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- Lauren Carroll Harris
Prizzi’s Honor, 1985.
Directed by John Huston.
John Huston’s penultimate movie, Prizzi’s Honor, arrives on Blu-ray, but the bonus features leave a bit to be desired. You get trailers for five other movies and a commentary track featuring film historians Howard S. Berger and Nathaniel Thompson. It’s still a worthwhile purchase if you’re a fan, though.
If you approach director John Huston’s Prizzi’s Honor with a frame of mind shaped by such films as The Godfather trilogy and Goodfellas, you’ll likely find yourself thrown by this movie’s tone. In fact, you might think that Huston was attempting a mob film only to fall flat, but the reality is that he was making a mob movie as seen through the lens of dark humor.
- Brad Cook
24 August 2017 9:00 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Styles died Wednesday at his home in Rancho Mirage, Calif., producer and former Motion Picture Academy president Hawk Koch told The Hollywood Reporter.
Working out of New York City, Styles owned the Central Casting Talent Agency and for a time lived above the now-defunct Stage Deli on Seventh Avenue near Carnegie Hall (the restaurant had a prominent place in the 1984 Woody Allen movie Broadway Danny Rose).
- Mike Barnes
Richard Condon and John Huston’s show is like a gangland version of Moonstruck, bouncing effortlessly between earnest romanticism and cynical satire. Hit man Jack Nicholson is a brass-knuckle Romeo, and Kathleen Turner’s mysterious bicoastal Juliet has nothing but surprises for him. Near the end of his career, Huston’s direction is as assured as can be.
Kl Studio Classics
1985 / Color / 1:85 widescreen / 130 min. / Street Date August 29, 2017 / available through Kino Lorber / 29.95
Street Date September 16, 2003 / 14.95
Cinematography: Andrzej Bartkowiak
Production Designer: Dennis Washington
Original Music: Alex North
Written by Janet Roach, Richard Condon from his novel
Produced by John Foreman
Directed by John Huston
- Glenn Erickson
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
Lawrence of Arabia and Patton have 70mm engagements.
Film Society of Lincoln Center
“’77” continues with films by Lynch, Zulawski, Cassavetes and more.
A queer utopia comes to Manhattan with On Fire Island, Joshua Encinias reports:
On Fire Island is programmed by Michael Lieberman, head of publicity at Metrograph, and »
- Nick Newman
Ronin: Noun, historical. A samurai who no longer serves a daimyo, or feudal lord.
From director John Frankenheimer (Reindeer Games, The Manchurian Candidate) comes Ronin, a pulse-pounding, action-packed crime thriller featuring an all-star cast headlined by Robert De Niro (Taxi Driver, Heat) and Jean Reno (Léon: The Professional).
On a rain-swept night in Paris, an international crack team of professional thieves assembles, summoned by a shady crime syndicate fronted by the enigmatic Deirdre (Natascha McElhone, The Devil’s Own). Their mission: to steal a heavily guarded briefcase from armed mobsters, its contents undisclosed. But what begins as a routine heist soon spirals into chaos, with the group beset by a series of double-crosses and constantly shifting allegiances, and it falls to world-weary former CIA strategist Sam (De Niro) and laconic Frenchman »
- Tom Stockman
This August, Arrow Video enters the deranged mind of Herbert West with their limited edition 4K restoration of Stuart Gordon's Re-Animator (which was initially slated for a July 25th release), and we now have the full list of special features for the anticipated release, along with two other horror Blu-rays coming out this month from Arrow: The Slayer and a limited edition steelbook of Society.
Press Release: The summer really hots up in August, as Arrow Video releases a special edition of an 80s classic, a white-knuckle thriller, a splatter horror masterpiece, a box set of crime classics, a rare Italian sword-and-sandal epic, and an amazing new limited edition steelbook.
First up, one of the most wildly popular horror movies of all-time, Stuart Gordon's enduring splatter-comedy classic Re-Animator returns to Blu-ray in a stunning restoration packed with special features. According to the distributor (Mvd), this awesome package is officially sold out already, »
- Derek Anderson
Over her storied career, Meryl Streep has racked up dozens of film credits going back to the ’70s, scored a record-breaking 20 Oscar nominations (along with three wins), and, of course, delivered golden line after golden line.
With the actress turning 68 on Thursday, Variety decided it was as good a time as any to look back at some of Streep’s best lines, from the funny to the sassy to the downright inspirational.
“How do I look?” — Kramer vs. Kramer (1979)
Following a divorce, and nasty custody battle complete with character assassination and conflicted emotion, Streep as Joanna Kramer seals her first Oscar win with a question — “How do I look?” — as she boards an elevator to see her son.
