| Photos (see all 9 | slideshow) | Videos |
| Klaus Mulbjerg | ... | Tryllekunstner | |
| Nikolaj Lie Kaas | ... | Alex David | |
| Maria Bonnevie | ... | Simone / Aimee | |
| Krister Henriksson | ... | August Holm | |
| Nicolas Bro | ... | Leo Sand | |
| Peter Steen | ... | Mel David | |
| Ida Dwinger | ... | Monica | |
| Malene Schwartz | ... | Fru Banum (Mrs. Banum) | |
| Helle Fagralid | ... | Nan Sand | |
| Mercedes Claro Schelin | ... | Mercedes Sand | |
| Jens Blegaa | ... | Waiter | |
| Isabella Miehe-Renard | ... | Journalist | |
| Katrin Muth | ... | Bartender | |
| David Dencik | ... | Bartender |
Directed by | |||
| Christoffer Boe | |||
Writing credits(in alphabetical order) | ||
| Christoffer Boe | writer | |
| Mogens Rukov | writer | |
Produced by | |||
| Lars Kjeldgård | .... | co-producer | |
| Tine Grew Pfeiffer | .... | producer | |
| Åke Sandgren | .... | co-producer | |
Original Music by | |||
| Thomas Knak | |||
Cinematography by | |||
| Manuel Alberto Claro | |||
Film Editing by | |||
| Peter Brandt | |||
| Mikkel E.G. Nielsen | |||
Casting by | |||
| Anja Philip | |||
Production Design by | |||
| Martin de Thurah | |||
Costume Design by | |||
| Gabi Humnicki | |||
Makeup Department | |||
| Henrik Steen | .... | makeup department head | |
Production Management | |||
| Johnny Andersen | .... | production manager | |
Art Department | |||
| Torben Stig Nielsen | .... | property master | |
| Hans Erik Olsen | .... | painter | |
Sound Department | |||
| Morten Green | .... | sound | |
| Nino Jacobsen | .... | sound re-recording mixer | |
| Camilla Mauritzson | .... | dialogue editor | |
| Julien Naudin | .... | foley artist | |
| John Nielsen | .... | boom operator | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Visual Effects by | |||
| Lars Bjørn Hansen | .... | digital effects | |
| René Rask | .... | matte painter | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jakob Bonfils | .... | Steadicam operator | |
| Niels A. Hansen | .... | clapper loader (as Niels Hansen) | |
| Tobias Juhl | .... | lighting assistant | |
| Andreas Kragh-Jacobsen | .... | additional lighting assistant | |
| Sune Lolk | .... | gaffer | |
| Linn Sandholm | .... | still photographer | |
| Søren Sielemann | .... | additional lighting assistant | |
| Peter Topsøe-Jensen | .... | first assistant camera | |
Editorial Department | |||
| Ejvind Bording | .... | color timer | |
| Jan Degn | .... | colorist | |
| Jonas Drehn | .... | colorist | |
| Christina Isabel Emdrup | .... | post-production assistant | |
| Michael Jørgensen | .... | assistant editor | |
| Tove Jystrup | .... | post-production coordinator | |
| Adam Nielsen | .... | trailer editor | |
| Glennie Pettersson | .... | post-production assistant | |
| Kaspar Astrup Schröder | .... | assistant editor (uncredited) | |
Other crew | |||
| Ada Kaalund | .... | accountant | |
| Jorunn Keller | .... | script supervisor | |
| Sophus Kirkeby | .... | production runner (as Sophus Kirkeby Windeløv) | |
| Bibi Malby | .... | production assistant (as Bibi Husted Malby) | |
| Hanne Merkx | .... | accountant | |
| Gitte Nielsen | .... | accountant | |
| Lone Sloth | .... | accountant | |
| Carsten Sparwath | .... | location manager | |
| Jeppe Tolstrup-Møller | .... | location scout | |
| Henrik Zein | .... | accountant | |
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| Edvard Munch | David and Bathsheba | Under the Tuscan Sun | Shadowlands | The Devil Wears Prada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
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Is this a true, fictional narrative, or is it the figment of the fictional writer's imagination? If that sounds contradictory, then it gives you some inkling about the substance or lack thereof of this most confusing and yet most intriguing film.
Is this a film about filming a narrative? Is it a film about two narratives one real fiction, one imaginary fiction? Or, is it simply a film designed to act as a metaphor for the total uncertainty about human relationships? Perhaps, it's all three... or simply an illusion?
As it unfolds, we meet a very confused young man, Alex (Nikolaj Lei Kaas) who seems to be in love with the same woman who exists in two different realities and, yet, who co-exist in the same city. On the one hand, Alex is associated with Simone (Maria Bonnevie) definitely and yet, he meets another woman, Aimee (again, Maria Bonnevie), who looks exactly like Simone, in another part of town.
Whereas Simone is definitely single, Aimee is apparently married to August, a writer who is in town to give some lectures on the art of writing. At the same time, August is also trying to finish his novel that is a love story, but he's having trouble trying to decide what "the young man" of his story should do and he tells Aimee about his dilemma while they sit in their hotel room.
So, while August is discussing the progress of his narrative with his publisher, Monica (Ida Dwinger), young Alex is roaming all over the city trying to understand how it is that both women appear to know him for some of the time, and at other times, he appears to be a stranger to them. Frantically, he rushes from café, to a bar, to a restaurant, to another bar, desperately trying to come to grips with his concept of his reality which, oddly enough, doesn't appear to jive with the reality of anybody that Alex thinks he knows...
Totally confused now? Well, you should be, because I think Reconstruction is an experimental film that tries to show just how confusing every person's sense of their own reality must be not only for each person, but to others around them also.
You think you really, really know your girlfriend, your wife, your boyfriend, your husband, your lover? This film, I think, forces you to reflect (no pun intended) upon that existential problem, a very real problem for every living person, whether or not we know it. The camera work is also experimental, and some of it is quite original in its construction. You'll know what I mean when you see it that is, if you're prepared to watch it.
Definitely not a film for action fans or the 'braindead'.