When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister ... See full summary »
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn, who changes his view and perspective of life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Cameron Crowe had written the role of Drew Baylor with Orlando Bloom in mind. When Crowe originally offered Bloom the part, Bloom was unable to take it due to scheduling conflicts with Kingdom of Heaven (2005). Crowe then cast Ashton Kutcher in the part but later felt that Kutcher and co-star Kirsten Dunst had no chemistry and decided to let him go. Crowe then pushed his January 2004 start shoot date back to July 2004 for a summer shoot. Many young actors that included Seann William Scott, James Franco, Colin Hanks and Chris Evans auditioned for the part of Drew. Scott was seriously considered and nearly nabbed the part but Crowe pushed to get Bloom instead. When Bloom was able to work the film into his schedule, Crowe cast him in the part. See more »
When Claire and Drew are in the ballroom, Claire is holding a champagne glass. When she steps up onto the platform area of the main table, she sets it down. Drew lifts her off and puts her down, and she doesn't have it, but in the next shot she is holding it again. See more »
[receiving returning good]
Welcome back, boys.
As somebody once said, there's a difference between a failure and a fiasco. A failure is simply the non-present of success. Any fool can accomplish failure. But a fiasco, a fiasco is a disaster of mythic proportions. A fiasco is a folktale told to others, that makes other people feel more... alive. Because it didn't happen to them.
See more »
This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986. See more »
No other filmmaker captures the wonder and sweet, sweaty palmed innocence of new love better than Cameron Crowe. Crowe's unique view of the world, of the US and pop culture isn't naive - he's aware of and recognizes the flaws and horrors of the world around us but somehow sees beyond...his work is about the simple joys of being in love, of being alive, of the gentle eccentricities of mankind. I love him and ELIZABETHTOWN is his magnum opus, a funny, quietly moving, Rockwellian comedy with a glorious turn by Dunst and a likable one by Bloom. Many people will recoil at this film - like a symphony, it has many movements and complex orchestrations and certainly it isn't without flaws (lengthy running time, Sarandon's tap dance finale)but when it's all said and done ELIZABETHTOWN is a warm, endearing and romantic celebration of life and love. As usual, Crowe brings his passion for pop music to the forefront, breathing new lyrical life to classic rock and obscure B sides. I LOVE what he did to Lindsay Buckingham's acoustic version of Fleetwood Mac's BIG LOVE.
Hey...I adored this movie. It WILL stand the test of time and Crowe, God love him, is an artist to be equally cherished.
153 of 277 people found this review helpful.
Was this review helpful to you?