IMDb > Twilight of a Woman's Soul (1913)

Twilight of a Woman's Soul (1913) More at IMDbPro »Sumerki zhenskoi dushi (original title)


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V. Demert (writer)
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Release Date:
26 November 1913 (Russia) See more »
A young, rich woman decides to dedicate her life to helping the poor, but a tragic incident changes her life. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Good Early Bauer Feature, & A Sign Of Even Better Things to Come See more (10 total) »


  (in credits order)
Nina Chernova ... Vera Dubovskaja
A. Ugrjumov ... Prince Dolskij
V. Demert ... Maksim Petrov
V. Brianski (as Vitali Brianski)

Directed by
Yevgeni Bauer 
Writing credits
(in alphabetical order)
V. Demert  writer

Produced by
Aleksandr Khanzhonkov .... producer
Original Music by
Laura Rossi 
Cinematography by
Nikolai Kozlovsky 
Production Design by
Yevgeni Bauer 
Music Department
Christopher Austin .... music producer (2003)
Sophie Langdon .... musician: violin (2003)
John Timperly .... music recorder (2003)
David Walter .... assistant engineer (2003)


Additional Details

Also Known As:
"Sumerki zhenskoi dushi" - Russia (original title)
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USA:48 min
Sound Mix:

Did You Know?

The first reel contains the first known traveling shot using a camera dolly, by cameraman Nikolai Kozlovsky. The first known camera dolly had been created by Spanish cameraman Segundo de Chomón, working for Pathe in Paris in 1912 and patented in Italy the same year, but it is unlikely that director Yevgeni Bauer or Kozlovski were aware of it.See more »


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3 out of 4 people found the following review useful.
Good Early Bauer Feature, & A Sign Of Even Better Things to Come, 24 June 2005
Author: Snow Leopard from Ohio

This early Yevgeni Bauer feature is good in itself, but more than that it shows the potential that he would soon realize in the compelling melodramas he was to film in the mid-1910s. In itself, "Twilight of a Woman's Soul" is just a little better than average compared with the dramas being made elsewhere at the time, but there are flashes of the mood and the techniques that soon afterward made Bauer one of the most creative and interesting (if also under-appreciated) film-makers of his time.

Bauer's technique is even more restrained here that it is in his later features, with very sparing (but effective) use of camera movement and other such techniques, with the movie relying more on the lighting, sets, and actors to create its effect.

The story centers on a lonely young aristocratic woman whose search for a purpose in her life is sadly exploited by one of the men whom she tries to help. The rest of the movie focuses on the ways that this one incident affects her life, and the lives of others, in the years that follow. It's the kind of plot that Bauer, in his later features, would examine deeply, and he would learn how to involve the viewer's emotions almost to the breaking point.

This feature never becomes as chilling, as gripping, or as heart-rending as his best movies do. But it is a solid drama, and a drama that also has plenty to say. Bauer soon learned to make his points even more memorably, but this is also worth seeing, especially for anyone who appreciates his unusual and imaginative style.

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