18 out of 21 people found the following comment useful :- A cautionary tale of spiritual emptiness, 25 November 2005
Author:
Jon from United States
This movie is a tad better than the user ratings indicate. Perhaps some
were hoping for porn, and came away disappointed--although there is
plenty of nudity, there is nothing to titillate--this is a moving and
cautionary tale of spiritual emptiness.
"Young Gods" is the ironically-titled film that examines the vapid
world of mesmerizing images we live in, when there's no guidance for
spiritual context. We experience this confusion through the eyes (and
lenses) of four Finnish boys, all recent high-school graduates. Taavi
has just inherited his deceased father's mansion and wealth, but has
blocked out the memory of his death, and moves through life at a
distance, viewing everything possible through his camcorder's
viewfinder. Jere is emotionally dead. He has a girlfriend and finds
comfort in sex, but is unable to open his heart. Sami, homely and
overweight, has zero self-esteem. Markus is extremely immature, but
otherwise well-intentioned.
The four make an odd pact to film their sexual conquests, and the four
find themselves living in an even more illusory meta-world, as their
desire to film sex takes precedence over their actual desires, and
recording an event becomes secondary to experiencing life. They all
seem to lack a father who can teach them about love and loving, and are
left to float down a river of sex and imagery without a clue to its
purpose. (Jere's father is no help: he's a pornographer, coolly
directing loveless sex scenes as though creating a grocery display.)
Slowly, the consequences of their pact begin changing them as it brings
out the yearning, emptiness, violence, or love that is really within
their hearts.
19 out of 25 people found the following comment useful :- 'I Am A Camera', 2 October 2005
Author:
gradyharp from United States
Walk down any street in metropolitan areas and the omnipresence of the
Big Brother camera is frightening: cell phones now capture all manner
of images from friendly to horrific, cameras at stores' entries scan
customers like a police state, police have license plate detecting
cameras on their vehicles, strolling youngsters and tourists have the
ubiquitous camcorders recording sights and other people's privacy - the
list is endless. This strangely mesmerizing film 'HYMYPOIKA' (Young
Gods) from Finland addresses these facts and builds a story around just
how invasive and destructive the personal hand-held video camera has
become. '1984'? Yes, in many ways it is.
Director Jukka-Pekka Siili has taken an idea from Jaajo Linnonmaa,
passed it through screenwriter Jukka Vieno, and though Jarkko T. Laine
is credited as the cinematographer, Siili records this story as though
he were the one holding the intrusive camera. The technical aspects of
the film - black and white into color into white noise screen into
abrupt movement, odd angles, etc - are a strategically important aspect
of the film's success.
Taavi (Jussi Nikkilä),the enigmatic 18-year-old lead, has just
inherited his long-deceased wealthy parents home and estate. It is high
school graduation and Taavi's birthday, and after his fiends greet him
au natural and are arrested (the policewoman Helena Pääkkönen - Laura
Malmivaara - is attractive and forgiving), Taavi invites his friends to
the mansion for a wild party. Taavi lives with a recording camera to
his eye, a machine that allows his to keep interpersonal distance from
everyone. Among his friends are Jere (Reino Nordin) who considers
himself a woman's man, Markus (Jarkko Niemi) who appears the
well-adjusted one, and chubby, pierced Sami (Ville Kivelä) whose
sexuality is ambiguous. The party gets wild, guests sleep around, and
Taavi records it all! When Taavi's friends discover his deed, a pact is
made: each of the four young men will videotape their own sexual
encounter. This contest begins innocently enough for the boys, but when
the girls photographed en flagrante discover the ploy, anger erupts and
varying degrees of tragedy occur. As with many invasive games, this
contest progresses to humiliation, rape, and worse, and finally leads
to the truth about Taavi's secrets about his parents and his own
personality disorder - all focused on the video camera as the source of
evil.
