Home
| Search
| Now Playing
| News
| My Movies
| Games
| Boards
| Help
| US Movie Showtimes
| Top 250
| Register
| Recommendations
| Widgets
RSS
| Box Office
| Index
| Trailers
| Jobs
|
IMDbPro.com - Free Trial
| IMDb Resume
Copyright © 1990-2009
IMDb.com, Inc.
Terms and Privacy Policy under which this service is provided to you.
An 
company.
Advertise on IMDb.
License our content.
Own the rights?
Buy it at Amazon Rent it at blockbuster.comDiscuss in Boards More at IMDb Pro Add to My Movies Update Data
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotesOverview
main detailscombined detailsfull cast and crewcompany creditstv scheduleAwards & Reviews
user commentsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage boardPlot & Quotes
plot summaryplot synopsisplot keywordsAmazon.com summarymemorable quotesFun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQOther Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDeskPromotional
taglines trailers and videos posters photo galleryExternal Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clipsIMDb user comments for
Chokher Bali (2003) More at IMDbPro »
13 out of 15 people found the following comment useful :-
A critique of the film in the context of the original novel, 24 October 2004
Author: mallicka-b (mallicka.b@btconnect.com) from Birmingham, England
The strength of this Tagore novel was the simultaneous portrayal of the baser human instincts and its destructive effects and the nobler human emotions and its uplifting purifying effects in its central protagonist- Binodini. Binodini's deliberate enticement of Mahendra was a result of hurt ego that Mahendra would choose the far inferior Ashalata to lavish his affections, greed for all she could have possessed had he married her, and is provoked her to break their marriage.Bihari, however, inspired her abiding love and respect and this gave her strength to resist Mahendra's lust and also Bihari's marriage proposal as this would have led to the latter's defamation and social ostracisation. Unfortunately Rituporno's film was unable to portray this duality of emotions I don't blame the viewers who are unfamiliar with the novel for thinking that this is about a widows sexual lust. Shame on Rituporno for so defaming that great writer 'TAGORE.'
10 out of 10 people found the following comment useful :-
at DC Filmfest 2005, 22 April 2005
Author: mamlukman from United States
*** This comment may contain spoilers ***
Chokher Bali was shown at the (Washington) DC Filmfest April 15, 2005. The director, Rituparno Ghosh, was there to give a short introduction and answer questions afterwards.
As always, I think Aishwarya did a fantastic job. I can understand those who think she should be been more aggressive or more bitchy, but would that really be realistic in 1904? Possible, maybe; realistic, I'm not so sure. I think her interpretation was valid, although there could certainly be other ways to do it.
I hate to use the word, but this was the most "inaccessible" of the Indian movies I have seen so far. I know a fair amount of Indian history, Hindu religion, etc., but the level of detail here was far beyond me. Clearly you would have a much better understanding of the movie if you were intimately familiar with Hinduism and its customs, esp. as they were c. 1904. I missed a lot of things--one of them being the fact that the mother-in-law would want Binodini in the house as sort of a counter-weight to her daughter-in-law Ashalata.
*spoilers* Ghosh had several things to say that explained the movie much better for me. First, the original Bengali version was 20+ minutes longer. So what was left out? Apparently three main things: a beginning segment where Binodini (Aishwarya) leaves E. Bengal for Calcutta. According to the director, different characters are speaking W. Bengali vs. E. Bengali--setting up some of the political comments later. Of course all of this is lost in the Hindi version, and certainly to a non-Indian like me, it wouldn't have mattered anyway--but a set-up of the Bengali situation sure would have. Next, there was a segment where Binodini was writing a poem--a sign of her independence, etc. Finally, some more business about the jewellery. So, although some people think it was too long, I think the original, longer version would have been clearer.
The women's hair was apparently another sign (Ghosh again)--the mother-in-law had short hair (short hair for Hindu widows), her sister--also a widow--had longer hair (more modern!), and of course Binodini/Aishwarya had extremely long waist-length hair (rejection of status of widowhood).