“The dingo took my baby!” – “Cry in the Dark” (1988)
Often misquoted as “A dingo ate my baby,” Streep’s exclamation after a wild dog snatches her infant from a tent, delivered in a flawless Australian accent, has become part of pop culture. Elaine made it a memorable put-down in a “Seinfeld” episode.
“I’m not a box. I don’t have sides. This is it. One side fits all.” — “Postcards From the Edge” (1990)
In “Postcards From the Edge,” Meryl Streep is Carrie Fisher’s muse, and embodies the late Hollywood royal in all her snarky, unpredictable, and out-of-control glory. With this line, Streep’s Suzanne Vale snaps back at her love interest Jack Faulkner (Dennis Quaid) to make sure he knows exactly where they stand.
“I am a righteous bitch, aren’t I?” — “Dancing at Lughnasa” (1998)
In the long history of Streep delivering flawlessly sassy lines, let no one forget her 1998 role in period film “Dancing at Lughnasa,” where she played Kate “Kit” Mundy. After her sister Aggie (Brid Brennan) declares, “Do you ever listen to yourself, Kate? You are such a damned righteous bitch,” Streep’s Kit can only delightfully agree.
“That is what we do. That is what people do. They stay alive for each other.” — “The Hours” (2002)
In one heartbreaking scene of “The Hours,” Streep, who plays New Yorker Clarissa Vaughan, has a candid conversation with the AIDs-striken Richard (Ed Harris), who asks her why he should even stay alive, if not for her.
“The assassin always dies, baby. It’s necessary for the national healing.” — “The Manchurian Candidate” (2004)
Meryl Streep played U.S. Senator Eleanor Prentiss Shaw, the manipulative mother of Liev Schreiber’s Raymond Shaw. She perfectly embodies the ruthless nature of her character when she delivers the difficult truth to her son.
Various — “Devil Wears Prada” (2006)
Where to even start with Streep’s endlessly quotable performance as Miranda Priestly? At the end, of course, with the line that the actress brilliantly tweaked during the table read from “Everybody wants to be me” to “Everybody wants to be us.” With this statement we realize how much Andy (Anne Hathaway) has changed (and, really, how much we all have). Some of Streep’s greatest lines stem from her impatient snark (“By all means, move at a glacial pace. You know how that thrills me.”) And she has a certain specialty in the way she delivers questions (“Why is no one ready?”; “Florals? For spring? Groundbreaking.”). But the line that defines Streep’s performance, is the two-word dismissal that becomes her refrain: “That’s all.”
“I have doubts… I have such doubts.” — “Doubt” (2008)
Meryl Streep allows the veneer of stern self-assurance in her character, Sister Aloysius Beauvier, to crack in a moment of emotional release. “I have doubts … I have such doubts,” she breaks down about her ability to expose Father Flynn (Philip Seymour Hoffman), and her faith in the church at large.
“If what I think is happening is happening … it better not be.” — “Fantastic Mr. Fox” (2009)
Meryl Streep is the matriarch in Wes Anderson’s endlessly quirky and quippy animated masterpiece — stern and even, and a foil for her rambunctious husband voiced by George Clooney. In this scene she calls out his tomfoolery: “If what I think is happening,” she says, and the camera closes in on her judgmental gaze. “… it better not be.”
“These damn things are as hot as a stiff c—!” – “Julie and Julia” (2009)
“We will stand on principle, or we will not stand at all.” — “The Iron Lady” (2011)
Streep’s performance as Margaret Thatcher earned her her most recent Oscar, and it’s easy to see why. When she tells Alexander Haig (Matthew Marsh) about why she will go to war with Argentina in an empassioned speech, it’s hard not to get chills.
“Is anybody supposed to smoke?” — “August: Osage County” (2013)
Streep played the delightfully sardonic Violet Weston in John Wells’ adaptation of Tracy Letts’ play. Her response to Ivy’s (Julianne Nicholson) quite obvious question is only one of many memorable lines from the drama (though not uttered by Streep, who can forget Julia Roberts’ “Eat the fish, bitch”?)
What’s your favorite Meryl Streep movie line? Let us know in the comments below!
Related storiesMeryl Streep, Judith Light, Lena Dunham, More Tell Sheila Nevins' Stories in New AudiobookRobert De Niro Calls Out Trump Administration's 'Bulls--' While Accepting Career Achievement AwardSteven Spielberg Pentagon Papers Drama Gets 2017 Oscar-Season Release »
- Variety Staff
Danish director Per Fly shot the film last year in Marrakech, Morocco. James plays an idealist who lands his dream job as a program coordinator for the U.N.’s Oil-for-Food Programme and is thrown into an already fraught post-war Iraq, where government agents and power-hungry nations are circling the country’s oil reserves.
