On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Drew meets his cousin for the first time there is a boy on a push bike in the background. He continually during short shots, moves from the grass to down the road again. See more »
[receiving returning good]
Welcome back, boys.
As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
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This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »
Elizabethtown is a mastery of subtlety; instead of being a movie to escape reality in, it is a movie that enables you to examine yourself. At first glance, the characters and plot may be dismissed as "two-dimensional" and "uneventful," however, that is not the case. Like people in general, Kirsten Dunst's and Orlando Bloom's characters are struggling inside the awkwardness of life. They are both struggling to differentiate their public personas from their deeply private individual emotions. In discovering each other, they find an outlet for accomplishing just that. The movie gives one more than the chance to examine and understand the characters - it holds up a mirror so that we can all see in plain light own facades and struggles. What each person gets out of the movie is unique, but the overriding message of the movie is to let go of baggage and live life without fear. It is an optimistic movie, and provides cathartic healing almost as much for the audience as it does for the characters.
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