The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the ... See full summary »
AIDS doctor Antonia's husband is killed by a car. She gets depressed until she learns he had been cheating on her with a man. Following her newly born curiosity for life, she goes to see ... See full summary »
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The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Numerous New York City dwellers come to the exclusive club Shortbus to work out problems in their sexual relationships. Rob and Sophia are a happily married couple, except for the fact that she has never experienced sexual climax. This irony follows her to work because she is a couples counselor who frequently has to deal with the sexual issues other couples have. Two of her patients are Jamie and James, a gay couple who have been monogamous for five years and counting. James wants to bring other men in to the relationship, and his own history with depression may hint at an ulterior motive. Ceth (pronounced Seth) may be the perfect addition to their family, but Caleb, a voyeur from across the street, may have his own ideas about that. Sophia visits Severin, a dominatrix with secrets of her own to reveal. Written by
Life and love in the New York City universe of the ultra-cool
Brilliant directing and writing by John Cameron Mitchell (he gave us "Hedwig"), and great acting from everyone, especially Justin Bond, Lindsay Beamish, Paul Dawson and PJ Deboy. Great musical numbers too! You'll laugh and cry, and come away wanting to see it again immediately. Much has been made of a few rather intimate and well-lit sex scenes, but if anyone over 16 can't handle them, he or she shouldn't be out at night.
It's all ultimately wondrous, and one of the great revelations of the 2006 Cannes Film Festival, where the audiences tend to be snotty and conspicuously unimpressed--but the screening of this movie was followed by parades and parties in the streets, with people carrying the stars on their shoulders, like they used to do with Verdi on opening nights in Milan. Lynne Cheney, sly pornographer that she is, will be eating her heart out that someone has gotten at last to the real g-spot of the cosmos, and it wasn't she what did it.
Love may be grim at times, kind of like Kansas, but Mitchell turns it into technicolor. Just like magic.
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