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IMDb > Sumerki zhenskoi dushi (1913)

Sumerki zhenskoi dushi (1913) More at IMDbPro »


Overview

User Rating:
6.5/10   156 votes
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Director:
Yevgeni Bauer
Writer:
V. Demert (writer)
Contact:
View company contact information for Twilight of a Woman's Soul on IMDbPro.
Release Date:
26 November 1913 (Russia) more
Genre:
Drama more
Plot:
Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess... more | add synopsis
Plot Keywords:
User Comments:
Good Early Bauer Feature, & A Sign Of Even Better Things to Come more

Cast

  (Credited cast)
Vera Chernova ... Vera Dubovskaja
A. Ugrjumov ... Prince Dolskij
V. Demert ... Maksim Petrov
V. Brianski (as Vitali Brianski)
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Additional Details

Also Known As:
Twilight of a Woman's Soul (International: English title) (UK)
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Runtime:
USA:48 min
Country:
Russia
Language:
Russian
Sound Mix:
Silent

FAQ

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1 out of 1 people found the following comment useful:-
Good Early Bauer Feature, & A Sign Of Even Better Things to Come, 24 June 2005
Author: Snow Leopard from Ohio

This early Yevgeni Bauer feature is good in itself, but more than that it shows the potential that he would soon realize in the compelling melodramas he was to film in the mid-1910s. In itself, "Twilight of a Woman's Soul" is just a little better than average compared with the dramas being made elsewhere at the time, but there are flashes of the mood and the techniques that soon afterward made Bauer one of the most creative and interesting (if also under-appreciated) film-makers of his time.

Bauer's technique is even more restrained here that it is in his later features, with very sparing (but effective) use of camera movement and other such techniques, with the movie relying more on the lighting, sets, and actors to create its effect.

The story centers on a lonely young aristocratic woman whose search for a purpose in her life is sadly exploited by one of the men whom she tries to help. The rest of the movie focuses on the ways that this one incident affects her life, and the lives of others, in the years that follow. It's the kind of plot that Bauer, in his later features, would examine deeply, and he would learn how to involve the viewer's emotions almost to the breaking point.

This feature never becomes as chilling, as gripping, or as heart-rending as his best movies do. But it is a solid drama, and a drama that also has plenty to say. Bauer soon learned to make his points even more memorably, but this is also worth seeing, especially for anyone who appreciates his unusual and imaginative style.

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