Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
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A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Harold Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past to face the dangers of the jungle, Russia, and the supernatural. Written by
When asked if Harrison Ford was too old to return as Indy, producer Frank Marshall quoted Raiders of the Lost Ark (1981): "It's not the years, it's the mileage." He explained that it would be interesting to see Indy in a different decade, and deal with all kinds of new and interesting things. The age also adds to Indy as a fallible and therefore believable character. Ford spent three hours a day at the gym, and subsisted on a high-protein diet of fish and vegetables, thus building his body into a condition where he could perform his own stunts (he always kept himself fit anyway, as he hoped to complete all the five Indiana Jones films that were originally planned in the 1980s). Steven Spielberg later stated he was so impressed with Ford's form that he could not tell the difference between the shoots for the third and fourth films. See more »
During the jungle campsite face-to-face close-up moment with Oxley, Irina Spalko's contact lenses' edge lines are visible. See more »
[Mutt pops open his switchblade, ready to fight two KGB agents]
Nice try kid, but it looks like you brought a knife...
[both agents pull out guns]
... to a gun fight.
See more »
The movie begins with the Lucasfilm logo, followed by the 1954 Paramount "VistaVision" logo (with the text "PARAMOUNT" instead of "A PARAMOUNT PICTURE" and "A Viacom Company" instead of "A Gulf+Western Company" below "PARAMOUNT"). Gulf+Western became Paramount Communications in 1989, then merged with Viacom in 1994. The Paramount logo then dissolves into a gopher mound. (The static version of the current Paramount logo is seen at the end of the movie.) See more »
Good to see Indy again....but a plot that falls way short of the mark
I reached a movie buff conclusion after the 2nd set of Star wars films. It's simply not possible to top an iconic, legendary film or series. The original can't be beat, and is next to impossible to match. Doesn't matter who directs, stars, the effects, etc - can't be done. Being sure of this in advance made the Crystal Skull easier for me to take - but I still have to be critical - because they let us down on the simple stuff. My other movie buff observation is - its ALWAYS the writing first. The STORY. The other stuff flows from that, making the film better or worse. In Indiana Jones and The Kingdom of the Crystal Skull, the writing failed us. The story does not hold together well and the dialog rings intermittently false throughout the film. I wanted to love the movie - but I was disappointed. When I heard they were all waiting for the "right" script to make another Indy film - that sounded good. But it appears that wasn't really true. I have to assume they all just decided the timing was "right" and it would be fun to get the old group together to do a flick - because the script was poor. The movie is more like an attempt at what an Idiana Jones adventure SHOULD look like - but with no real substance. A series of Indiana like dangerous situations and exploits strung together loosely with some attempts at humor thrown in. But no clear beginning to end plot. No disaster to avert, no one to rescue. Nothing in particular to root for... The actors seemed a bit uncomfortable to me - even Harrison Ford himself. Indy's love interest from Raiders (Marian) was underutilized and apparently a bit rusty in the acting department. She seemed to be just "thrown in" to add a nostalgic romantic element. The young Mutt character was well cast and did a good job with what he had to work with. The story arc regarding Indys age, his old love and young Mutt is dealt with - but could have been a better, more solid part of a more well written story. I'm glad I saw the film. I enjoyed seeing Indy again, but my hope that I'd be wanting to go again didn't pan out. It's worth only one visit - and that just to see some Indiana JonesLIKE adventures - in a story that doesn't make much sense. Sorry to break bad news to anyone who reads fan reviews - but that's my story and I'm sticking to it. George - you should have fussed over the writing a bit more and Harrison - I'd have waited longer for the right script. This was a weak effort and it didn't need to be. Mr Lucas and Mr Spielberg -you surprised me on this one - and let us all down on the story. Just my opinion :) Scott (an Indy Fan).
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