Directed by | |||
| Kevin Connor | |||
Writing credits(WGA) | ||
| Mary Shelley | (book "Frankenstein") | |
| Mark Kruger | (teleplay) | |
Produced by | |||
| Kevin Bocarde | .... | supervising producer | |
| H. Daniel Gross | .... | co-executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Roger La Page | .... | co-producer | |
| Larry Levinson | .... | executive producer | |
| Nick Lombardo | .... | co-executive producer | |
| Michael Moran | .... | co-executive producer (as Michael Moran) | |
| Therese Ryan | .... | co-executive producer | |
| Steven Squillante | .... | co-executive producer | |
| James Wilberger | .... | producer | |
| Lars Erik Ørgersen | .... | line producer: Norway | |
Original Music by | |||
| Roger Bellon | |||
Cinematography by | |||
| Alan Caso | (director of photography) | ||
Film Editing by | |||
| Jennifer Jean Cacavas | |||
Casting by | |||
| Gillian Hawser | |||
| Matthew Lessall | |||
| Lenka Stefankovicova | |||
Production Design by | |||
| Jonathan A. Carlson | (as Jonathan Carlson) | ||
Art Direction by | |||
| Viera Dandova | |||
Set Decoration by | |||
| Stano Mozny | |||
Costume Design by | |||
| Barbara Lane | |||
Makeup Department | |||
| Christopher Burdett | .... | creature effects designer | |
| Jason Collins | .... | supervisor: Almost Human | |
| Gabriel De Cunto | .... | special makeup effects department head | |
| Beatrix Dollingerova | .... | key makeup artist | |
| Robert Hall | .... | special makeup designer: Almost Human | |
| Katka Horska | .... | assistant hair stylist (as Katarina Horska) | |
| Katka Horska | .... | assistant makeup artist | |
| Martin Jankovic | .... | assistant makeup artist | |
| Martin Jankovic | .... | makeup artist: second unit | |
| Ludka Kovacikova | .... | second hair stylist | |
| Maria Lojanova | .... | second makeup artist | |
| Debbie Mezera | .... | office manager: Almost Human Inc | |
| Viera Rajtárová | .... | assistant hair stylist | |
| Megan Tanner | .... | makeup artist: Luke Goss | |
| Stefania Zarecka | .... | key hair stylist | |
Art Department | |||
| Tomas Bakocka | .... | swing gang | |
| Tomas Berka | .... | construction coordinator | |
| Peter Cuvarsky | .... | greensman | |
| Sylvain Despretz | .... | storyboard artist | |
| Milan Jaycay | .... | props: second unit (as Milan Jajcay) | |
| Peter Juhász | .... | lead man | |
| Juraj Kriha | .... | set dresser | |
| Lubomir Ondrus | .... | draftsman | |
| Igor Pavlovic | .... | swing gang | |
| Martin Ragala | .... | props: second unit | |
| Jana Rostasova | .... | draftswoman | |
| Ivan Varinsky | .... | construction buyer | |
| Dalibor Vasica | .... | construction foreman | |
| Jeanina Vasilescu | .... | assistant art director (as Geanina Vasilescu) | |
| Jan Ziska | .... | swing gang | |
Sound Department | |||
| Vladislav Boyadjiev | .... | ProTools engineer | |
| John Brasher | .... | sound mixer | |
| Jason Brennan | .... | sound engineer | |
| Lorita de la Cerna | .... | adr mixer | |
| Paul J. Diller | .... | sound effects editor (as Paul Diller) | |
| Roberto Domínguez | .... | foley mixer | |
| Mark Ettel | .... | sound effects mixer | |
| Mark Ettel | .... | sound re-recording mixer | |
| Eric Hoeschen | .... | foley artist | |
| David Lynch | .... | sound effects editor | |
| Rick MacLane | .... | sound engineer | |
| Juraj Oravec | .... | boom operator | |
| Peter Polak | .... | boom operator | |
| Paul Ratajczak | .... | sound mixer | |
| Trevor Sperry | .... | adr mixer | |
| Marco Streccioni | .... | sound engineer | |