The film is daring, entertaining, frightening, cruel and dissecting all
at once. While many may dismiss this as just another example of foreign
film exploitational technique, there is much more to the story than
meets the first encounter. Siili has uncovered truths about our current
preoccupation with privacy invasion and they are loudly criticized
here. This unrated movie is not a film for the squeamish, but it is a
significant statement that needed to be made. Grady Harp
10 out of 14 people found the following comment useful :- Movie with a good idea with potential but average realization, 9 January 2006
Author:
Myrzan from Finland
*** This comment may contain spoilers ***
The plot of the movie has been already described pretty well in
comments by other people so I won't repeat it so extensively here. The
other comments are however (or at least have been so far) quite
positive so I thought I'd add my own opinion too since I didn't think
this movie was that good.
Like I said this movie is based on a good idea. In short it's about
these 4 guys who get this idea of a sort of a 'game' where they would
video all of their.. well, intercourses and then watch them together
afterwards for fun. As most people can probably guess, things end up
going very badly wrong and people get very hurt (a girl gets raped and
one of the guys eventually kills himself).
Sadly, the realization of the movie isn't as good as it could have
been. It doesn't feel believable. I just couldn't buy it that these 4
guys would do the things that they are shown doing. The character
development feels often unrealistic. It's sort of hard to explain. In
the movie 'Traffic' the viewer is in my opinion shown pretty believably
how people end up making bad decisions and end up losing control of
their lives. This movie fails in that.
As a result, I found this movie to be entertaining (often even amusing)
mostly because of its general "freakiness" and its shocking subject
rather than its quality. This movie reminds me of 'Baise Moi' and
'Mauvaises fréquentations' both of which are these sort of depressing
french dramas where peoples lives basically go down the toilet
(although 'Hymypoika' has a happier and more hopeful ending). If you
like this, check them out. Also the movie 'Piano Teacher' has the same
sort of feel (and dysfunctional characters) in it as 'Hymypoika' has.
My vote is 6/10. If you haven't seen this you haven't missed anything
special.
PS. If you want to see finnish movie at its best I would recommend
Gourmet Club. It has a funny plot and the cast includes Michael
Badalucco (he played 'Jimmy Berluti' in 'The Practice'). Also I can
sincerely recommend a very well produced and very entertaining dark
comedy short film called 'Rare Exports Inc.' which reveals some amazing
facts about the origin of Santa Claus. Reviews of both can be found
here on IMDb.
4 out of 5 people found the following comment useful :- Finnish This Movie, 16 November 2006
Author:
julian kennedy from Clearwater Fl
Young Gods: 7 out of 10: For once I would like to see a teenage drama
where careless foolish teenagers get away with being well careless and
foolish. Nobody gets hurt, pregnant, married, commits suicide,
tragically killed ext they just act like complete idiots and go off to
college. Kind of like real life for a lot of kids.
On second thought there are movies like this but they are all have
Porky's in the title. Young Gods is unfortunately a teenage drama.
Which means no foolish action will go unpunished.
Before the drama really kicks in we have a super realistic look at the
lives of four teenage boys. The movie nails the attitudes and actions
of young males of that age group and the pace while leisurely actually
reflects the indifference to time people of that age actually have. (It
also reflects the boredom that comes with no school and no job.) The
movie also has a surprisingly naturalistic attitude about nudity and
sex. Some may be shocked by the young actors' nudity but it felt
non-sensationalist and rather realistic.
The plot about voyeurism and constant filming is overdone (see drama
above) and the results of the boys' actions seem more draconian than
real life. But this is after all a movie.
Despite being relatively slow placed and occasionally over-dramatic
Young Gods is an enjoyable, realistic and fresh coming of age film.
1 out of 1 people found the following comment useful :- 6/10, 22 February 2007
Author:
omarsamra from United States
*** This comment may contain spoilers ***
This film will catch you unawares. I felt that the film would be a
risqué and rather typical coming of age film. It has all these variants
but to a deeper degree. I actually finished the film and was extremely
upset with all the male characters. They were willing to throw away
their sufficient lives for the thrills of voyeurism. Jere especially.
