A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots".
During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
Sanjay Leela Bhansali
Shah Rukh Khan,
Aishwarya Rai Bachchan
Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home". Written by
Mohan Bhargava is working on a rainfall monitoring satellite known as the Global Precipitation Measurement (GPM), which is lifted into an orbit aboard a Space Shuttle. The GPM is an actual NASA mission, currently scheduled to launch in 2007. See more »
When Mohan speaks to his colleague Vinod for the first time from postmaster's office in charanpur, the background shows daylight, also vinod's background shows broad daylight, however, due to geography, it should be night time, at one of the places. See more »
I'm only speaking of things I've experienced while living here. And that is that we keep fighting among ourselves when we must fight against illiteracy, over-population & corruption. Everyday, in our streets & homes, each one of us keeps saying their is no future of this country. This country is on the path of destruction. If we keep saying this, we will one day actually land up there. You'll need to do something about this. You too! Not just the members of the Panchayat but everyone in the ...
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30 minutes after I had viewed the film on Sat, I was not sure about how I felt about this film. 48 hours hence, I vividly remember most of the scenes and can lucidly state that is truly 'haunting'.
Swades is not colorful; Shahrukh doesn't appear in a GAP or POLO SPORT; there are no introductory shots; there are no romantic scenes and no fields with yellow Tulip flowers; It may be a tad slow and lengthy; But Swades hits you where your heart hurts the most; patriotic and root feelings of an individual with good intentions overcoming societal obstacle. It's brilliant, heartfelt and touching. The 'We, People' film really makes us feel like it's our film. We see in the film what we see everyday, the places as they are. It's very much contemporary and it's our story.
Compared to Veer-Zaara, it's light years ahead. Comparisons with Lagaan are bound to be there, but in some ways it's even better than Lagaan. Primarily, for the authenticity and real-life feel unlike Lagaan which was a finely crafted fairly-tale. Lagaan is all about emerging victorious and fighting against the odds. You enjoy it when you see it. Swades is about the conscience trauma of an Indian, urging him to comeback and do something for his country. It haunts you for long enough after the cinema has ended.
There's a prejudice that the film is about bringing electricity to a small village. It's not. And the most poignant scene in the film, where we see a boy selling water for 25 paisa, hits you hard. Seeing the harsh reality and we'll find it difficult to suppress our tears. It's an answer to the generation of materialistic 'we', who never shy from proclaiming our great culture and tradition, but do nothing for our country.
The asset of the film is Shahrukh Khan, looking ordinary and real but in an extra-ordinary performance. His most real since 'Kabhi Haan Kabhi Naa' and his career's best. ARR music is soulful and original. The theme song 'Yeh Jo Des Hai Mera' haunts both in terms of its visuals and wordings.
But above all, it's the good intention and the attention to detail, of director Ashutosh Gowarikar that makes wonders for this truly experimental and moving cinema.
I can and will definitely view this movie once more, to celebrate it feel and spirit. I can't predict its box office outcome, as the masses love fantasies and escapist cinema. But it's definitely a treat for those who want to see moving and believable films on a large scale. Also if we don't embrace different cinema like this or even 'the torturous but different Musafir' for that matter, we'll continue to get more 'Sarson ka Saag', 'Karva Chauths', 'Maahi Ve' filled designer romance fables from the Chopra-Johar clan!
Regardless of the box office outcome, take a bow Ashutosh, Shahrukh and ARR!
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