A young girl travels to Cairo to visit her father, and becomes unwillingly involved with a bizarre sadomasochistic cult led by the charismatic Paul Chevalier, who is a descendant of the ... See full summary »
The grand tale of a zombie holding a arm. He also travels the world learning about life, and the meaning of it all. He also meets a girl zombie holding a body. Will they fall in love? Will they complete that human body? Watch and find out.
A group of friends including Brady Turner, Claire and Duncan McKay go out on a boat trip on a lake in Southern California, but their joyful weekend turns into horror, when a giant killer ... See full summary »
Hollywood, California is turned upside down by a series of strange and horrific murders creating chaos and turmoil in tinsel town. One particular victim is kidnapped, held captive and ... See full summary »
A psychotic redneck who owns a dilapidated hotel in rural East Texas kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
In Hollywood, the young teacher Nell and her husband, the resident Steven Barrows, move to an old building called Lusman Arms. Some sixty years ago, the place was glamorous, but presently is completely decadent. Many dwellers have disappeared along the years. While her husband is working in the hospital, the lonely Nell hears some weird noises and becomes afraid of the place. While jogging, she is introduced to (and becomes close to) her neighbor Julia Cunningham, and they schedule a hike together on the next day. Julia never shows up, and Nell looks for her in the building, finding a hiding block behind the wall, where an evil being, which was born from death, lives with many dead bodies. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of the production companies financing the film dissolved during filming, forcing Tobe Hooper to shut down production with only 2/3 of the movie actually shot. Numerous continuity errors, plot holes, and narrative flaws are the result of Hooper hastily editing together what he had filmed into a complete movie in order to try and recoup financial losses and so that the actors' and crews' work wouldn't go to waste. In the commentary track for this film with Tobe Hooper and the writers, they state that this did not happen. See more »
A box of detergent appears and disappears from a washing machine between shots. See more »
After a fifteen year long string of awful horror movies and forgettable TV shows, director Tobe Hooper finally roars back to life with this fun, scary and intense horror thriller.
When I first heard Hooper was remaking TOOLBOX MURDERS, I thought he had hit a new low. The director of THE Texas CHAINSAW MASSACRE is making a remake of a movie that was in many ways a rip-off of CHAINSAW? I didn't think I'd bother.
Then I started hearing some internet buzz that the movie was actually pretty good, so I picked up the DVD at a horror convention. I was pleasantly surprised. It's a throwback to Hooper's earlier movies like CHAINSAW, EATEN ALIVE and THE FUNHOUSE, with a similar atmosphere of dementia and claustrophobic terror. The performances are excellent and the screenplay is very good (written by the same team that wrote Hooper's previous film, CROCODILE). Also top notch are the expressionistic cinematography and editing.
Hooper's previous movies reeked of TV movie blandness (possibly due to his having slowly moved into that realm over the years), but TOOLBOX MURDERS has a healthy dose of grindhouse grit to go with the slick, professional quality of his hired hand work. The result is a movie that is as technically well-made as SCREAM or WRONG TURN, but with the guts of a 70s drive-in shocker.
While the killer finds some creative ways to kill people with various hardware items, and the action takes place in a single apartment building, this movie has little to do with the original TOOLBOX MURDERS. It's actually more similar in plot to Lucio Fulci's HOUSE BY THE Cemetery. However, despite its remake status and its borrowing plot points from a few previous movies, it has a surprisingly fresh and original feeling to it.
I'll go out on a limb and say Tobe Hooper's TOOLBOX MURDERS is one of the better horror movies I've seen in quite some time. It leaves the CHAINSAW remake in the dust. It's better than most so-called horror movies I've seen in the last few years.
I highly recommend this to horror fans, but especially to admirers of Hooper who thought he would never crawl out of his rut. Well, he's back, and with a vengeance!
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