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Twilight of a Woman's Soul (1913)
"Sumerki zhenskoi dushi" (original title)

6.3
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Ratings: 6.3/10 from 305 users  
Reviews: 5 user | 6 critic

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves ... See full summary »

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Title: Twilight of a Woman's Soul (1913)

Twilight of a Woman's Soul (1913) on IMDb 6.3/10

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Cast

Cast overview:
Vera Chernova ...
Vera Dubovskaja
A. Ugrjumov ...
Prince Dolskij
V. Demert ...
Maksim Petrov
V. Brianski ...
(as Vitali Brianski)
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Storyline

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them. But one man takes advantage of her innocence, and he lures her into a trap so that he can assault her. The dreadful results of this attack will affect Vera's life long afterward. Written by Snow Leopard

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singer | rape | party | murder | marriage | See All (5) »

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Drama

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Release Date:

26 November 1913 (Russia)  »

Also Known As:

Twilight of a Woman's Soul  »

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Did You Know?

Trivia

The first reel contains the first known traveling shot using a camera dolly, by cameraman Nikolai Kozlovsky. The first known camera dolly had been created by Spanish cameraman Segundo de Chomón, working for Pathe in Paris in 1912 and patented in Italy the same year, but it is unlikely that director Yevgeni Bauer or Kozlovski were aware of it. See more »

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User Reviews

Good Early Bauer Feature, & A Sign Of Even Better Things to Come
24 June 2005 | by (Ohio) – See all my reviews

This early Yevgeni Bauer feature is good in itself, but more than that it shows the potential that he would soon realize in the compelling melodramas he was to film in the mid-1910s. In itself, "Twilight of a Woman's Soul" is just a little better than average compared with the dramas being made elsewhere at the time, but there are flashes of the mood and the techniques that soon afterward made Bauer one of the most creative and interesting (if also under-appreciated) film-makers of his time.

Bauer's technique is even more restrained here that it is in his later features, with very sparing (but effective) use of camera movement and other such techniques, with the movie relying more on the lighting, sets, and actors to create its effect.

The story centers on a lonely young aristocratic woman whose search for a purpose in her life is sadly exploited by one of the men whom she tries to help. The rest of the movie focuses on the ways that this one incident affects her life, and the lives of others, in the years that follow. It's the kind of plot that Bauer, in his later features, would examine deeply, and he would learn how to involve the viewer's emotions almost to the breaking point.

This feature never becomes as chilling, as gripping, or as heart-rending as his best movies do. But it is a solid drama, and a drama that also has plenty to say. Bauer soon learned to make his points even more memorably, but this is also worth seeing, especially for anyone who appreciates his unusual and imaginative style.


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