After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The picture of Susan Sarandon holding a baby on the mantelpiece in the flashback, is the same picture used in Stepmom (1998). See more »
When Claire is leaving Drew's hotel room in the morning she has a flower in her right hand. In the next shot she takes the imaginary photo with empty hands. After this she walks away and rests the flower on the dressing table. See more »
[receiving returning good]
Welcome back, boys.
As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
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This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »
Watching the previews, one might expect some movie about a guy who loses a bunch of money. But that's just a hook. It's not really what the story is about.
This is one of those road flicks, where Bloom's character Drew is forced to go on a journey of sorts... and in the process realizes that while he was busy trying to succeed, he missed out on doing all the things that really matter.
This movie has all the markers of a Crowe flick... an awesome soundtrack for starters. What is unexpected about this movie, though, is how funny it is. It deals with some heavy subject matter (death, suicide, failure) in a way that's fresh... and light. There are some scenes that had the audience crying, they were laughing so hard.
It has many of the same American nostalgic qualities to it, that orange dusty tint to the American landscape that ultimately makes most people nostalgic for a home they've never had. The small town, where everyone knows your name (or in this case, your dad's name).
Crowe introduced this movie saying that a lot of the scenes were from his memories of childhood and his family's eccentricities, which you definitely see. He completely succeeds in capturing the moments (often embarrassing) that families share... and outsiders never get to see.
All in all, it's a fantastic gem. If you liked Almost Famous, you'll love this one.
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