6.0/10
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16 user 5 critic

50 Ways to Leave Your Lover (2004)

Events after an earthquake convince Owen, a writer of hack "as told to" autobiographies, to leave L.A. He burns his bridges telling people what he really thinks, quits his current client (a... See full summary »

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Cast

Cast overview, first billed only:
Ashley Ummel ...
Homicidal Twin
Sarah Ummel ...
Homicidal Twin
Jack Jozefson ...
Porn Star (as Jack Jozephson)
Mary Audrey Kneipp ...
Grandmother
...
Bucky Brandt
...
Owen McCabe
...
Nature Girl
...
Perky Girl
Sarah Mahoney ...
Nervous Girl
...
Rob
...
Allison
...
Donnie
...
Eileen
...
Jack
...
Joan
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Storyline

Events after an earthquake convince Owen, a writer of hack "as told to" autobiographies, to leave L.A. He burns his bridges telling people what he really thinks, quits his current client (a randy astronaut), and heads for the airport. Waiting for his flight to New York, he sees Val, a friend of his latest ex; they chat, and Owen postpones leaving just to make sure she's not for him. For a week, he accelerates courtship: asks to meet her parents, introduces her to Allison his best (and only) friend, and takes her to a party where a hound he knows will try to seduce her. What if she passes all the tests? Can Owen still find a way to divorce his life and get out of L.A.? Written by <jhailey@hotmail.com>

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Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality, language and drug use
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Release Date:

10 September 2004 (USA)  »

Also Known As:

How to Lose Your Lover  »

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User Reviews

 
Surprisingly Meaningful Romantic Comedy
15 February 2006 | by See all my reviews

In what proves to be a most enjoyable viewing experience, this new filmmaker (Jordan Hawley) does more than provide diverting fodder. He cleverly documents the struggle between one's expectations and one's reality, the desire to achieve dreams imagined in youth - idyllic family life in New England - and the need to appreciate what you have - a charming existence in Los Angeles.

Paul Schneider's performance is remarkable, while not necessarily surprising (see his brief turn in "The Family Stone.") His embodiment of Owen, the clever and reflective protagonist, gives us plenty to appreciate and even more to laugh about.

Los Angeles is rarely portrayed in this positive a light so effectively. Without becoming too sentimental, the filmmaker shows the people of Los Angeles what they could be seeing everyday, if they would open their eyes and quit bitching.


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