| Klaus Mulbjerg | ... | Tryllekunstner | |
| Nikolaj Lie Kaas | ... | Alex David | |
| Maria Bonnevie | ... | Simone / Aimee | |
| Krister Henriksson | ... | August Holm | |
| Nicolas Bro | ... | Leo Sand | |
| Peter Steen | ... | Mel David | |
| Ida Dwinger | ... | Monica | |
| Malene Schwartz | ... | Fru Banum (Mrs. Banum) | |
| Helle Fagralid | ... | Nan Sand | |
| Mercedes Claro Schelin | ... | Mercedes Sand | |
| Jens Blegaa | ... | Waiter | |
| Isabella Miehe-Renard | ... | Journalist | |
| Katrin Muth | ... | Bartender | |
| David Dencik | ... | Bartender |
Directed by | |||
| Christoffer Boe | |||
Writing credits(in alphabetical order) | ||
| Christoffer Boe | writer | |
| Mogens Rukov | writer | |
Produced by | |||
| Lars Kjeldgård | .... | co-producer | |
| Tine Grew Pfeiffer | .... | producer | |
| Åke Sandgren | .... | co-producer | |
Original Music by | |||
| Thomas Knak | |||
Cinematography by | |||
| Manuel Alberto Claro | |||
Film Editing by | |||
| Peter Brandt | |||
| Mikkel E.G. Nielsen | |||
Casting by | |||
| Anja Philip | |||
Production Design by | |||
| Martin de Thurah | |||
Costume Design by | |||
| Gabi Humnicki | |||
Makeup Department | |||
| Henrik Steen | .... | makeup department head | |
Production Management | |||
| Johnny Andersen | .... | production manager | |
Art Department | |||
| Torben Stig Nielsen | .... | property master | |
| Hans Erik Olsen | .... | painter | |
Sound Department | |||
| Morten Green | .... | sound | |
| Nino Jacobsen | .... | sound re-recording mixer | |
| Julien Naudin | .... | foley artist | |
| John Nielsen | .... | boom operator | |
| Camilla Mauritzson Skjaerbaek | .... | dialogue editor (as Camilla Mauritzson) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Visual Effects by | |||
| Lars Bjørn Hansen | .... | digital effects | |
| René Rask | .... | matte painter | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jakob Bonfils | .... | Steadicam operator | |
| Niels A. Hansen | .... | clapper loader (as Niels Hansen) | |
| Tobias Juhl | .... | lighting assistant | |
| Andreas Kragh-Jacobsen | .... | additional lighting assistant | |
| Sune Lolk | .... | gaffer | |
| Linn Sandholm | .... | still photographer | |
| Søren Sielemann | .... | additional lighting assistant | |
| Peter Topsøe-Jensen | .... | first assistant camera | |
Editorial Department | |||
| Ejvind Bording | .... | color timer | |
| Jan Degn | .... | colorist | |
| Jonas Drehn | .... | colorist | |
| Christina Isabel Emdrup | .... | post-production assistant | |
| Tove Jystrup | .... | post-production coordinator | |
| Michael Jørgensen | .... | assistant editor | |
| Adam Nielsen | .... | trailer editor | |
| Glennie Pettersson | .... | post-production assistant | |
| Kaspar Astrup Schröder | .... | assistant editor (uncredited) | |
Other crew | |||
| Ada Kaalund | .... | accountant | |
| Jorunn Keller | .... | script supervisor | |
| Bibi Malby | .... | production assistant (as Bibi Husted Malby) | |
| Hanne Merkx | .... | accountant | |
| Gitte Nielsen | .... | accountant | |
| Lone Sloth | .... | accountant | |
| Carsten Sparwath | .... | location manager | |
| Jeppe Tolstrup-Møller | .... | location scout | |
| Sophus K. Windeløv | .... | production runner (as Sophus Kirkeby Windeløv) | |
| Henrik Zein | .... | accountant | |
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| Edvard Munch | After the Wedding | The Devil Wears Prada | Sliding Doors | Shadowlands |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
I saw this movie at the London Film Festival, introduced by Boe the director and the beautiful Bonnevie, the lead actress. Boe is a graduate of the Danish film school and, as you might expect, the film is packed with movie references from Bergman to Hitchcock via Lynch. I hope the movie picks up a UK distributor as a second viewing is needed to understand the movie fully. On one viewing alone, this is an intelligent, intriguing and thought provoking movie with an excellent sense of time and place (Copenhagen, the present, even though no-one seems to have a mobile phone!), clever cinematography and editing and good performances. Boe creates a vision of Copenhagen as a labyrinthine, alien jungle where your front door may disappear and your friends have never seen you before.
Highly recommended