Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Harold Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past to face the dangers of the jungle, Russia, and the supernatural. Written by
While the previous Indy films were a tribute to the 1930s Republic Pictures serials, the filmmakers decided to change the approach/setting of this film; according to George Lucas, the film was "more of a 1950s B-movie." See more »
When Indy is first seen bound into the chair at the Soviet camp, the tape recorder supplying the music for the soldiers' party has played nearly all of its supply reel. When Spalko comes in for the interrogation, shortly after this scene, the supply reel has more, not less, tape on it. See more »
[watching Mutt jump around, trying to get scorpions off of himself]
Dance on your own time, will you?
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The movie begins with the Lucasfilm logo, followed by the 1954 Paramount "VistaVision" logo (with the text "PARAMOUNT" instead of "A PARAMOUNT PICTURE" and "A Viacom Company" instead of "A Gulf+Western Company" below "PARAMOUNT"). Gulf+Western became Paramount Communications in 1989, then merged with Viacom in 1994. The Paramount logo then dissolves into a gopher mound. (The static version of the current Paramount logo is seen at the end of the movie.) See more »
Entertaining in that self-parodying sort of way, but somebody PLEASE tell George Lucas to retire!!
Usually, when you go to see an action/adventure movie, especially an Indiana Jones movie, you're going to suspend your disbelief and just allow yourself to "get into" the movie. These kinds of movies are supposed to be mindless escapist fun. Still, one might expect some small modicum of plausibility or connection to the real world. When it comes to "Indiana Jones and the Kingdom of the Crystal Skull," forget about suspending disbelief. Just pretend you're in another dimension altogether. If you do that, you'll have have met one of the two prerequisites for seeing this movie. (If you don't believe me now, you will when you see this film and see our hero survive a cataclysmic event in a fairly cartoonish manner a mere 15 minutes into the film.) The other prerequisite is that you've seen the other three movies...religiously. A huge chunk of the entertainment value of this film comes from nostalgia, in-jokes, and self-parody. It is an entertaining movie and I had fun and laughed while I was watching it and the reason for this is because we are either enjoying seeing all of the same old gags done once again in a bigger and cooler way, or we are enjoying seeing those gags mocked. Trusty bullwhip? Check. Fedora? Check. Long car chase with fighting and leaping and what-not? Check. Dark tombs lit only by torches? Check. Gross creepy crawly critters? Check.
This is what makes the movie entertaining, but is also what prevents it from greatness and what makes me hesitant to call it a true "Indiana Jones" movie. George Lucas (who co-wrote the screenplay) has tried to do here what he did to the "Star Wars" prequels, namely that he thinks that appealing to the fan base with in-jokes, self-parody, and re-hashing the same old stuff can take the place of actually writing a a story that can stand on its own merits. The "Star Wars" prequels failed because Lucas could not get past his constant references to the original trilogy and so instead created fan fiction instead of true prequels. (Well, there was also the fact that Lucas' dialogue SUCKED.) Here, the stunts and action sequences and in-jokes keep us feeling entertained during the course of the film, but when we walk away, we wonder where was the real story.
Indiana Jones is a homage to 1930s serials about treasure hunters. He's out of place in the 1950s. Also out of place are the Soviets(led by Cate Blanchett in a Rosa Kleb-like role). And there are many, many, MANY instances where you will get to wondering just how implausible the next stunt will be. All of that I can put up with, though, and in fact can and do add to the entertainment value of the film. What I could not put up with was the ending, which will remind you not of Indiana Jones but of the ending to another Spielberg movies that pre-dates "Raiders of the Lost Ark."
This movie is lots of fun to watch, but it doesn't take itself seriously and probably shouldn't be part of the Indiana Jones canon.
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