Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
A story that follows as a New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as their possibility dwindles.
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
In 1986, In Brooklyn, New York, the dysfunctional family of pseudo intellectuals composed by the university professor Bernard and the prominent writer Joan split. Bernard is a selfish, cheap and jealous decadent writer that rationalizes every attitude in his family and life and does not accept "philistines" - people that do not read books or watch movies, while the unfaithful Joan is growing as a writer and has no problems with "philistines". Their sons, the teenager Walt and the boy Frank, feel the separation and take side: Walt stays with Bernard, and Frank with Joan, and both are affected with abnormal behaviors. Frank drinks booze and smears with sperm the books in the library and a locker in the dress room of his school. The messed-up and insecure Walt uses Roger Water's song "Hey You" in a festival as if it was of his own, and breaks up with his girlfriend Sophie. Meanwhile Joan has an affair with Frank's tennis teacher Ivan and Bernard with his student Lili. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the Berkmans are speaking to Walt's teacher about his plagiarism of the song "Hey You" by Pink Floyd during his performance during the talent show, there is a poster behind the teacher promoting reading featuring the WWE wrestler Hurricane (Shane Helms) who made his WWE debut in 2001. He was only 12 in 1986. See more »
More acutely than I've experienced in a long time, this film captures the process of personality inheritance within families. The interaction/influence between Bernard and Walt is almost painful to watch at times, but it's completely rich. Beyond just that father/son dynamic, the story is so poignant without ever getting sappy - a true accomplishment for a family drama involving divorce. Nothing hits you over the head. Nothing seems too forced. While there's plenty of confusion, discomfort, and alienation, a sense of love shines through, and I couldn't help but get attached to all of the characters. I recommend this film unconditionally.
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