Mumble's son, Erik, is struggling to realize his talents in the Emperor Penguin world. Meanwhile, Mumble and his family and friends discover a new threat their home -- one that will take everyone working together to save them.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
This is the story of a little penguin named Mumble who has a terrible singing voice and later discovers he has no Heartsong. However, Mumble has an astute talent for something that none of the penguins had ever seen before: tap dancing. Though Mumble's mom, Norma Jean, thinks this little habit is cute, his dad, Memphis, says it "just ain't penguin." Besides, they both know that, without a Heartsong, Mumble may never find true love. As fate would have it, his one friend, Gloria, happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Mumble is just too different--especially for Noah the Elder, the stern leader of Emperor Land, who ultimately casts him out of the community. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins--the Adelie Amigos. Led by Ramon, the Adelies instantly embrace Mumble's cool dance moves and invite him to party with... Written by
Anthony Pereyra <email@example.com>
When Mumble and the Amigos are outrunning the avalanche, Mumble hangs in mid-air for a few seconds, and Ramon grabs onto Mumble from behind before they fall. Looked at closely, Ramon's flipper passes through Mumble's feathers right before they nose-dive down the slope. See more »
Once there was a way to get back homeward.
Are the stars out tonight?
Once there was a way to get back home.
I only have eyes for you.
Sleep, pretty darling, do not cry.
And I will sing a lullaby.
With a song in my heart.
So tell me / Tell me something good / Yeah, yeah, yeah / Tell me that you love me. / Tell me, baby. / Tell me something good.
[...] See more »
At the end of the credits, Ramon pops his head up out of the iris and says "Gracias". See more »
Written by Stevie Wonder
(c) 1976 Black Bull Music Inc / EMI Music Publishing Australia Pty Limited
Performed by Stevie Wonder
Courtesy of Motown Record Company L.P. (United States) / Universal Music Australia Pty Limited See more »
Finally saw this on Sunday when it previewed in the UK (out on full release Friday). The cinema was packed with kids ranging from babies to teenagers. Our group had kids from 3-15 in it as well as the parents. We all absolutely loved it; what I thought was so good was that the kids in the party all reacted according to their ages. The little ones just thought the penguins were cute and the chase scenes etc were thrilling. But the older ones thought the film had a deeper message and really enjoyed it.
I would normally be fairly bored at a kids' film and have just gone to take the kids - but all the adults were fascinated the whole time. We all agreed that it was easily the best animated movie of the year. I would recommend it for any age of kid. The audience in general obviously loved it judging by the laughter but by the enthralled silence at the dramatic parts.
Most families obviously consist of children of different ages - so it is not easy to find a film that appeals to teenagers as well as 3 year olds. This one did - an had the adults enthralled as well. I am not surprised that it beat Casino Royale at the Box Office in US 2 week ends running.
The green message was great - I think it is really important that children should be aware of not littering etc, respecting the planet, from a young age. Having said that, I'm not sure the kids really got that message but it might have had some effect on the older ones.
Have read some stuff on here saying kids should not be taught liberal values or not be made aware of them. Liberal values like tolerance and fairness etc. The film didn't promote those values more than a lot of kids' movies but even if it had I can't imagine why anyone would be worried about that so I'm not going to give it serious consideration.
The film I went to see was basically a really exciting adventure story with excellent acting - you really felt for Mumble - he wasn't just a stock character. I thought Elijah Wood did an excellent job in that role. Quite a few people on the internet are asking - why use such famous actors for Happy Feet - why not have an unknown voice cast? Obviously having a very big name cast of A listers costs far more and so reduces the profits - at least that might appear to be the case. Here is one reply I found - "some of the famous actors out there are famous (and expensive) for a reason- they're good at what they do. Elijah Wood really is pretty amazing at playing a sympathetic lead; Nicole Kidman has a fantastic singing voice to go along with a sweet stage presence...." The visual effects were really breath-taking, probably the best animation I've ever seen. But the film also had an intriguing story with some depth - it wasn't just a bland cutesy film.
I strongly recommend it for children, especially when you think of all the predictable rubbish that Hollywood often serves up for family films.
Up-date - I am very pleased that it won the Oscar for Best Animated; I thought that it was clearly the best animated film of the year - and also I was pleased to see the Academy award originality and depth as opposed to a pleasant but rather bland, mix-as-before Pixar product.
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