Marko has a poet's sensibilities in Veles, a town in war-torn Macedonia. His sister is a bully, his mom's a doormat, and his dad is a striking factory worker who drinks and plays bingo. At school, Marko is tormented by thuggish fellow students, led by the loutish Levi, the son of a police captain. Marko's teacher of Macedonian, a Bosnian, sees promise in Marko's writing and gives the lad hope that he can someday escape Veles. A chance friendship with a thief who's passing through town furthers Marko's education. Is hope a mirage? What sort of fatherland is Macedonia? Written by
This was 'Marko Kovacevic''s debut role as an actor. Svetozar Ristovski conceived of Marko's personality as a combination of outward fragility and inner toughness, choosing Kovacevic for his ability to project these dual qualities. See more »
i've seen this movie recently, on Belgrade Film Festival (FEST), and i was delighted. although nobody expected it (numerous movies were shown on FEST, from across the world, some of them hailed by film critics - like "Vera Drake", directed by Mike Leigh), "Iluzija" was the best film shown of festival, and not only because of the "clever metaphors", or actors performances (although both of this elements are excellently controlled), but because of straight, concentrated, well-narrated story, with clear and precise beginning-middle-end structure, and with lots of details that are creating dangerous and mean universe (picture of Balkan under NATO "protectors") of the movie. of course, viewer who knows facts about Macedonia-Balkan-ex-Yugoslavia can see some of the best artistic comments on reality of the countries in so-called "transition", and also political-incorrectness (if you consider the critic of EU-USA attitude on "small countries" to be uncorrected). and when you are thinking about the movie in-whole, you can realize why's there a Nietzsche quotation on the movies beginning. but, there's a lot of philosophy in it, so we are leaving that story for another time, and another place...
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