A writer-director known for becoming obsessed with his own stories, Jacob Falk stumbles upon photographs of prisoners of war being tortured by Danish soldiers. Suspecting a political ... See full summary »
Bruno loves his wife Maxine. But something is wrong. Their love is not what it once was, and Maxine has found someone else. That changes everything. And it changes Bruno. But there is ... See full summary »
Nikolaj Lie Kaas
In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the ... See full summary »
Life in the suburbs as a father of two has worn down Jonas. When a victim of a car crash mistakes him for her boyfriend Sebastian, things take a very dramatic turn as the line between truth and deception is erased.
Anders W. Berthelsen,
Nikolaj Lie Kaas
Actor Nicolas Bro reigns supreme in the role of Nicolas Bro # a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.
Lene Maria Christensen,
Karen Margrethe Bjerre
Late one evening, Alex suddenly abandons his girlfriend, Simone, to follow the beautiful Aimee. In his encounter with Aimee, time and place dissolve for him and he becomes a stranger to Simone, towards whom he cannot return. Alex's future, is Aimee's love. But will he have the courage to embrace it? A psychological romantic drama, about a man, who forgets about his past and must put his faith in love, in order to gain a future. Written by
Sujit R. Varma
"Reconstruction" is overt about its style from the first minute when a deep-voiced narrator cautiously introduces the audience to the story and the narrative form. From then on, and until the narrator returns at the very end, we are cast into a complex and difficult drama set in a big city environment filmed in stunning craft and style. Copenhagen has rarely been seen as interesting, and in an odd sense charming, as here.
This is not an expensive film - the Director's Cut entity behind the film was designed specifically to produce good films on even lower budgets than are the norm in Denmark - but its appearance is delightful and intriguing with its sometimes bright, sometimes dark and often grainy cinematography, additional effects of occasional written identifications of characters and locations, and classic-style title design.
The story sees a young man captured by the meeting with a woman different than, but resembling his usual girlfriend, and struck by existential doubt when he finds himself a stranger to those he thought he knew. The plot is impossible to grasp completely, at least at first sight, but sufficiently immediate for the beholder to like it and be taken in by it. To me, the lack of answers is a bit over the top and causes me to cut my IMDb rating for the film to 8, but with the strong support for David Lynch films and other similar works in recent years I am probably in the minority on that point.
Danish Nikolaj Lie Kaas and Swedish-Norwegian Maria Bonnevie are both extraordinary, Kaas in the antagonist role of Alex and Bonnevie in a rare double part as the different, but similar Aimee and Simone. A repeated scene in a bar in which Aimee and Alex meet is a particularly fine example of the precise and strong performances. The fine Danish actors Nicolas Bro and Malene Schwartz are the most noteworthy of the additional cast.
Ambition is Christoffer Boe's middle name, but he lives up to any and all expectations Danish experts may have had to him since he graduated from the National Danish Film School in 2001. He has already been compared to another renewer of Danish film, Lars von Trier, and while I am reluctant to compare this first-time feature director to an established international star, I do think "Reconstruction" bears a stronger sense of place through its use of locations and the plot's connection to them, a superior depiction of relationships between people, and sometimes simply a more profound joy of storytelling than in any of Trier's work.
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