Seth Warner has reached the end of his rope. Ever since his wife died two years earlier, his world has been in turmoil. He is despondent, his career has fallen apart, even his house has ... See full summary »
Jewish Jack-the-lad David seriously fancies smart, rich Anglo-Saxon Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still says she ... See full summary »
A crowd of guys in their 20's spend most of their time hanging out. It's Christmas time in the early 1990's and the guys all begin to think it's about time they went about their lives ... See full summary »
When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter. Written by
If you liked this flick check out, "THE MACHINIST".
I feel they did a much better editing job in this picture (The Machinist) than in "November". Both are good flicks to watch, not the same old tripe, cranked off the assembly line. For the most part this picture (November) keeps you in the dark all the way to the end as to what's going on, it was to jerky. For example, I was not sure if the dinner scenes with mom were different days, or the same scene repeated in different ways. This leaves the viewer confused. And this happens over and over with most of the scenes in the movie. As I said before you should give The Machinist a look and see if I'm not right on this, editing can make or break a picture.
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