Identical twins, separated at birth and each raised by one of their biological parents, discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Teenager Holly Hamilton is tired of moving every time her single mom Jean has another personal meltdown involving yet another second-rate guy. To distract her mother from her latest bad ... See full summary »
Princess Mia has just turned 21 and is supposed to succeed her grandmother as the Queen of Genovia. But Viscount Mabrey who wishes that his nephew who is also in line to the throne to be the new ruler, reminds everyone of a law that states that an unmarried woman can't be made queen, and with the backing of parliament, he opposes Mia's coronation. But Queen Clarice asks that Mia be allowed time to find a husband, and she is given 30 days. But Mabrey tries to do what he can to stop that. But his nephew, Nicholas has met Mia and they are both attracted to each other but Mia upon learning who he is, dislikes and doesn't trust him but Clarice has invited him to stay with them for the 30 day period to keep an eye on him. Written by
The member of Parliament trapped between the two arguing brothers at the meeting concerning the orphans' home is songwriter Paul Williams - his character's name is Lord Harmony. See more »
When Mia sees her apartment inside the palace for the first time, the view out of the windows show they are on the ground floor. Later in the movie when she climbs out of the window to meet Nicholas, she climbs down the trellis from the second floor. See more »
Princess Mia grows into her power, adding bite to this tween rom com
What does it mean to be a princess? Besides wearing tiaras and twin sets, dancing at balls attracting fame and fortune simply for being beautiful? A princess is stuck forever in extended adolescence she only has the trappings of power. Symbolically, at least, a queen has real power, and does not necessarily need to be beautiful.
For hundreds of years, fairy tales have filtered through our consciousness to involuntarily fuel our dreams. In the last century, what began as cautionary tales to lecture children have been sugar-spun into a Disneyfied notion of desire. But with Disney's latest, Princess Diaries 2: Royal Engagement, the recent trend of recasting fairy tales to reflect modern ideals continues, albeit with a gentler hand than yesteryear's feminists.
Simply, it's not enough to be a princess anymore. Although ostensibly a conventional tween romantic comedy, Princess Diaries 2 features a heroine who is more independent than Drew Barrymore's character in Ever After (1998) and less frustrated than Julia Stiles' Mary Donaldson clone in the The Prince and Me (2004). And, even better, in Princess Diaries 2, there are no handsome princes, just boys on the side.
I'm not a fan of much of director Gary Marshall's work although Pretty Woman's a classic, Runaway Bride, Raising Helen and the original Princess Diaries are very ordinary films. But in this enchanting sequel, he and screenwriter Shonda Rhimes give us a character who's not just beautiful, klutzy and funny. Mia Mignonette Thermopoulos Rinaldi is growing into her power.
Princess Diaries 2 begins five years after the original at Mia's 21st birthday party. After the schemings of John Rhys Davies triggers an ancient Genovian law, Mia has one month to marry, otherwise she will forfeit the throne. As two very different suitors court her, Mia relies on her now affectionate relationship with her grandmother, Queen Clarisse (Julie Andrews), to guide her. Meanwhile security chief Joe (Hector Elizondo) woos the Queen.
There are hackneyed moments, the worst of which is a pajama party featuring dozens of little princesses who are designed to reflect their aspirant audience. Although enjoyable, this scene serves no dramatic function, except perhaps to showcase Julie Andrew's expertise in mattress surfing. The change in Queen Clarisse's character is also unexplained she's transformed from being an acerbic biddy in the first film to being the dream grandmother. However, this film is entertaining, humorous and has a positive message. The cast and characters are also strong, particularly Anne Hathaway as Mia, and there's plenty of chemistry between her and Nicholas (Chris Pine). Heather Matarazzo and Fat Louie the cat also make brief appearances.
Princess Diaries 2: Royal Engagement improves on the original, and will be a particular hit with its target audience: tween and teen girls. But this film's got enough substance to appeal to an older audience if you let it. ***/***** stars.
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