of Me |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
I wish there were more films about middle aged people. The intellectual journey and the twists and turns of life's moral highway make interesting viewing. There seems to be a different standard of judgement on women who have extra marital affairs than on men. Amy Watson's hurtful and humiliating behaviour towards her husband seems to pass without comment. Reverse the roles and one could expect a torrent of condemnation towards the man. If she found her husband boring and judgmental she could could have told him so, left and waited for a no doubt large financial settlement upon divorce. The country and London scenes are wonderfully authentic and rich while the autumnal weather adds to the melancholy background superbly. The ending is perfect, so in tune with real adult life.