In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified. Written by
The man in the viking outfit and café Wha? seen in the beginning sequence of the film are all references to Bob Dylan's first experiences playing music in New York city. The man in the viking outfit was Moondog, a blind poet Bob Dylan was associated with, and café wha? was where Dylan began playing music in New York. All of this information is shared in Dylan's book "Chronicles volume I". See more »
Right after Jude leaves the Beatles and they are chased by fans, you can see the last person in the mob slow down immediately when they're behind the trellis. See more »
There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
A poem is like a naked person...
I just returned from viewing this film at the New York film festival, and I must say it potentially Haynes' best film to date. By abstracting from a conventional biopic, the film captures the essence of Dylan. The different actors that play Dylan chronicle the metamorphosis of an icon. With an astounding ensemble the performances are flawless. Cate Blanchett in particular, is uncanny as Dylan at the peak of his stardom, in all likelihood securing a Supporting Actress Oscar nomination. Technically the editing is seamless and Haynes is successfully able to integrate a multitude of styles. In emulating Dylan, the film itself is structured much like a poem. Haynes strings together fact and fiction, the real and surreal and the self and society into a magnificent fabric that illustrates the identity of one of the greatest American icons.
57 of 96 people found this review helpful.
Was this review helpful to you?