Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
After the wild life-style of a famous young German photographer almost gets him killed, he goes to Palermo, Sicily to take a break. Can the beautiful city and a beautiful local woman help him calm himself down?
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
Less fancy than buenavistasocialclub, this documentary about blues music is well mastered and fascinating. It mainly presents two bluesmen of the twenties (blind willie Johnson and skip James)and one of the late fifties/sixties (JB Lenoir). To picture the high time of rooty blues, Wenders shot a reconstitution of the life into music that were in those times. It figures how words of blues came out in the atmosphere of a street, bar or studio, facing its audience. Introducing and concluding the film, an epic blow is given by the images of cosmic landscapes were a space engine has been launched to travel throughout the universe with relics and testimonies of human mind. Songs of Willie Johnson are in it! Although that it is pleasant to hear several artists still playing pieces of music that are now 'classics', it hides some interesting aspects under a decorative bunch of live performances. It would have been good to develop more about JB Lenoir which was a real songwriter, talking about the fight for constitutional rights of the black people, also denunciating the death of many brothers in Nam. Few archives pictures in the film show those matters (remember that lynch mobs were casual on saturday night in the south till the fifties). Maybe Wenders met some limits dealing with copyrights, but clearly his project was to give faces and pictures to a music that has been despised so long by showbusiness. What we can hear and see is that it's still alive.
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