Between April, 1975 and January, 1979, Pol Pot and the Khmer Rouge were responsible for the deaths of 1.7 million people in Cambodia. Pol Pot promised an agrarian utopia but delivered a ... See full summary »
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the ... See full summary »
After the end of the Cambodian Civil War, people in Cambodia struggled in their return to their normal lives. Among them is a kick boxer Savannah (Narith Roeun). A survivor of the war, who ... See full summary »
In 1975-79, the Khmer Rouge waged a campaign of genocide on Cambodia's population. 1.7 million Cambodians lost their lives to famine and murder as the urban population was forced into the countryside to fulfill the Khmer Rouges' dream of an agrarian utopia. In S21, Panh brings two survivors back to the notorious Tuol Sleng prison (code-named "S21"), now a genocide museum where former Khmer Rouge are employed as guides. Painter Vann Nath confronts his former captors in the converted schoolhouse where he was tortured, though by chance he did not suffer the fate of most of the other 17,000 men, women and children who were taken there, their "crimes" meticulously documented to justify their execution. The ex-Khmer Rouge guards respond to Nath's provocations with excuses, chilling stoicism or apparent remorse as they recount the atrocities they committed at ages as young as 12 years old. To escape torture, the prisoners would confess to anything, and often denounce everyone they knew - ... Written by
Sujit R. Varma
This is a great movie about the Cambodian genocide. Refusing any sensational or sentimental approach, it is just made out of testimonies, and patiently, slowly tries to understand how such a thing could happen. The mechanics of the Khmer Rouge crimes, the paranoiac will to obtain (by torture) a "reason" (completely absurd) to kill their victims is terrifying. And testimony's of the torturers are striking of refusal. Patience, the intelligence and the firmness of one of the rare surviving victims give again fortunately confidence in humanity. This movie is made on a similar approach to Claude Lanzmann's "Shoah". Which means to place the testimonies in the center, and refusing any reconstitution or archive images. Maybe the only way to speak about such an event ?
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