The other reviewer talked about how the camera was the source of all
evil in this movie. After all it was how Tavvi found out the truth
about his parents death and was the eventual downfall for two out of
the four male characters.
This film is not recommended for the lighthearted, and you how you will
feel after the movie is totally up in the air. I was rather disgusted
with their little game, but just my opinion. As for the way the movie
was shot; it was done well the angles, the characters were somewhat
believable....a decent film overall.
1 out of 3 people found the following comment useful :- Sex, truth and videodisks, 1 December 2007
Author:
Tony Patriarche from Victoria, BC, Canada
Superficially just another Scandinavian twist on the teen coming-of-age
sex movie, I think there is genuinely a deeper level of interpretation.
This odd film reminded me inevitably a little of Sex, Lies and
Videotape - but the subtext is a much more general social commentary on
the issues of privacy and personal freedom. The larger cast expand the
personal issues to the social context without losing intensity in
individual performances.
As a North American, I feel slightly disconnected from the European
society -- we do not (yet) have surveillance cameras on every street
corner. Nevertheless many places from banks to 24-hour grocery stores
already use video surveillance, most cell-phones now come with an
integrated camera, the web-cam is a common household appliance, and sex
has become a spectator sport perhaps more than at any time in previous
history. It is easy to say that my freedom ends where your privacy and
right to security begin -- but it is not always so easy to find that
point in our complex, crowded, fearful 21st century society.
Be warned: The sex scenes are numerous, explicit, and grittily
realistic -- a far cry from the blurred-lens romance of the soft porn
of most North American or British adult movies, or the extreme
absurdity of so-called hard porn. I found this verismo refreshing in an
odd way, although many may find it disturbing, especially in a film
about late teens or twenty-somethings.
My one regret is that one of the subtext messages seemed to be one
common to many movies: Young people can have sex, but they will be
punished for it. Whatever the truth of this philosophy, it is an older
person's perspective, which to me jarred with the viewpoint of the
film, told almost entirely from the teenagers POV.
Although no totally new ground is broken here, I think this film is
worth at least a good first look and perhaps a second viewing.
Own the rights?
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18 out of 21 people found the following comment useful :-

A cautionary tale of spiritual emptiness, 25 November 2005
Author: Jon from United States
This movie is a tad better than the user ratings indicate. Perhaps some were hoping for porn, and came away disappointed--although there is plenty of nudity, there is nothing to titillate--this is a moving and cautionary tale of spiritual emptiness.
"Young Gods" is the ironically-titled film that examines the vapid world of mesmerizing images we live in, when there's no guidance for spiritual context. We experience this confusion through the eyes (and lenses) of four Finnish boys, all recent high-school graduates. Taavi has just inherited his deceased father's mansion and wealth, but has blocked out the memory of his death, and moves through life at a distance, viewing everything possible through his camcorder's viewfinder. Jere is emotionally dead. He has a girlfriend and finds comfort in sex, but is unable to open his heart. Sami, homely and overweight, has zero self-esteem. Markus is extremely immature, but otherwise well-intentioned.
The four make an odd pact to film their sexual conquests, and the four find themselves living in an even more illusory meta-world, as their desire to film sex takes precedence over their actual desires, and recording an event becomes secondary to experiencing life. They all seem to lack a father who can teach them about love and loving, and are left to float down a river of sex and imagery without a clue to its purpose. (Jere's father is no help: he's a pornographer, coolly directing loveless sex scenes as though creating a grocery display.) Slowly, the consequences of their pact begin changing them as it brings out the yearning, emptiness, violence, or love that is really within their hearts.
