American Masters (1985– )
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No Direction Home: Bob Dylan 

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

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Won 1 Primetime Emmy. Another 8 wins & 8 nominations. See more awards »
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Cast

Episode cast overview, first billed only:
...
Himself
B.J. Rolfzen ...
Himself (voice)
Dick Kangas ...
Himself
Liam Clancy ...
Himself
Anthony Glover ...
Himself (as Tony Glover)
Paul Nelson ...
Himself
...
Himself (archive footage)
Dave Van Ronk ...
Himself (archive footage)
Maria Muldaur ...
Herself
John Cohen ...
Himself
Bruce Langhorne ...
Himself
Mark Spoelstra ...
Himself
Suze Rotolo ...
Herself
Izzy Young ...
Himself
...
Himself
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Storyline

He is one of the most influential, inspiration and ground-breaking musicians of our time. Now, Academy Awardâ"¢ winning director Martin Scorsese (Goodfellas, 1990) brings us the extraordinary story of Bob DylanâEUR(TM)s journey from his roots in Minnesota, to his early days in the coffee houses of Greenwich Village, to his tumultuous ascent to pop stardom in 1966.

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Details

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Release Date:

27 September 2005 (USA)  »

Filming Locations:

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Box Office

Budget:

$2,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

| (DVD) | (2 part TV-miniseries) |

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Mitch Blank's credit as "hypnotist collector" is a reference to a line in the Bob Dylan song "She Belongs to Me". See more »

Goofs

When A&R man John Hammond is introduced, Billie Holiday, whom Hammond signed to Columbia Records, is heard singing the anti-lynching protest song "Strange Fruit." In truth, Hammond did not allow Holiday to record "Strange Fruit" for Columbia; she recorded the song for Milt Gabler's Commodore Records instead. See more »

Quotes

Bob Dylan: [to his band] Play it fuckin' loud.
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Connections

Features Daybreak Express (1957) See more »

Soundtracks

It Takes a Lot to Laugh, It Takes a Train to Cry
Written and Performed by Bob Dylan
Courtesy of Columbia Records
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User Reviews

 
If "Ray" can be released theatratrically, why can't this?
18 August 2005 | by (United States) – See all my reviews

Surely Bob Dylan is just as influential as Ray Charles (if not more) and Scorsese has hemmed some of the finest films of the passed 30 years, but this is really a form of artist meets artist. Bob Dylan is interviewed and chronicled by none other than Martin Scorsese, and the results show the mending of two geniuses coming together. So what if it's a documentary? It's a fantastic film, and deserves a theateratrical release.

Scorsese doesn't cookie-cut it here, he doesn't give you the sympathetic look on an artist, it's not Hollywood in other words. He gives us a glimpse into a time period in Dylan's live. Could it be that Dylan has done and gone through so much, that a period of no more than 5 years can be edited into a 4 hour film? Yes. And it never feels stingy or overly long.

If you're a Dylan fan (which i am), this film is a MUST. If you're a Scorsese fan, this film is a MUST. If you're a film fan, this film is a MUST. A Great film, and will sure be on many top 10 lists. Now if they only released it theateratrically, maybe it'd be up for an Oscar.

But i'm sure Dylan doesn't mind. Maybe Scorsese does. :(


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