Bisset portrays a French Ngo activist overseeing food aid. Kingsley plays a seasoned diplomat and James’ character’s boss.
The producers are Lars Knudsen, Daniel Bekerman, Malene Blenkov, and Nikolaj Vibe Michelsen. The film was financed by Houndstooth, Hoylake Capital, and the Danish Film Institute. UTA Independent Film »
- Dave McNary
A military coup in the U.S.? General Burt Lancaster’s scheme would be flawless if not for true blue Marine Kirk Douglas, who snitches to the White House. Now Burt’s whole expensive clandestine army might go to waste – Sad! John Frankenheimer and Rod Serling are behind this nifty paranoid conspiracy thriller.
1964 / B&W / 1:85 widescreen / 118 min. / Street Date May 8, 2017 / available through the WBshop / 21.99
Starring: Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan, John Houseman, Hugh Marlowe, Whit Bissell, George Macready, Richard Anderson, Malcolm Atterbury, William Challee, Colette Jackson, John Larkin, Kent McCord, Tyler McVey, Jack Mullaney, Fredd Wayne, Ferris Webster.
Cinematography: Ellsworth Fredericks
Film Editor: Ferris Webster
Original Music: Jerry Goldsmith
Produced by Edward Lewis
Directed by John Frankenheimer »
- Glenn Erickson
Director Jonathan Demme, who died on Wednesday at age 73, may go down as the most rock-friendly major director of all time. His most famous association was with Talking Heads, thanks to the boon to both their careers that was “Stop Making Sense.” But he also enjoyed long friendships and/or working relationships with everyone from Bruce Springsteen and Neil Young to cult bands like The Feelies. And arguably the most peculiar documentary in a filmography full of peculiar documentaries is “Storefront Hitchcock,” a concert film that had the amiably surreal British singer/songwriter Robyn Hitchcock playing an acoustic gig with his back to a shop window, competing for the viewer’s attention with mostly unaware passersby.
Demme never stopped dragging his favorite people into his movies, so Hitchcock subsequently showed up in “The Manchurian Candidate” and “Rachel Getting Married,” on top of being asked to contribute songs for other films. »
- Chris Willman
New York City – He was the helmsman of “The Silence of the Lambs,” which won him Best Director and took home Best Picture at the 1992 Academy Awards, and made numerous other late 20th Century movie classics. Director Jonathan Demme died in New York City on April 26, 2017, at the age of 73.
Film writer Dave Kehr called Demme “the last of the great humanists,” and the director followed through on that description with an incredible run of films in the 1980s and ‘90s, which included “Melvin and Howard” (1980), “Something Wild” (1986), “Swimming to Cambodia” (1987), “Married to the Mob” (1988), “Lambs” (1991) and “Philadelphia” (1993). He also created one of the greatest rock documentaries ever, “Stop Making Sense” (1984, featuring the Talking Heads) and worked extensively with Bruce Springsteen and Neil Young on other rock docs. He even directed an episode of the TV classic “Columbo” in 1978, among his other TV achievements.
Director Jonathan Demme on the Set »
- firstname.lastname@example.org (Adam Fendelman)
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can typically be found at the end of this post.) This week, however, in light of Jonathan Demme’s death — and in reaction to the immense outpouring of love for the man and his movies that followed the news of his passing — we’ve decided to switch things up with a special mid-week edition of our usual survey.
We asked our panel one simple question: How will you remember Jonathan Demme? The responses we received can be found below.
Mallory Andrews (@mallory_andrews) cléo
Though I only saw “Something Wild” for the first time this month, it somehow feels like it’s been with me for my entire filmgoing life. The scene where (my ideal man »
- David Ehrlich
Jonathan Demme, the personable film director who graduated from making "B" movies for Roger Corman to the highest ranks of Hollywood filmmakers, has died from cancer at age 73. His remarkable career covered an impressively diverse number of films ranging from documentaries to comedies and thrillers. He won the Oscar for Best Director for his 1991 film "The Silence of the Lambs". His other credits include "Stop Making Sense", "Melvin and Howard", "Philadelphia", "Crazy Mama", "Handle with Care", "Last Embrace", "Something Wild", "Swimming to Cambodia", "Beloved" and the 2004 remake of "The Manchurian Candidate". For more click here. »
- email@example.com (Cinema Retro)
The actress released a touching statement to media outlets mourning the loss of the groundbreaking filmmaker, and celebrating his impressive life and legacy.
