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Trilogia: To livadi pou dakryzei (2004)
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Overview
User Rating:
Release Date:
20 February 2004 (Greece) morePlot:
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees... more | full synopsisAwards:
2 wins & 5 nominations moreUser Comments:
History concepted in a Tragic way moreCast
(Cast overview, first billed only) | Alexandra Aidini | ... | Eleni |
| Nikos Poursanidis | ... | Mihalis |
| Giorgos Armenis | ... | Nikos |
| Vassilis Kolovos | ... | Spyros |
| Eva Kotamanidou | ... | Kassandra |
| Toula Stathopoulou | ... | Woman in the Coffee House |
| Thalia Argiriou | ... | Danai |
| Smaro Gaitanidou | ||
| Mihalis Giannatos | ... | Zisis |
| Grigoris Evangelatos | ... | Teacher |
| Aliki Kamineli | ||
| Amdromachi Chrisomelli | ||
| Alex Moukanos | ||
| Dimitris Kolovos | ||
| Thodoros Teknetzidis |
Additional Details
Also Known As:
Τριλογία 1: Το Λιβάδι που δακρύζει (Greece)Eleni (France)
La sorgente del fiume (Italy)
La terre qui pleure (France)
The Weeping Meadow (Europe: English title)
Trilogie: Die Erde weint (Germany)
Trilogy: The Weeping Meadow (International: English title)
more
Parents Guide:
Add content advisory for parentsRuntime:
Greece:185 min | Canada:170 min (Toronto International Film Festival) | USA:170 minLanguage:
GreekColor:
ColorAspect Ratio:
1.66 : 1 moreSound Mix:
DTSCertification:
Taiwan:PG-12 | Australia:PG | Netherlands:MG6 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:PGFilming Locations:
Thessaloniki, GreeceFun Stuff
Soundtrack:
Eimai erotevmenos me ta matia sou moreFAQ
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Greece section | Add this title to MyMovies |
Angelopoulos again makes the most of an intellectual way of cinema, which is though full of poetry and with the stain of compassion. History and human relationships are emphasized through the symbolic order of ancient Greek tragedy and that is what makes the film have a more "heavy" character, which makes it a little harder to follow than a usual Hollywood production- do not misjudge me, I love it too. As long as it concerns the scenario the modern history of Greece becomes only the environment in which the man wrecks along with his fate. Angelopoulos recons the mechanizations of History upon man and tries to make a clear statement upon it. The film itself is the most mature of the Greek director and has all his personal characteristics bound together in an excellent work!