The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The picture of Susan Sarandon holding a baby on the mantelpiece in the flashback, is the same picture used in Stepmom (1998). See more »
When Claire sits down with the urn with the ashes, she reaches across her body with her right hand (as she is holding a glass in her left hand) and touches the urn saying "Hello, Mitch". In the next shot, the glass is in her right hand and her left is on the urn. See more »
[receiving returning good]
Welcome back, boys.
As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
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This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »
No other filmmaker captures the wonder and sweet, sweaty palmed innocence of new love better than Cameron Crowe. Crowe's unique view of the world, of the US and pop culture isn't naive - he's aware of and recognizes the flaws and horrors of the world around us but somehow sees beyond...his work is about the simple joys of being in love, of being alive, of the gentle eccentricities of mankind. I love him and ELIZABETHTOWN is his magnum opus, a funny, quietly moving, Rockwellian comedy with a glorious turn by Dunst and a likable one by Bloom. Many people will recoil at this film - like a symphony, it has many movements and complex orchestrations and certainly it isn't without flaws (lengthy running time, Sarandon's tap dance finale)but when it's all said and done ELIZABETHTOWN is a warm, endearing and romantic celebration of life and love. As usual, Crowe brings his passion for pop music to the forefront, breathing new lyrical life to classic rock and obscure B sides. I LOVE what he did to Lindsay Buckingham's acoustic version of Fleetwood Mac's BIG LOVE.
Hey...I adored this movie. It WILL stand the test of time and Crowe, God love him, is an artist to be equally cherished.
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