A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified. Written by
Todd Haynes noted that when he got his favorite actor and actress, Christian Bale and Julianne Moore, together to shoot the still photographs early on in the film, how different their acting styles were. Moore kept joking and laughing with Haynes and only a few photos could be used where she had a straight face, while in every shot the more method-based Bale appeared serious and intense. See more »
During the Los Angeles home sequences, Claire's/Robbie's telephone number has a 310 area code, which was introduced November 2, 1991. The area code should be 213. See more »
There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
A poem is like a naked person...
I just saw I'm Not There at the Telluride Film Festival. It is AMAZING. The performances are nothing short of spectacular. Cate Blanchett really nails the role except that her voice obviously can't hit the same bass as the real Bob Dylan. She does, however, look creepily like Dylan in many instances and really gets the mannerisms right. Christian Bale is another standout. It should be mentioned that all of the performances are really top-notch, nobody falls short. The music was fantastic, too (obviously). My one complaint would be that the film goes on a bit longer than it probably needs to but not enough to affect my overall score. I floated out of the theater after seeing this one. It is definitely essential for all Dylan fans. Many of the people I saw the film with were not very familiar with Dylan's life or music but they said they enjoyed it as well. See it the day it comes out!
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