Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
A skirmish in Shanghai puts archaeologist Indiana Jones, his partner Short Round and singer Willie Scott crossing paths with an Indian village desperate to reclaim a rock stolen by a secret cult beneath the catacombs of an ancient palace.
Jonathan Ke Quan
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During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Harold Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past to face the dangers of the jungle, Russia, and the supernatural. Written by
The aerial view of the Nazca lines shows at least 3 very close together. In reality the different lines are separated by quite some distance. There is also virtually no high ground from which to see the lines, i.e. at the entrance to the tombs. See more »
[Mutt pops open his switchblade, ready to fight two KGB agents]
Nice try kid, but it looks like you brought a knife...
[both agents pull out guns]
... to a gun fight.
See more »
Karen Allen is credited as Marion Ravenwood. Being a widow, her name is Marion Williams then when she marries Indy she becomes Marion Jones. See more »
All I can really conclude about this movie is that it was just okay. I can forgive the ludicrous plot, the cheesy "family" dynamic of the film, the fact that Harrison Ford is old (which is really nowhere near the worst part of this). I don't even really mind Shia LaBeouf's presence. But many of the stunts and the action scenes are so implausible that it renders all of the action scenes implausible. For example, Shia LaBoeuf sword-fighting (!) spread-eagled on two moving vehicles; a boat going over not one, not two, but three waterfalls with absolutely no one getting a scratch (I mean, what are we watching here, The A-Team?); and the "if the film hasn't jumped the shark yet it certainly has now" moment--Shia LaBoeuf swinging through the jungle a la Tarzan. It was ridiculous. And because these parts are (forgive my overuse of the word) implausible, it highlights the fact that the rest of it doesn't work, either. After seeing a number of old series trying to come back for another run (Rocky Balboa, Rambo, the Star Wars Prequels) I have concluded that when filmmakers attempt to cash in on a once-popular series, artistically the best they can hope for is to break even. Sometimes there really is nowhere to go but down. I wanted to love this, but the most charitable thing I can say is that it was just okay. Very disappointing.
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