| Otis Van Osten | .... | sound effects designer | |
| Otis Van Osten | .... | sound supervisor | |
| Boyadjiev Vladislav | .... | sound assistant | |
| Michael Wetherwax | .... | dialogue editor | |
| Kenneth Young | .... | sound effects editor (as Ken Young) | |
Special Effects by | |||
| Tissi Brandhofer | .... | special effects supervisor | |
| Scott Fields | .... | lab technician: Almost Human | |
| Milan Rakicky | .... | special effects assistant | |
| Suli Rakicky | .... | special effects | |
| Jozef Taptik | .... | special effects: second unit | |
Visual Effects by | |||
| Roland Friedrich | .... | Flame artist | |
| Miro Gal | .... | Flame artist | |
| Helena Keslova | .... | Flame artist | |
| Vít Komrzý | .... | visual effects coordinator | |
| Viktor Muller | .... | visual effects supervisor | |
| Peter Nemec | .... | Flame artist | |
| Jiri Stamfest | .... | matte painter | |
| Jan Vseticek | .... | visual effects producer | |
| David Vána | .... | Flame artist | |
| David Vána | .... | visual effects supervisor | |
Stunts | |||
| Marek Borik | .... | stunts | |
| Tomas Celec | .... | stunt double | |
| Monika Fiserova | .... | stunt coordinator | |
| Vladimir 'Furdo' Furdik | .... | stunt coordinator | |
| Stefan Gal | .... | stunt driver | |
| Michaela Hornanska | .... | stunt double | |
| Marek Horvath | .... | stunts | |
| Roman Jankovic | .... | stunts | |
| Miroslav Kadlecik | .... | stunt double | |
| Branislav Martinak | .... | stunts | |
| Lubomir Misak | .... | stunt rigger | |
| Lubomir Misak | .... | stunts | |
| Dusan Prvy | .... | stunt double | |
| Michael Sandala | .... | stunts | |
Costume and Wardrobe Department | |||
| Jana Janková | .... | on-set costumer | |
| Renata Kerulová | .... | on-set costumer | |
| Renata Kerulová | .... | wardrobe: second unit | |
| Borys Mecele | .... | tailor | |
| Darina Suranová | .... | costume supervisor | |
Editorial Department | |||
| Todd Dusenbury | .... | dailies colorist | |
| Charlotte Grau | .... | colorist | |
| Thomas A. Krueger | .... | assistant editor (2004) | |
| Jan Popiden | .... | assistant editor | |
| Frank Sharp | .... | post-production coordinator | |
| Jeremy Sherlick | .... | assistant editor | |
Music Department | |||
| Carl Sealove | .... | music editor | |
Transportation Department | |||
| Viliam Richter | .... | transportation coordinator | |
| Martin Stubniak | .... | transportation captain | |
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| Frankenstein | Frankenstein | Son of Frankenstein | Frankenstein Must Be Destroyed | The Bride of Frankenstein |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb TV section | IMDb Drama section |
| IMDb Slovakia section |
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When I first stumbled upon this film while channel-surfing, I thought it was a bad vampire movie. After listening closely to the dialogue, I realized that this was Frankenstein. Not only was it Frankenstein, but it was the most true-to-the-novel Frankenstein I'd ever seen.
Generally made for TV movies aren't a double thumbs up, but this was actually very enjoyable. The acting was well and the scenery was gorgeous. I was very satisfied at how superb a job Hallmark did on Mary Shelly's classic.
If one wishes to see a more Universal-type Frankenstein, look no further than Boris Karloff's version. If, however, one is tired of Frankenstein remakes after Frankenstein remakes, all modeled after the Hollywood tellings and not Shelley's piece, then one will be pleased with Hallmark's version.
I give this an eight out of ten.