Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man... See full summary »
Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
The film centers on a wounded Gulf war veteran who returns to his native Vermont suffering from bouts of amnesia. He is hitching and gets picked up by a stranger, things go pear shaped when a cop pulls them over and is murdered by the stranger. The vet. is wrongly accused of killing the cop and lands up in an asylum. A quack doctor prescribes a course of experimental therapy, restraining him in a heavy duty straight jacket-like device, and locks him away in a body drawer of the basement morgue. During course of his treatment he gets flashbacks and visions of his future , where he can foresee he is to die in four days time. The catch is he doesn't know how. Thus commences the classic race against time. Written by
The Jacket is based on the story "The Star Rover" by Jack London which in turn was based on his interviews with Ed Morrell, who whilst in prison at San Quentin was tortured, often with a very tight straitjacket which constricted his chest, breathing and blood flow. In order to cope with this he quickly learned self-hypnosis similar to what Jack Starks goes through. See more »
Footage and audio in the title sequence is taken from Apache gunship footage from the Iraq War, not Gulf I. See more »
[Walking over to Iraqi child who's breathing hard]
How's it going little man? You all right?
[Babak pulls out gun. Jack puts his hand up in a stop gesture but Babak shoots Jack in the head. Jack falls to the ground]
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We Have All the Time in the World
Written by John Barry and Hal David
Performed by David Arnold, featuring Iggy Pop
Courtesy of Warner Strategic Marketing UK
Under license from EMI Music Publishing Ltd.
Iggy Pop appears courtesy of Virgin Records America, Inc. See more »
Difficult to categorize but, for all its faults, still quite a gripping roller-coaster of a movie
Every so often there's a movie that's so hard to describe that it's to picture whether it's your type of movie or not. The Jacket melds about five different genres without falling firmly into any of them. Even to describe it as an 'alternative reality' movie could put off those who think, "Oh, no, not another sci-fi". I wouldn't describe it as sci-fi. There is a love story, but I wouldn't call it that. There's some pretty disturbing shots and dizzying camera work but it's not really a horror film. What can you rely on? A stellar cast for starters: Adrien Brody, Jennifer Jason Leigh, Keira Knightley, Kris Kristofferson. All needed as the story is not exactly flawless, but the combined characterisations and sheer ingenuity keep you in suspense and mostly make you want to forgive any shortcomings in this rather ambitious project.
If you like stories nice and simple, stay away. If you like a challenge, The Jacket might fill the bill. It's not quite such a headbanging puzzle as Mulholland Drive, and it doesn't have the cutesiness of Donnie Darko, but it is in the realm of dark, weird and ultimately rather moving experimental film.
Brody is Mr quite nice guy Jack Starks, apparently shot dead at point blank range in the Gulf War - but hang on a minute, his eyelids blink before they pronounce him dead and he recovers - with amnesia but otherwise OK - then he gets committed to an asylum for the criminally insane fro a murder he didn't do, and we're talking 1990s when some pretty strange experimental psychotherapy went on behind closed doors. Enter the old doctor, played by Kris Kristofferson, who looks like he's had one too many acid trips and survived and believes he can think up new treatments for nutters like Jack Starks. During some pretty unconventional (not say unethical by today's standards) solitary 'treatment', Starks sees himself in 2007. The treatment is a combination of drugs and sensory deprivation - a sort of Neanderthal NLP the hard way. Each time he is locked up in 'The Jacket', Starks' projected timeline lets him interact with other characters in his dilemma. It gets continuingly creepier and the tension builds to an ending that leaves you shocked, horrified and filled with warmth at the same time.
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