The ending really threw me--all of a sudden Binodini, who had never had a political thought, is writing a political manifesto? Whoa! Ghosh explained that he was in Locarno, at a film festival, when the subtitles were done. The subtitles use the word "country" throughout Binodini's letter. Gosh said a more appropriate word would have been (I forget his exact word) something like "self" or "independence"--she was talking about her own liberation and "finding herself"--not about Bengal, India, and the British. So why does Binodini just disappear the day after finding Behari again? Apparently because during her stay on the Ganges she realizes that she doesn't need a man--any man--to define/complete her. She can just be herself. So she rejects Behari, who she threw herself at a few months (?) before, and just goes off. Of course I'm not sure how she buys her next meal, but that's another question.
The red shawl (Ghosh again)she buys represents "revolution" as well as "passion." I'm not 100% sure why she puts the shawl on the dying woman, but perhaps she is rejecting passion/revolution? The binoculars, which Binodini uses throughout the movie (to watch Mahendra and Ashalata, the boat on the Ganges, etc.). She is being a voyeur to see a life she yearns for but can't have. At the end (I missed this!) she leaves the binoculars on the table with the letter, showing that she doesn't need them any more--she's going off to lead her own life.
Finally, the Tagore quote at the beginning saying how he apologized for the ending... Apparently Tagore wrote this as a serial, hooking his readers with the sexy widow bits. But at the end he sold out to conservatism and had Binodini kneel down at the feet of Mahendra and Behari, begging their forgiveness. One of his students (?) wrote to Tagore taking him to task for his sell-out ending...and Tagore replied with his apology for the ending. In the movie, of course, Ghosh goes in the other direction.
10 out of 10 people found the following comment useful :-
visually stunning and well executed, 10 October 2003
Author: praetor3 from kolkata
this is one of the best bengali movies i've seen in my life and the director has to get all the credit. Tagore's novels are one of the hardest to execute on the big screen and the director handles it with aplomb. if i remember correctly, a lot of people questioned the casting of Aishwarya Rai as Binodini, but after watching the movie I can say that she was the best person for the role. as for the previous comment, i agree that the movie was a bit slow at certain points, but we have to remember that the director had to remain faithful to the original novel and the novel wasn't written with 21st century audiences in mind. as for the lack of dancing, this is not a masala hindi movie expecting dancing in a movie like this is similar to expecting Adam Sandler in a David Lynch movie, they just don't go together. the movie also has one of the best soundtracks and the songs fit the movie. Overall 9/10.
6 out of 6 people found the following comment useful :-
Tagore's Vintage Classic... That is enduring... That is alluring, 24 February 2005
Author: Srinivasan Raghunathan from India
Chokher Bali – A passion play.
Based on Rabindranath Tagore's novel of the same name, this is a classic tale of deception, adultery and relationship exploitation. Set in 1900 Bengal, director Rituparno Ghosh transformed the Nobel Laureates' acclaimed literature into a delightful visual treat.
Tagore's story elaborately deals with the Bengali society, through his central character, the rebellious widow, who wants to live a life of her own. We are taken into the picturesque part of Bengal, where we meet our heroine, the beautiful, young widow Binodini (Aishwarya Rai).
Despite her gorgeous looks, two handsome men, the rich Mahindra (Prosenjit Chatterji) and his friend Behari (Toto Roychowdhury), denied marrying her.
Mahindra chooses a naive Ashalata (Raima Sen) over Binodini and marries her. Leaving behind the country life, the free-spirited Binodini accompanies Mahindra's mother to Calcutta as a caretaker. Soon, her friendship with Ashalata flourishes. It looks like, the two, addressing each other as 'Chokher Bali' (sand in the eyes), share an enduring bond. The English-speaking Binodini captures a special place in the house. But, soon, she unmasks her real face. Manipulating good-natured Ashlata, Binodini gets closer with Mahindra and fulfills her sexual desires.
When, she is thrown out by the enraged mother of Mahindra, Binodini seeks solace from a reluctant Behari. The remaining part of the story shows how the lives of these four characters crisscross and culminate in an unimaginable climax… Aishwarya walks through the role—a manipulative, rebellious lady, still gaining the viewer's sympathy—with a ballet dancer's elegance. The other lead artistes—Prosenjit Chatterjee, Raima Sen and Toto Roychowdhury—are equally brilliant, in enacting their characters.