"I am heart-broken to lose a friend, a mentor, a guy so singular and dynamic you’d have to design a hurricane to contain him," Foster shared. "Jonathan was as quirky as his comedies and as deep as his dramas. He was pure energy, the unstoppable cheerleader for anyone creative. Just as passionate about music as he was about art, he was and will always be a champion of the soul."
"[He was] most beloved, something wild, brother of love, director of the lambs," she continued. "Love that guy. Love him so much."
Foster delivered one of her career-defining performances as rookie FBI Agent Clarice Starling »
The Lion King, Cars 3, the Jurassic World sequel, and more make our daily news roundup!The Lion King, Cars 3, the Jurassic World sequel, and more make our daily news roundup!Zachary Dent4/26/2017 4:37:00 Pm
Today's roundup is a big one! We have a couple new trailers, news on the Lion King remake, new info on the Jurassic World sequel, some more news involving M. Night Shyamalan's next project, and a farewell to Jonathan Demme who was one of the most well regarded directors in cinema.
Lightning McQueen is back! The first official trailer for Cars 3 dropped today. McQueen has endured the biggest car wreck of his life and a new generation of racers are leaving him in their dust. But with a little help from trainer and racing technician Cruz Ramirez (Cristela Alonzo), McQueen sets out to prove that #95 is still the best there ever was, »
- Zachary Dent
Jonathan Demme has passed away at age 73, leaving behind a legacy of amazing films. Thanks to modern technology, you can now host your own Demme film festival by streaming many of his biggest hits. Check out where to stream the cream of the crop below.
*”The Manchurian Candidate” (2004) — Watch it Here
*”Who Am I This Time?” (from “PBS’ American Playhouse”) (1982) — Watch it Here
*”A Master Builder” (2014) — Watch it Here
Amazon Video Rental:
*”Citizen’s Band” (1977) — Rent it Here
*”Stop Making Sense” (1984) — Rent it Here
*”Swing Shift” (1984) — Rent it Here
*”Married To The Mob” (1988) — Rent it Here
*”The Silence of the Lambs” (1991) — Rent it Here
*”Philadelphia” (1993) — Rent it Here
*”Beloved” (1998) — Rent it Here
*”Storefront Hitchcock” (1998) — Rent it Here
- William Earl
Oscar-winning director Jonathan Demme died on Wednesday in New York of esophageal cancer complications. He was 73 years old.
The filmmaker is perhaps best known for directing the 1991 thriller The Silence of the Lambs, which earned a Best Picture Oscar along with Academy Awards for stars Jodie Foster and Anthony Hopkins as well as Demme himself. He went on to direct such films as Philadelphia in 1993, the 2004 remake of The Manchurian Candidate and Rachel Getting Married in 2008.
One of his last director credits is for his work on the Netflix documentary Justin Timberlake + the Tennessee Kids that was released last year.
Last October, Et's Cameron Mathison sat down with Demme and Timberlake, where the filmmaker revealed his plans to direct the triple-threat star in a movie. "It's big in my life to want to work with Justin," he said. "Justin and Jason Segel. I want you guys to do a movie together with me."
Watch: [link=tt »
Director Jonathan Demme, who won an Oscar for directing the 1991 Best Picture winner The Silence of the Lambs, has passed away earlier this morning at the age of 74. According to a source close to the family, the filmmaker passed from esophageal cancer and complications from heart disease. The filmmaker had been treated for esophageal cancer in 2010, and while he did recover, the cancer came back in 2015, and sources said his condition had deteriorated in recent weeks. We have assembled a number of tweets below from filmmakers and actors paying their respects to this iconic director.
IndieWire first broke the news this morning, as tributes have started to flood in from filmmakers such as Edgar Wright, James Wan and actors such as Denis Leary, Michael Chiklis and many more. Jonathan Demme was born February 22, 1944 in Baldwin, Nassau County, New York to Dorothy Louise (Rogers) and Robert Eugene Demme, a public relations executive. »
The film community is mourning the loss of Jonathan Demme. Over the last four decades, he turned in one of the most varied filmographies of any director in Hollywood, constantly reinventing himself behind each comedy, documentary, drama, and TV show. Demme never made the same movie twice, and cinema was all the better for it.
As tributes continue to come in from collaborators and fans, here’s IndieWire’s own appreciation of Demme and why we’ll remember him as one of the truly great filmmakers of our time.
Demme Defied Categorization
Jonathan Demme had such a remarkable range that he defied easy categorization. Even as he made beloved documentaries and Oscar-winning movies, I still get the sense that his career was underappreciated. Everyone knows “The Silence of the Lambs,” “Philadelphia,” and “Stop Making Sense,” but less »
- Indiewire Staff
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