A psychotic redneck who owns a dilapidated hotel in rural East Texas kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
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In this remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other ... See full summary »
Nell and her husband Steven are looking for a business, as well as a home, when they come across the Lusman Arms apartment block. They move in and begin renovating the building, in which a series of weird killings begin to take place. When she finally discovers the supernatural evil behind it all, she gets more than she bargained for! Written by
One of the production companies financing the film dissolved during filming, forcing Tobe Hooper to shut down production with only 2/3 of the movie actually shot. Numerous continuity errors, plot holes, and narrative flaws are the result of Hooper hastily editing together what he had filmed into a complete movie in order to try and recoup financial losses and so that the actors' and crews' work wouldn't go to waste. See more »
When Ned is in front of the elevator it opens and Julia comes out. A front shot of Ned shows him with his hair all over his face. Then another shot shows his hair to the sides and then it changes back to cover his face. See more »
After a fifteen year long string of awful horror movies and forgettable TV shows, director Tobe Hooper finally roars back to life with this fun, scary and intense horror thriller.
When I first heard Hooper was remaking TOOLBOX MURDERS, I thought he had hit a new low. The director of THE Texas CHAINSAW MASSACRE is making a remake of a movie that was in many ways a rip-off of CHAINSAW? I didn't think I'd bother.
Then I started hearing some internet buzz that the movie was actually pretty good, so I picked up the DVD at a horror convention. I was pleasantly surprised. It's a throwback to Hooper's earlier movies like CHAINSAW, EATEN ALIVE and THE FUNHOUSE, with a similar atmosphere of dementia and claustrophobic terror. The performances are excellent and the screenplay is very good (written by the same team that wrote Hooper's previous film, CROCODILE). Also top notch are the expressionistic cinematography and editing.
Hooper's previous movies reeked of TV movie blandness (possibly due to his having slowly moved into that realm over the years), but TOOLBOX MURDERS has a healthy dose of grindhouse grit to go with the slick, professional quality of his hired hand work. The result is a movie that is as technically well-made as SCREAM or WRONG TURN, but with the guts of a 70s drive-in shocker.
While the killer finds some creative ways to kill people with various hardware items, and the action takes place in a single apartment building, this movie has little to do with the original TOOLBOX MURDERS. It's actually more similar in plot to Lucio Fulci's HOUSE BY THE Cemetery. However, despite its remake status and its borrowing plot points from a few previous movies, it has a surprisingly fresh and original feeling to it.
I'll go out on a limb and say Tobe Hooper's TOOLBOX MURDERS is one of the better horror movies I've seen in quite some time. It leaves the CHAINSAW remake in the dust. It's better than most so-called horror movies I've seen in the last few years.
I highly recommend this to horror fans, but especially to admirers of Hooper who thought he would never crawl out of his rut. Well, he's back, and with a vengeance!
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