The Saddest Music in the World (2003)

User Rating:

7.0/10   

Director:

Guy Maddin

Writers:

Kazuo Ishiguro (original screenplay)
George Toles (written by) ...

Release Date:

1 September 2005 (Greece)

Genre:

Comedy | Drama | Fantasy | Music | Musical | Romance

Tagline:

"If you're sad, and like beer, I'm your lady."

Plot:

A sort-of musical set in Winnipeg during the Great Depression, where a beer baroness organizes a contest to find the saddest music in the world. Musicians from around the world descend on the city to try and win first place - a $25,000 prize.

Plot Keywords:

Winnipeg | Beer | Musician | Car Accident | Amnesia

Awards:

6 wins & 5 nominations

Cast

Mark McKinney	...	Chester Kent
Isabella Rossellini	...	Lady Helen Port-Huntley
Maria de Medeiros	...	Narcissa
David Fox	...	Fyodor Kent
Ross McMillan	...	Roderick Kent / Gravillo the Great
Louis Negin	...	Blind Seer
Darcy Fehr	...	Teddy
Claude Dorge	...	Duncan Elksworth
Talia Pura	...	Mary
Jeff Sutton	...	Young Chester
Graeme Valentin	...	Young Roderick
Maggie Nagle	...	Chester's Mother
Victor Cowie	...	Man in Bar
Jessica Burleson	...	Lady's Secretary
Wayne Nicklas	...	Boardmember

MPAA:

Rated R for some sexuality and violent images.

Runtime:

100 min

Country:

Canada

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:M | Hong Kong:IIB | France:U | Portugal:M/12 | Argentina:13 | Canada:PG | Finland:K-15 | Singapore:NC-16 | UK:15 | USA:R

Filming Locations:

Manitoba Production Centre, Winnipeg, Manitoba, Canada

Company:

Rhombus Media

Trivia:

The Mexican lead singer of the mariachi band performs wearing the Republic of Panama's female national dress, called "pollera".

Quotes:

Lady Port-Huntley: Go to Hell, Chester!
Chester Kent: In due time. First I'm going to have my victory cigar.

Movie Connections:

References Footlight Parade (1933)

Soundtrack:

The Song Is You - Chester's Last Gasp Version

`The still, sad music of humanity.'

And I thought `Dogville' was stylized. Canadian writer/director Guy Maddin ("Dracula: Pages from a Virgin's Diary,' "Archangel') has created a film like no other this year except possibly `Triplet's of Belleville.' `The Saddest Music in the World' is a `musical' set in Winnipeg in 1933, where Lady Port-Huntly (Isabella Rossellini) is holding a contest to award $25,000 to the saddest music performer. In `Depression Era dollars,' no less.

Winnipeg has been declared by the London Times `the world capital of sorrow' for the fourth year in a row. What happens in the film can be categorized as surrealism of the sort that marries the Melies brothers in their `Trip-to-the-Moon' wackiest to `The Twilight Zone' in Rod Serling's most hilarious (and that's pretty unusual) moments. Shot in distressed mode with 8 mm blown up to be grainy and silent movieish, `Saddest' has blue-grays and silvers and occasional bursts of washed-out color that give it an otherworldly cast meant to satirize the old movies and create a new look built on nostalgia and freedom from convention that some call expressionism.

Some of the bizarre acts vying for the prize are Fyodor (David Fox), a veteran of World War I representing Canada, who plays a deathlike version of ''The Red Maple Leaves'' on an upright piano he has turned over, and Indian singers in Eskimo costumes, who dance to ''California Here I Come'' with sitars and banjos commemorating a 19th-century kayaking accident. All the time an iris lens blurs the edges of the film to recreate the ancient look of film found in a vault after 50 years.

That Lady Port-Huntly needs artificial legs is not as bizarre as the back story of how she came to need them, and that the new glass legs have local beer coursing through them is just another creative and absurdist touch. With a resemblance to the robot in `Metropolis,' she is an amalgam of strange and prophetic moments in film and culture. I know I'm not making much sense here-Trust me that this film is bizarre enough to satisfy the geekiest cultist in our audience. For the rest of us, just trying to appreciate all the signposts Maddin constructs to further his absurd and funny vision is exhausting. Wordsworth's thoughts apply because we at least hear `the still, sad music of humanity.'