A musical of sorts set in Winnipeg during the Great Depression, where a beer baroness organizes a contest to find the saddest music in the world. Musicians from around the world descend on the city to try and win the $25,000 prize.
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It's the winter of 1933 in Winnipeg. In honor of Winnipeg being named the sorrow capital of the world for the Depression era for the fourth year running by the London Times, Lady Helen Port-Huntley, the legless owner of Winnipeg's Port-Huntley Beer, is hosting and judging a contest to see which nation has the saddest music in the world, the winner to take home a $25,000 prize. Seeing as to the current Prohibition in the United States, Lady Port-Huntley has ulterior motives for the contest. Father and son, streetcar conductor Fyodor Kent and New York based musical producer Chester Kent, who both have a past connection to Lady Port-Huntley (Fyodor, a WWI veteran and former doctor, has fashioned for her an unusual pair of artificial legs apropos to her business), want to represent Canada and the United States respectively in the contest. Despite Lady Port-Huntley's hatred for the Kent's, she does allow them to do so if only to advance her own priorities. As the contest takes place, the ... Written by
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You haven't been married to this gentleman, have you? Or had a child with him? That wouldn't have slipped your mind, I trust.
I would hate to be so careless with loved ones.
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Experiments, madness, comedy, drama, musical and some more...
Experiments, madness, comedy, drama, musical and some more.
I was unaware of Guy Maddin movies until I saw this one, so from the start to the end I was in awe about a director that came to me from nowhere and managed to surprise me. I am saying this as I have seen quite a few (1000's maybe) movies, and I am very hard to be surprised by something.
Without any doubt the movie IS one of the most original ones I've seen in years, and beside the strange techniques used (black/white grainy film, alternating with color-grainy as well, theater-like sets, etc..) the originality of the director is never the less amazing.
Of course quite a few people left the theater during the movie, but that's understandable, as this is just for the die-hard fans of good/art films. If you thought SALLO was a good movie, beside the cruelty on the screen, or if you actually understood Satyricon, then this movie might appeal you, otherwise don't waste your time on it.
I can't find a movie that can be related to this one, I just cannot!!! Great actors, great music and even a greater director: food for the soul.
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