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Sin ton ni Sonia (2003)

 -  Comedy  -  13 June 2003 (Mexico)
5.3
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Ratings: 5.3/10 from 216 users  
Reviews: 3 user | 1 critic

Low-budget ensemble comedy by Mexican director Carlos Sama, in which the lives and relationships of a colourful array of charcters become irretrievably entwined: neurotic B-list TV director... See full summary »

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Title: Sin ton ni Sonia (2003)

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Cast

Cast overview, first billed only:
Juan Manuel Bernal ...
Orlando
...
Renée
Mariana Gajá ...
...
Mauricio
Tara Parra ...
Mamá Rosa
Donal Cortés ...
Ariel
...
Mike
...
John
Eugenio Bartilotti ...
Barbitas
...
Esther
René García ...
Javier
Úrsula Pruneda ...
Catherine (as Ursula Pruneda)
Ericka Sttetner ...
Luisa
...
Clarissa
Eduardo Rey ...
Juan Sebastián Vaca
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Storyline

Low-budget ensemble comedy by Mexican director Carlos Sama, in which the lives and relationships of a colourful array of charcters become irretrievably entwined: neurotic B-list TV director Orlando (Juan Manuel Bernal); his new-age wife Sonia (Mariana Gajá); tempestuous couple Mauricio (José María Yazpik) and Renée (Cecilia Suárez); and sweet, charming nurse-turned-serial killer Mamá Rosa (Tara Parra) - whose unlikely story is being covered by a reality TV series. Written by Anonymous

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Una comedia que te robará el corazón y otros órganos vitales.

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Comedy

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13 June 2003 (Mexico)  »

Also Known As:

Chacun sa voix  »

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Referenced in Vecinos: Sin ton ni Silvia (2006) See more »

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User Reviews

 
Easy joke
18 February 2005 | by (Guadalajara, México) – See all my reviews

"Sin ton ni Sonia" a film by Carlos Sama it's a comedy that is a mixture between "Sólo con tu pareja" and "Sexo, pudor y lágrimas". "Sin ton ni Sonia" is funny to droughts, here the critic of the journal Mural (very smaller brother of Reforma and El Norte) it destroyed it, and it is not for as much, I am sure that if had been a foreign or European comedy they had treated better it. In which yes I agree with the writing is not strong in multiple parallel stories that raise, and in wanting to us to make laugh in each short while by it resorts it to the easy joke and the stereotype. In short, surely it will be the Mexican comedy of the year, since it counts on "magnets of ticket office" like Juan Manuel Bernal and Cecilia Suárez, and if the spectator goes with the idea to spend a good short while thus will be.


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