While Buster looks for ways to get out of serving in Iraq, Lindsay's quest to score a date at the Bluth Company Christmas party backfires after Gob's sexual harassment speech. Michael and Maeby get ...
Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful television show without losing her mind.
Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth - the stair car that accompanied their private jet. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously - and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides ... Written by
The song that plays, whenever Gob performs on stage, is "The Final Countdown" by Europe. See more »
During the time George Sr spends in the attic, storage boxes in the background are marked with either "Tracy" or "Tracey." These are boxes of old clothes belonging to Michael's late wife. See more »
So the speech was disturbing, the food was inedible, and the gift bags pretty frightening. And when GOB found out that he wasnt going to get any tips, the service got worse. Oh and that old racist woman choked on Buster's thumb. All in all it was one of the Bluth's better parties.
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this comedy is smart where so many others are not. its one of the few shows on today that you find DO NOT have a laugh track which alone makes it unique, but with the excellent writing and acting make it a refreshing and hilarious change. after a few episodes, it all makes sense and is that much funnier once you know the characters and their very individual quirks.
this show deserved all of the awards it won plus a few more just to make sure it gets noticed. its been voted TV-lands "future classic" after only a single season if thats any clue to those who haven't seen it yet. the dry acting of jason bateman and the voice over by ron howard are both stellar and add greatly to the shows overall style.
watch this show as soon as it begins again (nov 7, 2004 after the simpsons) you wont be sorry.
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