19 out of 25 people found the following comment useful :-

'I Am A Camera', 2 October 2005
Author: gradyharp from United States
Walk down any street in metropolitan areas and the omnipresence of the Big Brother camera is frightening: cell phones now capture all manner of images from friendly to horrific, cameras at stores' entries scan customers like a police state, police have license plate detecting cameras on their vehicles, strolling youngsters and tourists have the ubiquitous camcorders recording sights and other people's privacy - the list is endless. This strangely mesmerizing film 'HYMYPOIKA' (Young Gods) from Finland addresses these facts and builds a story around just how invasive and destructive the personal hand-held video camera has become. '1984'? Yes, in many ways it is.
Director Jukka-Pekka Siili has taken an idea from Jaajo Linnonmaa, passed it through screenwriter Jukka Vieno, and though Jarkko T. Laine is credited as the cinematographer, Siili records this story as though he were the one holding the intrusive camera. The technical aspects of the film - black and white into color into white noise screen into abrupt movement, odd angles, etc - are a strategically important aspect of the film's success.
Taavi (Jussi Nikkilä),the enigmatic 18-year-old lead, has just inherited his long-deceased wealthy parents home and estate. It is high school graduation and Taavi's birthday, and after his fiends greet him au natural and are arrested (the policewoman Helena Pääkkönen - Laura Malmivaara - is attractive and forgiving), Taavi invites his friends to the mansion for a wild party. Taavi lives with a recording camera to his eye, a machine that allows his to keep interpersonal distance from everyone. Among his friends are Jere (Reino Nordin) who considers himself a woman's man, Markus (Jarkko Niemi) who appears the well-adjusted one, and chubby, pierced Sami (Ville Kivelä) whose sexuality is ambiguous. The party gets wild, guests sleep around, and Taavi records it all! When Taavi's friends discover his deed, a pact is made: each of the four young men will videotape their own sexual encounter. This contest begins innocently enough for the boys, but when the girls photographed en flagrante discover the ploy, anger erupts and varying degrees of tragedy occur. As with many invasive games, this contest progresses to humiliation, rape, and worse, and finally leads to the truth about Taavi's secrets about his parents and his own personality disorder - all focused on the video camera as the source of evil.
The film is daring, entertaining, frightening, cruel and dissecting all at once. While many may dismiss this as just another example of foreign film exploitational technique, there is much more to the story than meets the first encounter. Siili has uncovered truths about our current preoccupation with privacy invasion and they are loudly criticized here. This unrated movie is not a film for the squeamish, but it is a significant statement that needed to be made. Grady Harp
10 out of 14 people found the following comment useful :-

Movie with a good idea with potential but average realization, 9 January 2006
Author: Myrzan from Finland
*** This comment may contain spoilers ***
The plot of the movie has been already described pretty well in comments by other people so I won't repeat it so extensively here. The other comments are however (or at least have been so far) quite positive so I thought I'd add my own opinion too since I didn't think this movie was that good.
Like I said this movie is based on a good idea. In short it's about these 4 guys who get this idea of a sort of a 'game' where they would video all of their.. well, intercourses and then watch them together afterwards for fun. As most people can probably guess, things end up going very badly wrong and people get very hurt (a girl gets raped and one of the guys eventually kills himself).
Sadly, the realization of the movie isn't as good as it could have been. It doesn't feel believable. I just couldn't buy it that these 4 guys would do the things that they are shown doing. The character development feels often unrealistic. It's sort of hard to explain. In the movie 'Traffic' the viewer is in my opinion shown pretty believably how people end up making bad decisions and end up losing control of their lives. This movie fails in that.
As a result, I found this movie to be entertaining (often even amusing) mostly because of its general "freakiness" and its shocking subject rather than its quality. This movie reminds me of 'Baise Moi' and 'Mauvaises fréquentations' both of which are these sort of depressing french dramas where peoples lives basically go down the toilet (although 'Hymypoika' has a happier and more hopeful ending). If you like this, check them out. Also the movie 'Piano Teacher' has the same sort of feel (and dysfunctional characters) in it as 'Hymypoika' has.
My vote is 6/10. If you haven't seen this you haven't missed anything special.
