The Jacket (2005)

A Gulf war veteran is wrongly sent to a mental institution for insane criminals, where he becomes the object of a Doctor's experiments, and his life is completely affected by them.

Director:

John Maybury

Writers:

Tom Bleecker (story), Marc Rocco (story),

Stars:

Adrien Brody, Keira Knightley, Kris Kristofferson

1 nomination.

Cast

Cast overview, first billed only:
Adrien Brody	...	Jack Starks
Keira Knightley	...	Jackie Price
Kris Kristofferson	...	Dr. Thomas Becker
Jennifer Jason Leigh	...	Dr. Beth Lorenson
Kelly Lynch	...	Jean Price
Brad Renfro	...	The Stranger
Daniel Craig	...	Rudy Mackenzie
Steven Mackintosh	...	Dr. Hopkins
Brendan Coyle	...	Damon
Mackenzie Phillips	...	Nurse Harding
Laura Marano	...	Young Jackie
Jason Lewis	...	Officer Harrison
Richard Dillane	...	Captain Medley
Jonah Lotan	...	Intern #1
Angel Coulby	...	Intern #2

Storyline

The film centers on a wounded Gulf war veteran who returns to his native Vermont suffering from bouts of amnesia. He is hitching and gets picked up by a stranger, things go pear shaped when a cop pulls them over and is murdered by the stranger. The vet. is wrongly accused of killing the cop and lands up in an asylum. A quack doctor prescribes a course of experimental therapy, restraining him in a heavy duty straight jacket-like device, and locks him away in a body drawer of the basement morgue. During course of his treatment he gets flashbacks and visions of his future , where he can foresee he is to die in four days time. The catch is he doesn't know how. Thus commences the classic race against time.

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Plot Keywords:

morgue | cop | shot in the head | veteran | gulf war veteran | 

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Taglines:

Terror has a new name.

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Genres:

Drama | Mystery | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated R for violence, language and brief sexuality/nudity

Details

Official Sites:

Pandasia Entertainment [tw] Warner Bros. [us]

Country:

USA Germany

Language:

English

Release Date:

4 March 2005 (USA)

Also Known As:

Regresiones de un hombre muerto

Filming Locations:

Bangour Village Hospital, Dechmont, West Lothian, Scotland, UK

Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend:

$25,207 (Chile) (29 September 2006)

Gross:

$25,207 (Chile) (29 September 2006)

Company Credits

Production Co:

Mandalay Pictures, Warner Independent Pictures (WIP), 2929 Productions

Technical Specs

Runtime:

103 min 94 min (TV)

Sound Mix:

Dolby Digital SDDS DTS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

According to director John Maybury, the love scene between Adrien Brody and Keira Knightley was longer, but was cut because American test audiences did not like the scene, which included nudity.

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Goofs

When Jack and Jackie are at the diner, Jack grabs a cigarette and is holding it in one hand and the next shot from a different angle he has a lighter in the same hand. Then next shot from another angle he has the cigarette again and it is lit. However, in the next shot he lights the cigarette.

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Quotes

[first lines]
Jack Starks: [Walking over to Iraqi child who's breathing hard] How's it going little man? You all right?
[Babak pulls out gun. Jack puts his hand up in a stop gesture but Babak shoots Jack in the head. Jack falls to the ground]

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Connections

References Mothlight (1963)

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Soundtracks

"Quiet Inside"
Written by Keith Gattis / Andy Tubman
Performed by Andy Tubman of The Jane Doe's
Under license from Gattis Music, Pukeyho Publishing admin. by South Hudson Music (BMI)
Produced by Keith Gattis

User Reviews

Trippy Yet Still Intelligent

First off, this film is not for everyone. It does, however, seem to delineate an emerging and exciting trend in contemporary film making whereby directors are becoming increasingly enamored with these sorts of dark, brooding, almost dreamscape-like and melodramatic thrillers which defy archetypal and conventional narrative formats. Think of the "The Machinist" and work your way backwards to "Vanilla Sky", or even as far back as 1990's "Jacob's Ladder" as one other reviewer accurately suggested.

To this end, "The Jacket" represents the apotheosis of this rising genre, and is both an artistic psychological thriller, as well as what you might call a metaphysical tragedy, and easily envelopes the viewer into its morose and sterile world replete with dreary snow scapes, perpetual grey skies and faces, muted and washed out colours, institutional isolation, and the angst of working class loners. The film's imagery and the pace of the story and script immediately command one's attention from the outset and the film is unrelenting in both its tension and gumption. Because of this, despite the story's meandering timeline and lack of feasible explanations for the protagonist's "visions", the viewer is still to an extent able to believe what they're seeing. Because the film takes itself so seriously, and actually pulls it off, the viewer then buying into the fantasy of the story becomes far more palatable than it does in other misguided attempts at this same sort of risky and artsy storytelling ie: "The Butterfly Effect".

This is an ambitious film which taps into both the romanticism and pain of our dreams and our memories, and how they both act upon us, and cause us to act upon them. It examines what is real versus perceived, the fragility of life, how each persons's life effects others, even passing strangers, and the sovereignty of the self and the mind. The film features outstanding performances from just about everyone on screen, particularly Brody as the hapless and tortured Jack Starks, and Kristofferson as the morally ambiguous and equally tortured Dr. Becker.

Despite the big names on the marquee, however, this, as previously mentioned, is not a cut and dry "popcorn flick" and will leave many people bewildered. It is for these people that the "Butterfly Effect" was made first, and now with them out of the way, the timing for a film of this caliber which deals with these issues properly is appropriate. "The Jacket" is a trippy and entertaining yet still very intelligent film which asks only that you check your preconceptions and logical rectitude at the door. By doing so, you'll find the imagination of this film is fact more real than you might have expected.