A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified. Written by
Different sections of the film were inspired by different cinematic sources. The "Jude" section was inspired by 8½ (1963), the "Billy" section was inspired by the so-called "hippie westerns" of the late 60s and early 70s (such as Sam Peckinpah's films) and the "Robbie" section was inspired by the films of Jean-Luc Godard, especially Masculin Féminin (1966). See more »
During the sequence when Robbie and Claire buy the motorcycle, Robbie gets out of the car to sit on the motorcycle and even though he locks the car, he leaves the headlights on. See more »
There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
A poem is like a naked person...
Take all the music, everything you've heard, read, seen in documentaries about Bob and throw them in a blender and pull them out and what you get is "I'm not there" And it's a tasty concoction of a movie that comes off like a dream of everything that's publicly known about his life. Perhaps even Bob himself dreaming about the course of his life. The more you do know about what's out there about Bob the more you'll be able to make the connections with the scenes in this beautiful montage about the poet, songwriter, and musician genius of the last 60 plus years. This is a great film about a very complicated artist who could never be pinned down as representing any one ideology or persona although he seemed to imply many. I suppose Dylan will always be the great enigma and this film only helps to perpetuate it, which is part of what makes it so successful but as we all now know there's no success like failure and failure's no success at all.
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