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Pride and Prejudice (2003)

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Jane Austen's classic is transplanted to modern-day Utah. While her college roommates search for love, aspiring writer Elizabeth Bennet focuses on her career but constantly finds herself fighting haughty businessman Will Darcy.

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Cast

Cast overview, first billed only:
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Charles Bingley (as Ben Gourley)
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Henry Maguire ...
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Amber Hamilton Russo ...
Kitty Meryton (as Nicole Hamilton)
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Honor Bliss ...
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Doug Chamberlain ...
Host
Daniel Shanthakumar ...
Bombay House Waiter
Ken Norris ...
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Storyline

Elizabeth Bennet is a hard-working, intelligent college student who won't even think about marriage until she graduates. But when she meets Jack Wickham, a good-looking playboy, and Darcy, a sensible businessman, Elizabeth's determination is put to the test. Will she see through their exteriors and discover their true intentions? Based on Jane Austen's timeless tale Pride and Prejudice, Bestboy Pictures presents a comedy about love, life and feminine persuasion. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Love has met its match.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements | See all certifications »

Parents Guide:

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Details

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Release Date:

5 December 2003 (USA)  »

Also Known As:

Pride and Prejudice: A Latter-Day Comedy  »

Box Office

Opening Weekend:

$38,329 (USA) (5 December 2003)

Gross:

$373,942 (USA) (2 July 2004)
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Company Credits

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Technical Specs

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Did You Know?

Trivia

Carmen Rasmussen (Charlotte Lucas) came in sixth on the second season of American Idol (2003) See more »

Goofs

When Darcy lies on the street in Las Vegas, the blood trickling from his nose and mouth is briefly smeared, then trickling again. See more »

Quotes

Jane: Elizabeth... I think we stink.
See more »

Crazy Credits

At the end of the credits, you can hear a man saying "amen". See more »

Connections

Version of Pride and Prejudice (1980) See more »

Soundtracks

Nothing Wrong Reprise
Written by Ben Carson
Performed by Jamen Brooks
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User Reviews

The Full Variety
12 January 2004 | by See all my reviews

Recently the basis for a well-regarded BBC miniseries, Jane Austen's 1813 comedy-of-manners is transposed to a contempo American college town in director Andrew Black's splendidly, surprisingly charming "Pride & Prejudice." Taking inspiration from Amy Heckerling's "Clueless" (loosely based on Austen's "Emma"), pic transforms its source material into a bubbly, pastel-colored frolic, while adhering closely to Austen's essential themes. Bolstered by a strong cast of relative newcomers, pic is much smarter than the fare usually pitched at its targeted teen ticket-buyers. However, the lack of name thesps (save for Carmen Rasmusen in a cameo) means careful grassroots marketing will be required for pic, which opens in limited release on Dec. 5. Modern-dress makeovers of "P & P" are all the rage nowadays, with writer Helen Fielding citing the book as the inspiration for her "Bridget Jones's Diary" and "Bend It Like Beckham" director Gurinder Chadha currently at work on the Bollywood-style "Bride and Prejudice," due next year.

This considerably lower-profile entry, cleverly scripted by Anne Black, Jason Faller and Katherine Swigert, actually represents the latest in a wave of independently-financed films made in and around the Utah area by predominately Mormon (or Latter-day Saints) filmmakers. (It's even subtitled "a latter-day comedy" in the advertising.) However, whereas such niche LDS successes as "The Other Side of Heaven" and the films of Richard Dutcher have distinctly religious themes, "Pride & Prejudice" is a movie in which the characters just happen to be Mormon.

Most non-LDS audiences may not even detect the movie's LDS content, and yet the substitution of a present-day Mormon setting for Austen's Regency England is an inspired one, given the correlation between the two cultures' emphasis on traditional values and, most importantly, marriage.

"It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife," Austen famously wrote at the beginning of her novel, before detailing the efforts of her plucky heroine, Elizabeth Bennet, to find the right such man. Likewise, the movie's Elizabeth (Kam Heskin), a student and bookstore clerk with dreams of becoming a famous novelist, oft has marriage on her mind, though she is loathe to admit it.

The four other Bennet sisters from the book, have here been turned into Elizabeth's housemates: sultry Argentinian Jane (Lucila Sola); perpetually squabbling Lydia (Kelly Stables) and Kitty (Nicole Hamilton); and the fatally shy, awkward Mary (Rainy Kerwin). At a party thrown by the charmingly naive Charles (Ben Gourley), Elizabeth is rather disastrously introduced to Will Darcy (Orlando Seale), an expat Brit stopping through Utah on undisclosed business. It's Will's smug "pride" that, in turn, "prejudices" Elizabeth against him, although viewers may realize from the start these two are meant to be. But first Elizabeth settles for the company of with her erstwhile admirer (and inveterate gambler) Jack Wickham (Henry Maguire), as Will is pursued by Charles' strapping sister, Caroline (Kara Holden).

That's a lot of relationships for any movie (especially one running under two hours) to keep track of, but "Pride & Prejudice" does so nimbly. The screenwriters understand the story's appeal lies in its chaotic structure, in the way that its many suitors and their potential mates are constantly pairing off and trading places as if part of an elaborate square dance.

Black, the Scottish-born director whose short film, "The Snell Show," won the Grand Jury Prize at the 2003 Slamdance Film Festival, has a fine sense of pacing and timing; he keeps the movie spinning, so that no one part overstays its welcome.

The winning cast breathes new life into Austen's characters. Spunky Heskin is responsive to the comic stimuli around her like Reese Witherspoon was in the first "Legally Blonde" pic (or, natch, Alicia Silverstone in "Clueless"). And like those actresses, she's well-supported by an array of charismatic scene-stealers, including the irrepressibly emotive Sola, the hilariously repressed Kerwin and the acrobatically goofy Gourley, whose inspired physical-comedy antics dominate the movie's Vegas-set climax.

Tech achievements are well-realized on a modest budget, with Travis Cline's sunny lighting adding luster to the giddy pinks, purples and greens of Anne Black's production design. by Scott Foundas


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