Directed by | |||
| Prachya Pinkaew | |||
Writing credits(in alphabetical order) | ||
| Prachya Pinkaew | story | |
| Panna Rittikrai | story | |
| Suphachai Sittiaumponpan | screenplay | |
Produced by | |||
| Tech Akarapol | .... | producer (as Akarapol Techaratanaprasert) | |
| Somsak Jiewsuwan | .... | associate producer | |
| Prachya Pinkaew | .... | producer | |
| Warinya Ratipakorn | .... | assistant line producer | |
| Mehdi Sayah | .... | assistant producer | |
| Somsak Techaratanaprasert | .... | executive producer | |
| Sukanya Vongsthapat | .... | producer | |
| Darin Vosbein | .... | assistant line producer | |
| Sita Vosbein | .... | line producer | |
| Luc Besson | .... | executive producer (uncredited) | |
Original Music by | |||
| Richard Wells | (UK version) | ||
Cinematography by | |||
| Nattawut Kittikhun | |||
Film Editing by | |||
| Thanat Sunsin | |||
| Thanapat Taweesuk | |||
Production Design by | |||
| Arkadech Kaewkotara | |||
Art Direction by | |||
| Arkadech Kaewkotara | |||
Costume Design by | |||
| Worathon Kritsanaklin | |||
Makeup Department | |||
| Panya Phaopeng | .... | hair stylist | |
| Wansong Sitthiprom | .... | assistant makeup artist | |
| Yudthana Sonthi | .... | makeup artist | |
| Kamol Soponkulpan | .... | assistant makeup artist | |
| Prachya Timmukda | .... | assistant makeup artist | |
Production Management | |||
| Jaded Aueychimplee | .... | assistant production manager | |
| Wararit Polcharoen | .... | production manager | |
| Sukanya Suantanu | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Sakchai Amattayakul | .... | third assistant director | |
| Chinoret Kumwandee | .... | first assistant director | |
| Kanchanaphan Meesuwan | .... | fourth assistant director | |
| Saratswadee Wongsomphet | .... | second assistant director | |
Art Department | |||
| Wansong Sitthiprom | .... | assistant art director | |
| Kamol Soponkhunpun | .... | assistant art director | |
| Prachya Timmukda | .... | assistant art director | |
Sound Department | |||
| Sunij Asavinikul | .... | sound mixer | |
| Sunij Asavinikul | .... | sound | |
| Thanapong Boonyachai | .... | sound editor | |
| Christophe Bourreau | .... | foley artist | |
| Somchai Chansook | .... | adr recordist | |
| Capucine Courau | .... | assistant sound editor | |
| Loïc Gourbe | .... | sound recordist | |
| Ariya Naslongkla | .... | sound effects editor | |
| Ariya Naslongkla | .... | sound mixer | |
| Angart Srirat | .... | adr recordist | |
| Vincent Tulli | .... | sound re-recording mixer | |
Stunts | |||
| Michael B. | .... | stunts (as Piroj Boongerd) | |
| Choawalit Choanoy | .... | stunts | |
| Dan Chupong | .... | stunts | |
| Don Ferguson | .... | stunts | |
| Chaiporn Gunmoontree | .... | stunts | |
| David Ismalone | .... | stunts | |
| Somjaj Junmoonree | .... | stunt manager | |
| Somjaj Junmoonree | .... | stunts | |
| Kanaung | .... | stunts (as Kanaung Keniah) | |
| Seng Kawee | .... | stunt coordinator | |
| Rided Lardpanna | .... | stunts | |
| Erik Markus Schuetz | .... | stunts: Martial Arts, Motorbikes, Choreography | |
| Somchai Moonma | .... | stunts | |
| Suban Phusoi | .... | stunt safety | |
| Suban Phusoi | .... | stunts | |
| Weerapon Poomatfon | .... | stunts | |
| Panna Rittikrai | .... | stunt coordinator | |
| Banlu Srisaeng | .... | stunt trainer | |
| Panna Rittikrai | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Thanaporn Arkamanon | .... | still photographer | |
Music Department | |||
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Mehdi Sayah | .... | assistant music supervisor | |
| Alison Wright | .... | music supervisor (UK version) | |
Other crew | |||
| Bob Buchholz | .... | english language director | |
| Tony Jaa | .... | martial arts choreographer (as Panom Yeerum) | |
| Emilie Maison | .... | press attache france | |
| Panna Rittikrai | .... | martial arts choreographer | |
| Kristy Ryan | .... | promotions manager: Australia | |
|
|
|
|
|
| The Protector | Ong bak 2 | Fearless | The Professional: Golgo 13 | Contraband |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Thailand section |
Tony Ja is the new Jet Li and Jackie Chan with a thai boxing background. This guy moves as quick as Jackie, has the strength of Jet Li, put packs a more violent, deadly assault - he uses his knees and elbows for pure annihilation. Why does he use his elbow and knees so much? Because they are the hardest parts of the human body. And god damn in Ong Bak he proper messes up everyone he comes across. Thai boxing is proper hardcore, they don't mess about.In Ong Bak, the story is pretty non existent, basically some gangstas from the city come to our heros poor village and steal the Buddha's head statue, and so Tony Ja commits to bringing it back and restoring peace. Now with that out of the way, let's talk about the fighting as this is where the film excels. WOW, this IS the most realistic fighting you will ever see. The only thing I can compare it to is Ultimate Fighting, but ten times worse. Tony Ja will become a legend this is fact. His flexibility in fighting is so extreme, and this film is basically just crammed up with the biggest, most violent stunts you will ever see. For instance, in a scene where Tony and his newly met friends run away from a group of hoodlums, he gets away in style. This is done by jumping through the tiny gaps, either backwards sliding underneath cars, jumping feet and hands outstretched through a hope, running across people's heads, flippin, kicking, somersaulting absolutely everywhere. Remember when you first saw the matrix and you were like `woah', well this is so much better. For starts, the stunts in this film are REAL. Everybody gets injured. There are no wires, pulleys, fake punches, fake blood. This is how it should be. Hollywood take note. The best scenes come where there is a kinda of street fighter style arena, where the deadliest fighters compete to be champion. Tony gets accidently caught up in this, and doesn't mess around by defeating the champion with a single powerful knee thrust into the opponents chest as Tony bends forwards and twists to avoid the ensuing punch from the opponent then unleashes the killer blow. Everyone in the arena is stunned and Tony gets booed for bad sportsmanship.. But don't worry about that has the biggest fights of his life coming up.You need this film in your life. I haven't seen anything as violent and hardcore as this ever before. But even though its hardcore and low budget, the direction is slick. Double takes are often used for the incredible action so you can really appreciate, for example, taking out three men with a triple, twisting back flip and smashing their heads in with your knees and elbows at the same time with pure accuracy. I have watched this four times now and cannot get enough. Overall, the story line is weak and there are some hilarious cheesy moments, but this all works perfectly well as instead of going `god damn thats sick!' at the beginning, you will end up saying `ha ha! Did you see his elbow get torn backwards then snapped! Ha ha! This is genius!'. It's like CKY2 with all the accidents, but here it is intentional for someone to do themselves in. This is a film you will watch over and over again, and show your mates everytime they come round. 10/10