PS. If you want to see finnish movie at its best I would recommend Gourmet Club. It has a funny plot and the cast includes Michael Badalucco (he played 'Jimmy Berluti' in 'The Practice'). Also I can sincerely recommend a very well produced and very entertaining dark comedy short film called 'Rare Exports Inc.' which reveals some amazing facts about the origin of Santa Claus. Reviews of both can be found here on IMDb.
4 out of 5 people found the following comment useful :-

Finnish This Movie, 16 November 2006
Author: julian kennedy from Clearwater Fl
Young Gods: 7 out of 10: For once I would like to see a teenage drama where careless foolish teenagers get away with being well careless and foolish. Nobody gets hurt, pregnant, married, commits suicide, tragically killed ext they just act like complete idiots and go off to college. Kind of like real life for a lot of kids.
On second thought there are movies like this but they are all have Porky's in the title. Young Gods is unfortunately a teenage drama. Which means no foolish action will go unpunished.
Before the drama really kicks in we have a super realistic look at the lives of four teenage boys. The movie nails the attitudes and actions of young males of that age group and the pace while leisurely actually reflects the indifference to time people of that age actually have. (It also reflects the boredom that comes with no school and no job.) The movie also has a surprisingly naturalistic attitude about nudity and sex. Some may be shocked by the young actors' nudity but it felt non-sensationalist and rather realistic.
The plot about voyeurism and constant filming is overdone (see drama above) and the results of the boys' actions seem more draconian than real life. But this is after all a movie.
Despite being relatively slow placed and occasionally over-dramatic Young Gods is an enjoyable, realistic and fresh coming of age film.
1 out of 1 people found the following comment useful :-

6/10, 22 February 2007
Author: omarsamra from United States
*** This comment may contain spoilers ***
This film will catch you unawares. I felt that the film would be a risqué and rather typical coming of age film. It has all these variants but to a deeper degree. I actually finished the film and was extremely upset with all the male characters. They were willing to throw away their sufficient lives for the thrills of voyeurism. Jere especially. The other reviewer talked about how the camera was the source of all evil in this movie. After all it was how Tavvi found out the truth about his parents death and was the eventual downfall for two out of the four male characters.
This film is not recommended for the lighthearted, and you how you will feel after the movie is totally up in the air. I was rather disgusted with their little game, but just my opinion. As for the way the movie was shot; it was done well the angles, the characters were somewhat believable....a decent film overall.
1 out of 3 people found the following comment useful :-

Sex, truth and videodisks, 1 December 2007
Author: Tony Patriarche from Victoria, BC, Canada
Superficially just another Scandinavian twist on the teen coming-of-age sex movie, I think there is genuinely a deeper level of interpretation. This odd film reminded me inevitably a little of Sex, Lies and Videotape - but the subtext is a much more general social commentary on the issues of privacy and personal freedom. The larger cast expand the personal issues to the social context without losing intensity in individual performances.
As a North American, I feel slightly disconnected from the European society -- we do not (yet) have surveillance cameras on every street corner. Nevertheless many places from banks to 24-hour grocery stores already use video surveillance, most cell-phones now come with an integrated camera, the web-cam is a common household appliance, and sex has become a spectator sport perhaps more than at any time in previous history. It is easy to say that my freedom ends where your privacy and right to security begin -- but it is not always so easy to find that point in our complex, crowded, fearful 21st century society.
Be warned: The sex scenes are numerous, explicit, and grittily realistic -- a far cry from the blurred-lens romance of the soft porn of most North American or British adult movies, or the extreme absurdity of so-called hard porn. I found this verismo refreshing in an odd way, although many may find it disturbing, especially in a film about late teens or twenty-somethings.
My one regret is that one of the subtext messages seemed to be one common to many movies: Young people can have sex, but they will be punished for it. Whatever the truth of this philosophy, it is an older person's perspective, which to me jarred with the viewpoint of the film, told almost entirely from the teenagers POV.
Although no totally new ground is broken here, I think this film is worth at least a good first look and perhaps a second viewing.
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