A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Mischa and Hannibal, baby brother and sister, are inseparable; it is their love for each other that ties their bond. Their companionship is forever binding, until, with their family, while hiding from the Nazi war machine a twisted set of circumstance sets the pace for a most vicious attack on the future of one Hannibal Lecter for the sworn vengeance for the brutal killing of his baby sister. Years later, we find Hannibal, the teenager, setting up in Paris, and living with his aunt Lady Murasaki Shikibu and studying at medical school here he finds his forte. Still searching for his sister's murderers, still bitter and still ever hopeful of satisfying his desire for retribution. This chance arrives, and soon we are to learn that for a pound of flesh lost a pound of flesh must be repaid. This is the horrific tale of justice and honor, a young man's growing pains that will have the guilty paying with more than just flesh and bone. This is the up and rising tale of the young Hannibal, ... Written by
"Lady Murasaki" (Shikibu Murasaki) is actually the name of an 11th-century Japanese novelist. Her "The Tale of the Genji" is regarded as a masterpiece of Japanese literature. See more »
When the soldier pulls out the dog tag from Dortlich's mouth and examines it, he has no glove on his right hand, but when he turns around to examine the fire pit he removes a glove from his right hand. See more »
I've just seen this film ... Well, good things first. This film is well made, with attention to details, no stupid goofs, actors performance didn't make me uneasy for the most part. I'm from Lithuania myself, and Lithuania was displayed quite truthfully - thanks, Hollywood.
Now bad things ... I think that they bother me because I've seen the original Hannibal movie, and was expecting something else. But anyway:
1) First, I didn't like the idea of making a pervert serial killer a kind of positive hero, or martyr. Hey, Hollywood, you want youngsters to admire serial killers and try to be like them? You'll get it. The love story of Hannibal also fits here.
2) Second, the idea of making Hannibal a kind of samurai sword fighter is, IMHO, absolutely out of place here. I understand that sword fighting looks cool by itself, but we are making a good old western serial killer movie here, or don't we?
3) And, finally, the performance of the main hero. The Hannibal is very evil person, but he had personality, charisma. And conversion from normal person to a maniac seems a good place to demonstrate passions, emotions, TO ACT. This Hannibal spent all the film with the same blank face - he's the real killer ... of the movie.
To sum it up - a well done movie for teenagers, who want to see some cool action, some maniacs, some blood and killin' and don't pay attention to the actors performance (unless it is really bad) and the ideas of the film. And, of course, who never saw the original.
However, if You expect from this movie something similar to the original, just don't waste your time. Imagine a mix of samurai movie, teenage maniac thriller and love story, all with a good budget - You'll get the idea.
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