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Elizabethtown (2005)

During a hometown memorial for his Kentucky-born father, a young man begins an unexpected romance with a too-good-to-be-true stewardess.

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4,891 ( 372)

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From $2.99 (SD) on Amazon Video

ON DISC
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Uncle Dale (as Loudon Wainwright)
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Dan Biggers ...
Alice Marie Crowe ...
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Storyline

After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The Best Place To Find Yourself.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language and some sexual references | See all certifications »

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Details

Country:

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Release Date:

14 October 2005 (USA)  »

Also Known As:

Elizabettauna  »

Box Office

Budget:

$57,000,000 (estimated)

Opening Weekend:

$10,618,711 (USA) (14 October 2005)

Gross:

$26,838,389 (USA) (16 December 2005)
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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

While shooting a scene in a cemetery with actors Orlando Bloom and Kirsten Dunst, filming was interrupted due to an unexpected rain storm. Cameron Crowe suggested they shoot the scene anyway because it looked more beautiful and natural. See more »

Goofs

When Claire is leaving Drew's hotel room in the morning she has a flower in her right hand. In the next shot she takes the imaginary photo with empty hands. After this she walks away and rests the flower on the dressing table. See more »

Quotes

[first lines]
Dock Worker: [receiving returning good] Welcome back, boys.
Drew Baylor: As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
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Crazy Credits

This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »

Connections

Referenced in Ebert Presents: At the Movies: Episode #2.23 (2011) See more »

Soundtracks

Free Bird
(1973)
Written by Allen Collins & Ronnie Van Zant
Performed by Sean Price
Produced by Jim James
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User Reviews

 
Worth Seeing on a Sunny Autumn Afternoon
17 October 2005 | by (United States) – See all my reviews

I went into this movie hopeful but not expecting too much, given the poor reviews I had seen for it. I walked out impressed and touched, surprised by how much I really enjoyed it, and wondering if other people would give it a chance and enjoy it, as well. Time will tell.

The things that I liked about this movie are easy to feel but not so easy to describe. There were moments that really got to me, bits of scenes that touched me and caught in my memory, and time and again I found myself nodding and smiling and thinking, "I know exactly how he feels," or "I remember that feeling." Somehow, this story was good in a different way than Garden State was good. I loved Garden State, and the plot of Elizabethtown is enough like Garden State that it was hard not to have it in mind when I sat down in the theatre, but the two movies are really quite different. Crowe's Elizabethtown felt more real than Braf's Garden State, and somewhat less contrived.

Elizabethtown is the kind of movie you should see on a sunny autumn afternoon after a walk with an old friend. It has a joy to it, a basic sense of optimism and a light touch, so that it never crossed the line from sadness into tragedy and melodrama. Crowe doesn't let us fall into sentiment, but he deftly weaves a story that could have been corny and sentimental in lesser hands. I read critics who said he let the music play the emotions for us, but I can't agree, because I think that the cast did an excellent job portraying people I could really feel for and with, especially Orlando Bloom.

Orlando Bloom's Drew Baylor is introduced in a moment of pain and panic, utterly emotionally blocked, repeating "I'm fine" while feeling suicidal and saying "My condolences" to strangers and distant relatives as if the loss of his father belongs to them and not to him. In the film, he relaxes and grows emotionally under the tutelage of Kirsten Dunst's Claire, and together they work their way through the American heartland into a tender relationship and a new perspective on the meaning and value of life and success. His American accent and her Southern drawl might both be a little off at times, but it was easy to forgive in the interest of watching what happened next.

From the side stories of the secondary characters (Susan Sarandon is delightful, as always, in a turn as a widow whose reaction to her husband's death is to reach out and grab life with both hands) to the road trip into Americana, all the quirky little moments that felt real and sincere made this movie one that I enjoyed watching and will think about and remember. I hope you enjoy it, too!


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