| Index | 2 reviews in total |
SPOILERS THROUGHOUT.
'The Nine-Mile Walk', a 1947 story by Harry Kemelman, is rightly
considered one of the greatest mystery stories of all time. Its plot is
ingenious. A language professor named Nick Welt, trying to persuade a
colleague that words have meanings which transcend their definitions,
asks for a random statement as an example. The colleague obliges with
this seemingly random sentence: "A nine-mile walk is no joke,
especially in the rain." Through a fascinatingly logical series of
deductions, the professor builds a strong case that the person most
likely to have uttered that statement has just committed a murder. How
did the colleague ever chance to come up with this particular sentence?
The story's solution is surprising and satisfying.
Alvaro Brechner's film is a fascinating adaptation of Kemelman's
classic story. The original tale is not very cinematic: it's basically
just a conversation between two men walking along a road. Working on an
extremely low budget, Brechner has imaginatively illustrated Kemelman's
story, adding a powerful Spanish inflection. Brechner, born in Uruguay,
is now based in Madrid. For this short film (just under 20 minutes), he
brilliantly uses the mediaeval city of Toledo as a backdrop, with the
city very nearly becoming a fully-fleshed character in the story.
In this film version, Nick Welt is a trial lawyer who has come to the
modern city of Toledo to attend a lawyers' convention. Also attending
the convention is Nick's colleague Carlos. Nick has a professional
respect for Carlos, but feels that Carlos has a tendency to jump to
illogical conclusions in his jury summations. The two men discuss this
as they leave the convention and stroll through the Toledano streets.
Nick offers to prove his point, challenging Carlos to make a random
statement which Nick will then deconstruct. As in the original story,
Carlos offers "A nine-mile walk is no joke, especially in the rain."
What makes Brechner's film very much more than a mere illustration of
Kemelman's dialogue is his brilliant use of Toledo locations. As the
two men stroll along, they become so enrapt in Nick's chain of logic
that they fail to keep track of where they're going. Suddenly they
discover that they're inside the labyrinthine streets of Toledo's inner
mediaeval city ... and they can't find their way out. As Nick continues
to deconstruct Carlos's statement, they carry on walking ... but are
they moving deeper into the labyrinth, or not? Eventually, as Nick's
chain of logic reaches its deadly conclusion, the two men encounter a
cab driver (taxista). The ending is stunning, and unexpected even for
those who have read Kemelman's story.
Brechner is a talented and intuitive director, and his adaptation of
Kemelman's story is excellent. He's even more fortunate here to have
such good actors. Gary Piquer, as Nick, is a Glaswegian Catalan (!)
with unusual features and a distinctive accent, who handles his
dialogue well and easily conveys the intelligence of his role. Alex
O'Dogherty, as Carlos, doesn't look like my notion of a trial lawyer
... but I've met very few Spanish trial lawyers. O'Dogherty brings a
conviction and a dogged tenacity to his role, as the two men find
themselves enmeshed in two different labyrinths: the streets of Toledo,
and Nick's remorseless logic.
I'll rate this brilliant short film a perfect ten out of ten. I eagerly
await more film work by Brechner, Piquer and O'Dogherty, separately or
in collaboration.
This short film rides mainly on the strength of Harry Kemelman's story, but it still provides a surprisingly engrossing watch. Makes you feel like reaching for a Kemelman's collection and enjoy some more! And find out what else this little known director may have made...
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