The UK is about to switch its currency from Pounds to Euros, giving a gang a chance to rob the poorly-secured train loaded with money on its way to incineration. But, during the robbery, one of the big bags falls literally from the sky on Damian's playhouse, a 7-year old given to talking to saints. The boy then starts seeing what the world and the people around him are made of. Ethics, being human and the soul all come to the forefront in this film. Written by
The scene between Damien and St. Peter was not in the original screenplay. Director Danny Boyle mentions at 46:03 in the DVD commentary that he suggested Frank Cottrell Boyce re-write the screenplay as a novel to which that scene was then added. When Boyle read the novel, he decided the scene needed to be in the film because of the emphasis that the saints' appearances had gained in rewrites of the original script, so the scene was re-written in script form and shot as a pickup. See more »
Nations transitioning to the euro were allowed to keep legacy currency in circulation as legal tender for two months - and, even after the official dates, they continued to be accepted for exchange by national central banks for varying periods - and indefinitely in some countries. See more »
The French have said au revoir to the franc, the Germans have said auf wiedersehen to the mark, and the Portuguese have said... whatever to their thing.
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When the Pathe logo comes up, the shadow of the hen has a halo over its head. See more »
Written by Joe Strummer & Mick Jones
Performed by The Clash
Courtesy of Sony Music Entertainment (UK) Ltd
Published by Nineden Ltd administered by Universal Music Publishing Ltd See more »
Millions reinforces the fact that Danny Boyle cannot be pigeonholed as a director. One does not expect to see the director of acclaimed drug abuse and zombie movies come out with such wholesome entertainment. Though this is accessible for the family, do not let that mislead you into thinking the movie does not have weight. The sincerity of this film saves it from becoming too lovey, and Boyle's personal connection with Manchester certainly adds to the depth of the environment. The story is told from the children's' point of view, bright with color, and those children give extraordinary performances. The use of stop-motion and accelerated exposures is characteristic of a style Boyle enjoys, and it accents the scenes where it is employed well. I highly recommend this film, and only wish it had been released for the past holiday season.
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