Portrait of an artist as a young man. Roughly chronological, using archival footage intercut with recent interviews, a story takes shape of Bob Dylan's (b. 1941) coming of age from 1961 to 1966 as a singer, songwriter, performer, and star. He takes from others: singing styles, chord changes, and rare records. He keeps moving: on stage, around New York City and on tour, from Suze Rotolo to Joan Baez and on, from songs of topical witness to songs of raucous independence, from folk to rock. He drops the past. He refuses, usually with humor and charm, to be simplified, classified, categorized, or finalized: always becoming, we see a shapeshifter on a journey with no direction home. Written by
Footage of the San Francisco Bay Bridge is included among footage of New York City illustrating Bob Dylan's arrival there. See more »
There is a very famous saying among Tibetan Buddhists: "If the student is not better than the teacher, then the teacher is a failure."
It's sort of a biblical prophecy.
Poetry is words that are empowered to make your hair stand on end, that you realize instantly as being some form of subjective truth that has an objective reality to it, because somebody has realized it. Then you call it poetry later.
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Beautiful, beautiful, beautiful. Martin Scorcese makes another visually stunning film, and paints Dylan in a way nobody else could have. Instead of being asked stupid questions by stupid journalists, Dylan has a camera put in front of him and he just speaks. He's got a bit of a schedule, but he does what he wants with it. I really don't have words for how this movie made me feel. The sheer passion behind it just fueled my fierce love for Dylan even more.
The live bootlegs and behind-stage clips give a wonderful insight into Dylan's world. He is a man who just emanates coolness like it was the way he was born. It seems like nobody can ever have the upper hand on this man, and it's truly a delight to watch.
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