Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored of him and decides to seduce Johnny's best friend, Mark. From there, nothing will be the same again.
Joe Marshall and Frank Washington are two police detectives who must stop the ruthless activities of the Katana, a renegade Yakuza gang composed of violent and sadistic killers who want to lead the drug trade in Los Angeles
A small boy discovers a mystical power as a child. He is then separated from his childhood girlfriend. He grows up to be a computer scientist who is hacking into the most secret national ... See full summary »
In San Francisco, we follow Johnny, a man who has a girlfriend, Lisa, and also his best friend, Mark. Lisa has been cheating on Johnny with Mark and Johnny doesn't know! Will Johnny ever find out? Will Mark still be Johnny's best friend? Written by
Tommy Wiseau frequently forgot his own lines or missed cues, requiring numerous retakes and on-set direction from the script supervisor; as a result, much of his dialogue had to be re-dubbed in post production. See more »
The lighter on the rooftop moves on its own. See more »
Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
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