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The Manchurian Candidate (2004)

R  |   |  Drama, Mystery, Sci-Fi  |  30 July 2004 (USA)
6.6
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Ratings: 6.6/10 from 81,391 users   Metascore: 76/100
Reviews: 359 user | 206 critic | 41 from Metacritic.com

In the midst of the Gulf War, soldiers are kidnapped and brainwashed for sinister purposes.

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Nominated for 1 Golden Globe. Another 1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Eddie Ingram
...
Robert Baker
...
...
Villalobos
...
Wilson
Joaquin Perez-Campbell ...
Atkins
Tim Artz ...
Jameson
...
Robyn Hitchcock ...
Laurent Tokar
...
Antoine Taylor ...
Boy Scout #1
Joseph Alessi ...
Boy Scout #2
...
Scout Dad (as Ray Anthony Thomas)
...
Scoutmaster
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Storyline

When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened -- or didn't happen -- in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out. Written by A Prentiss

Plot Summary | Plot Synopsis

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Everything is under control. See more »


Motion Picture Rating (MPAA)

Rated R for violence and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

30 July 2004 (USA)  »

Also Known As:

Der Manchurian Kandidat  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$20,018,620 (USA) (30 July 2004)

Gross:

£1,915,402 (UK) (10 December 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Screenwriter Daniel Pyne was paid over $1 million for his initial draft of this screenplay. See more »

Goofs

The length of Tom Jordan's paddle (it's too short for his height) and the way he paddles the kayak reveals that he's not an experienced kayaker as the movie states. See more »

Quotes

[first lines]
Ben Marco: So why don't we just go directly right up in this route, straight in...
Laurent Tokar: Yes, I see the Captain enjoys the road less-traveled.
Ben Marco: No, the Captain enjoys not going down the highway, draggin' his ass so every Tom, Dick, Gaddafi can take a whack at it.
See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #19.24 (2010) See more »

Soundtracks

Film Noir
by Philip Drucker
Performed by Savage Republic
Courtesy of Independent Project Records
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User Reviews

 
Better than most remakes, but not as compelling as the original
2 August 2004 | by (Planet Earth) – See all my reviews

Here's something I never thought I'd say: I enjoyed parts of "The Manchurian Candidate" remake; it isn't as bad as I expected it to be.

And much of the credit goes to the three main players - Denzel Washington as the paranoid veteran, Liev Schreiber as the titular character and Meryl Streep as the power-hungry, Oedipally motivated Senator Eleanor Shaw.

Screenwriters Daniel Pyne and Dean Georgaris reinvent and contemporize Richard Condon's novel and the 1962 film. While John Frankenheimer's film, written by George Axelrod, was the apotheosis of the Cold War thriller and a scathing indictment of McCarthyism, Jonathan Demme's remake is less subtle in its approach and paranoia, but takes barbed jabs at current politics, the corruptibility of our elected leaders and paranoia disguised as patriotism in a post-9/11 America.

The remake also owes a debt of gratitude to Alan J. Pakula's brilliant 1974 paranoia-conspiracy thriller, "The Parallax View."

Although it isn't clear whether Raymond Shaw is a Republican or Democrat - his mother certainly seems more Republican in her outlook and politics - Demme and his writers' point is that all American politicians are bought and paid for by big business. As we all know, we never heeded President Eisenhower's prescient caution about the military industrial complex.

The villainous Manchurian Global clearly was inspired by Halliburton - there's even mention of the company getting no-bid contracts. Pay close attention and you'll hear pointed references about the use of private contractors by the military, malfunctioning touch-screen voting machines and our government's "compassionate vigilance." Also, look fast and you'll see a news crawl about a Wal-Mart-type chain and a newspaper story about our treatment of Muslims.

Washington's awfully convincing as a man fraying at the edges, whose grip on reality seems to be slowly slipping, and there were a few moments where Schreiber almost reminded me of Laurence Harvey.

Streep, on the other hand, proves why she is undoubtedly the best actress this nation has ever produced. Her Eleanor spits venom. We're utterly convinced why Raymond's such a cuckold. We can only imagine what his poor father must have endured. Streep occasionally comes close to being campy, but so completely dominates the screen that she scares us even when she chews ice.

But several other talented actors, including Jon Voight, Vera Farmiga, Dean Stockwell and Ted Levine, are used to little or no effect.

Some crucial plot elements make no sense. The Dr. Noyle scenario, for instance, proves to be illogical, especially when we learn more about him. Neither Pyne nor Georgaris attempted to rectify this deficiency. Also, the mysterious Muslim women are superfluous. I wonder if their bit wound up on the cutting-room floor.

The film contains an unmistakable cynical tone. As much as it's clearly an indictment of big business' control of politics, it also denounces our leaders' insistence on keeping the public on edge with terror alerts. And as Senator Shaw points out, "The assassin always dies. It's necessary for the national healing."

But after maintaining its cynicism for much of the film, it comes apart completely at the end. Demme and his writers cop out with a pointless and weak denouement. That gunshot you hear is Demme shooting himself in the foot.

It's almost as if they gave in to appease some mindless preview audience or dimwitted studio hack. Or, maybe they envisioned it just like this. Given my admiration of Demme, I'd like to think otherwise. Hope I'm right.


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