In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified. Written by
The phone at the Peacocks house is too modern for the time - the cord going into the handset had a clip in cord versus being attached directly to the piece. See more »
There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
A poem is like a naked person...
Take all the music, everything you've heard, read, seen in documentaries about Bob and throw them in a blender and pull them out and what you get is "I'm not there" And it's a tasty concoction of a movie that comes off like a dream of everything that's publicly known about his life. Perhaps even Bob himself dreaming about the course of his life. The more you do know about what's out there about Bob the more you'll be able to make the connections with the scenes in this beautiful montage about the poet, songwriter, and musician genius of the last 60 plus years. This is a great film about a very complicated artist who could never be pinned down as representing any one ideology or persona although he seemed to imply many. I suppose Dylan will always be the great enigma and this film only helps to perpetuate it, which is part of what makes it so successful but as we all now know there's no success like failure and failure's no success at all.
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