The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
On Claire's road map for Drew, there is a quote by R. Hammond and J. Bebe. Russell Hammond and Jeff Bebe were two of Stillwater's members in Cameron Crowe's previous film Almost Famous (2000). See more »
Towards the end of the movie, when Drew is driving, the camera shows a Wichita sign next to road. For a second, the very dirty top of the windshield (that the wipers can't reach) is visible. In the next shot, showing Drew from the side, the windshield is totally clean. See more »
[receiving returning good]
Welcome back, boys.
As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
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This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »
Let It Out (Let It All Hang Out)
Written by B.B. Cunningham (as BB Cunningham), Gary McEwen, Jerry Masters & John Hunter
Performed by The Hombres
Courtesy of Universal Records
Under license from Universal Music Enterprises
(p) 1967 Universal Records, a Division of UMG Recordings, Inc. See more »
How could so many critics have panned this amazing film?
For the critics who say this film meanders and rambles, I have to say this: When your dad dies, your life meanders and rambles. I can't speak for everyone who has lost a father but I can speak for myself, and I thought it was spot-on in it's portrayal of the confusing roller-coaster that surrounds the death of a parent. Elizabethtown has all of the things you'd expect from a Cameron Crowe movie: a unique and personal story, great music, beautiful cinematography, surprising humor (I was actually choking from laughing so hard during the videotape scene) and very real and touching moments. I thought the acting was great. Orlando Bloom gave a touching and subtle performance. Kirsten Dunst's accent did go in and out a bit, but she and Bloom had such great chemistry that it didn't bother me at all. Susan Sarandon was perfect, Alec Baldwin was hilarious, the Elizabethtown residents were quirky and fun...if I have a complaint it's that the amazing Judy Greer was underutilized. Overall, this movie had everything that a great movie should have. Shame on the critics who panned it simply because it didn't follow the usual Hollywood plot mapthis film is about taking the scenic route and making the trip meaningful, and that's what it did.
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