Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
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After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
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During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Harold Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past to face the dangers of the jungle, Russia, and the supernatural. Written by
In the chase scene through the campus, Indy and Mutt crash land in the library where Indy is asked a question by one of his students regarding research. Indy responds by saying something to the effect of research being best obtained by getting out of the library and into the field. This seems to contradict Indy's advice in Indiana Jones and the Last Crusade (1989), when he tells his students that "70% of all archeology is done in the library. Research, reading. We cannot afford to take mythology at face value." However, in Crusade, his claim that "X never, ever marks the spot" was also disproved, so Indy may have found it necessary to change his advice since then. See more »
When Mutt and Indy are in the diner, Mutt suddenly stands up and jars the table, knocking over the condiment bottles of ketchup and mustard. When the shot changes angles, the bottles are both upright again and when it changes back, Indy reaches out to right the bottles that are lying down again. See more »
All I can really conclude about this movie is that it was just okay. I can forgive the ludicrous plot, the cheesy "family" dynamic of the film, the fact that Harrison Ford is old (which is really nowhere near the worst part of this). I don't even really mind Shia LaBeouf's presence. But many of the stunts and the action scenes are so implausible that it renders all of the action scenes implausible. For example, Shia LaBoeuf sword-fighting (!) spread-eagled on two moving vehicles; a boat going over not one, not two, but three waterfalls with absolutely no one getting a scratch (I mean, what are we watching here, The A-Team?); and the "if the film hasn't jumped the shark yet it certainly has now" moment--Shia LaBoeuf swinging through the jungle a la Tarzan. It was ridiculous. And because these parts are (forgive my overuse of the word) implausible, it highlights the fact that the rest of it doesn't work, either. After seeing a number of old series trying to come back for another run (Rocky Balboa, Rambo, the Star Wars Prequels) I have concluded that when filmmakers attempt to cash in on a once-popular series, artistically the best they can hope for is to break even. Sometimes there really is nowhere to go but down. I wanted to love this, but the most charitable thing I can say is that it was just okay. Very disappointing.
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