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I'm Not There. (2007)

7.0
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Ratings: 7.0/10 from 43,936 users   Metascore: 73/100
Reviews: 228 user | 225 critic | 35 from Metacritic.com

Ruminations on the life of Bob Dylan, where six characters embody a different aspect of the musician's life and work.

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Writers:

(screenplay), (screenplay), 1 more credit »
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Nominated for 1 Oscar. Another 37 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Woody / Chaplin Boy
...
...
Narrator (voice)
...
Roc LaFortune ...
...
Government Agent
Paul Cagelet ...
Carny / Bell-Hop
Brian R.C. Wilmes ...
Circus Man (as Brian RC Wilmes)
Pierre-Alexandre Fortin ...
Richie Havens ...
...
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Storyline

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

All I Can Do Is Be Me Whoever That Is

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language, some sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

28 November 2007 (Canada)  »

Also Known As:

I'm Not There  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£58,491 (UK) (21 December 2007)

Gross:

$4,001,121 (USA) (29 February 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(partly)|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The man in the viking outfit and café Wha? seen in the beginning sequence of the film are all references to Bob Dylan's first experiences playing music in New York city. The man in the viking outfit was Moondog, a blind poet Bob Dylan was associated with, and café wha? was where Dylan began playing music in New York. All of this information is shared in Dylan's book "Chronicles volume I". See more »

Goofs

Right after Jude leaves the Beatles and they are chased by fans, you can see the last person in the mob slow down immediately when they're behind the trellis. See more »

Quotes

[first lines]
Narrator: There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
Jude: A poem is like a naked person...
Narrator:
  • even the ghost was more than one person.



Arthur: ...but a song is something that walks by itself.
See more »

Connections

Referenced in The O'Reilly Factor: Episode dated 31 January 2008 (2008) See more »

Soundtracks

Billy 1
Performed by Calexico
Written by Bob Dylan
Published by Ram's Horn Music (SESAC)
Produced by Joey Burns
Calexico appears courtesy of Quarterstick Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Incredible Film
4 October 2007 | by (United States) – See all my reviews

I just returned from viewing this film at the New York film festival, and I must say it potentially Haynes' best film to date. By abstracting from a conventional biopic, the film captures the essence of Dylan. The different actors that play Dylan chronicle the metamorphosis of an icon. With an astounding ensemble the performances are flawless. Cate Blanchett in particular, is uncanny as Dylan at the peak of his stardom, in all likelihood securing a Supporting Actress Oscar nomination. Technically the editing is seamless and Haynes is successfully able to integrate a multitude of styles. In emulating Dylan, the film itself is structured much like a poem. Haynes strings together fact and fiction, the real and surreal and the self and society into a magnificent fabric that illustrates the identity of one of the greatest American icons.


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Main problem with this film Harold_Hardrider
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