American Masters (1985– )
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No Direction Home: Bob Dylan 

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

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ON DISC
Won 1 Primetime Emmy. Another 8 wins & 8 nominations. See more awards »
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Cast

Episode cast overview, first billed only:
...
Himself
B.J. Rolfzen ...
Himself (voice)
Dick Kangas ...
Himself
Liam Clancy ...
Himself
Anthony Glover ...
Himself (as Tony Glover)
Paul Nelson ...
Himself
...
Himself (archive footage)
Dave Van Ronk ...
Himself (archive footage)
Maria Muldaur ...
Herself
John Cohen ...
Himself
Bruce Langhorne ...
Himself
Mark Spoelstra ...
Himself
Suze Rotolo ...
Herself
Izzy Young ...
Himself
...
Himself
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Storyline

He is one of the most influential, inspiration and ground-breaking musicians of our time. Now, Academy Awardâ"¢ winning director Martin Scorsese (Goodfellas, 1990) brings us the extraordinary story of Bob DylanâEUR(TM)s journey from his roots in Minnesota, to his early days in the coffee houses of Greenwich Village, to his tumultuous ascent to pop stardom in 1966.

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Details

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Release Date:

27 September 2005 (USA)  »

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Box Office

Budget:

$2,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

| (DVD) | (2 part TV-miniseries) |

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Martin Scorsese never met or discussed the film with Bob Dylan during filming. However he worked extensively with him during the filming of The Last Waltz (1978). See more »

Goofs

When A&R man John Hammond is introduced, Billie Holiday, whom Hammond signed to Columbia Records, is heard singing the anti-lynching protest song "Strange Fruit." In truth, Hammond did not allow Holiday to record "Strange Fruit" for Columbia; she recorded the song for Milt Gabler's Commodore Records instead. See more »

Quotes

Mickey Jones: People have said to me the word that, uh, he was a traitor to folk music, the *pure* music.
Bob Dylan: I'd just about had it, though, I'd had it with the whole scene. And, uh, whether I knew it or didn't know it, I was, uh, lookin' to quit for a while.
unknown: Well, what about the scene? What had you "had it with"? What about the scene were you sick of?
Bob Dylan: Uh, well, ya know, people like *you*, people like, uh, ya know, just, ya know, like bein' pressed and hammered and, uh, bein' expected to answer questions. It's ...
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Connections

Features The Bus (1965) See more »

Soundtracks

Walkin' With My Angel
Written by Gerry Goffin and Carole King
Small Gems - EMI Music Inc.
Performed by Bobby Vee
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User Reviews

 
He's Younger Than That Now
20 September 2005 | by (United States) – See all my reviews

Well, it took a director as great as Martin Scorsese and 45 years of recording, travelling, ramblin' and bein' busy bein' born instead of dyin', but at long last Dylan fans from Dharma to Duluth have a glimpse behind the genius in the dark sunglasses. A remarkable film--for so many reasons that it would take at least 3 1/2 hours (the length of the movie) to list them--but the main reasons anyone with an interest in His Bobness needs to view this film are as follows: 1) Scorsese's direction: Almost 30 years after he chronicled the passing of a musical era with his magnificent film The Last Waltz, Scorsese once again captures musical brilliance and history on film as only someone who truly appreciates Dylan's historical as well as cultural influence could. A Master Director chronicles a Master Musician. 2) Archival footage of everyone you never saw before on film, including Gene Vincent, Hank Williams, and early 60's Greenwich Village pioneers aplenty and of course.. 3) Bob. For reasons known only to himself, Dylan actually speaks on record about his least favorite topic, himself. Along with last year's autobiography, this film reveals far more of the portrait of the artist as a young man than could ever have been anticipated given Bob's notorious closed-mouthed history on his own history.

With Elvis, Ray Charles and John Lennon gone, there are few--if ANY--artists whose historical and musical importance even come near that of Bob Dylan. In No Direction Home, we see as much, if not more, than we are entitled to see about how and why young Robert Zimmerman from Hibbing, MN became the most important songwriter of the 20th century.

He's got everything he needs--he's an artist--but just this once, he DOES look back.


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