Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened -- or didn't happen -- in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out. Written by
The marching band shown in a few parts of the movie is the East Ramapo Marching Band from New York. See more »
When seeing the red star on the stage through the scope the carpet is already littered with confetti. In the previous shot there is at most one unexplainable piece of confetti to the left, and while there are cut-aways before the scope shot, it is immediately after this that the confetti starts to fall. See more »
I will do whatever is necessary to protect America from anyone who opposes her. I can't... am I the only person in this room who's been reading these NSA reports?
I've read them.
All right, then. You know... you know we are on the brink of another cataclysm, probably nuclear, on our own soil.
Oh, Ellie, that's a bit extreme.
And it's not from random terrorists, but from covert alliances of disaffected nations who've all been made bold by this kind of Jordan one-worlder who believes that human ...
See more »
After achieving only so-so results in reworking an old classic with the timid "The Truth About Charlie," director Jonathan Demme confidently updates "The Manchurian Candidate." Here he prevents the viewer from being distracted into keeping active count of the differences between his film and the original; the viewer can relax and watch an "original" film from the beginning. Demme immediately establishes his own distinctive approach: Bring characterization to the foreground. The original was compelling mainly due to its novel and intricate plot, but the acting was no-frills. Demme and his actors -- Denzel Washington, Meryl Streep, Liev Schreiber (and even minor players like Jeffrey Wright) -- create characters that are fleshed-out and human. They are far from the chess pieces of the original and thus better draw us into the film, offering the viewer an emotional entry point and a rooting human interest from beginning to end. While not superior to the original -- conspiracies in of themselves simply have lost their ability to shock these days -- the new "Candidate" achieves its own success by being a rare thriller: one that is emotionally moving.
56 of 107 people found this review helpful.
Was this review helpful to you?