A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots".
During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home". Written by
Ashutosh Gowariker was the voice of Shahrukh Khan in the song "Pal Pal Hai Bhari". See more »
In the beginning of the song "Yeh Raasta Hai"(after picking up the stranger en route to Charanpur), the song is shown as being played on the caravan's stereo. But in the shots of the media player, it doesn't display anything, indicating that it is actually not switched on. See more »
This is definitely worth watching. The direction is restrained, SRK has acted really well after a long time, and there is a naive yet charming idealism underpinning the movie. It could have been a tad shorter, crisper editing would have helped. BO-wise it is a risky movie - unapologetic in its depiction of poverty and almost childlike in its appeal to NRIs and India's middle class to acknowledge poverty and try to do something about it. Gowarikar's heart is in the right place - the shots with the family unable to pay land rents, and the waterboy were graceful and poignant. My hunch is that regardless of BO fate, this is an important movie and will be referred to for year to come.
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