While Tagore penned this 'mould-breaking' story at the turn of the 20th century, the very idea of widow marriage was a taboo, even among the upper class! Narrating the nations' freedom movement in parallel, the author asserts the importance of individual freedom from the caged life. Kudos to the art director, who gave life to the early 20th century Bengal, and applause to the cinematographer for capturing those sets with verve.
This 'passion play,' by Tagore, has been fervently converted to the screen by the ablest filmmaker without loosing its originality.
6 out of 6 people found the following comment useful :-
Choker Bali : A reminiscent of our past, 25 December 2004
Author: freewriter
I saw 2 hour version of Choker Bali. I cannot say that is long. The movie has a certain natural pace to it and does not seem to lag at any time. The costume and the set are reminiscent of what we would see in old movies.
Aishwarya Rai has done a good job of acting. It is indeed a mature role with enough scope for acting within the story. The script also supports the story very well. Aishwarys acts as the unfortunate widow whose husband dies in the first year of marriage. The movie is about the passions and desires of such a character and the conflict she faces with the downtrodden condition of widows in those times.
Her best friend in this movie is played by Raima Sen has also been well-handled. Her innocence and her admiration of Aishwarya's capability to speak English and act educated has been done very well. These are indeed some of the prevailing mindsets of those times. We can see how far we have come from such an era!
The movie speaks of womens liberation as subtle line of the story. I found the development of the story very similar to Ghare Bahire also written by Tagore. It does rope in some action from the independence struggle and puts in contrast the struggle for Indian Independence against the silent struggle for womens rights.
A well made movie definitely worth watching. Aishwarya's acting: par excellence. Rituparna has handled the story with great care. Yet another classic from Rabindranath Tagore.
5 out of 5 people found the following comment useful :-
My view of this movie, 23 August 2005
Author: Manohar Dudda from United States
I concur with what mallicka.b has said. The movie is portrayed in a way which appears to be a kind of vilification on the original content. Emotions aren't conveyed properly. I guess a couple of not-so-good performances also contributed to its mediocrity. In my view, Tabu would have been a much better choice for such a role instead of Aishwarya Rai. In some of her scenes, she looks a bit lusty, which is not ultimately what the movie should have portrayed. I also noticed a bit of over-acting in some of her scenes. I'm a bitter critic of Aishwarya Rai :) Can't help it; sorry for that. 'Raincoat' was a good movie by Rituparno Ghosh. And I saw Choker Bali after seeing Raincoat; I was not at all impressed.
4 out of 5 people found the following comment useful :-
Excellent film....but pay attention!!!, 9 February 2006
Author: NickelBak from Canada
I bought the DVD a long time ago and finally got around to watching it.I really enjoyed watching this film as you don't get the chance to see many of the more serious better quality bollywood films like this. Very well done and but I would say you need to pay attention to what is going on as it is easy to get lost. When you start watching the movie, don't do anything else! I would actually advise people to read all the reviews here...including the ones with spoilers, before watching the movie. Raima Sen gave her first great performance that I have seen. Aishwarya was easily at her best. All performances were strong, directing and cinematography...go watch it!
2 out of 2 people found the following comment useful :-
Just what the doctor ordered...For Aishwarya!, 5 February 2006
Author: Sherazade from United States
*** This comment may contain spoilers ***
What do you do if you're Aishwarya Rai, coming off of a blockbuster film like 'Devdas', with some skeptical critics still relentlessly unsatisfied with your astounding performance or convinced by your strong screen presence and stellar acting skills, what do you do? Go home, sit down and pout? No. If you're Aishwarya Rai, you sign yourself up for the next strong period piece that comes along and continue to prove yourself worthy of all the praise, kudos, great scripts and equally great roles. And that's just what she did with and in 'Chokher Bali - a passion play' where she stars and shines as Binodini, a young widow who causes controversy way ahead of her time. Directed by Rituparno Ghosh {who later goes on to direct her in the equally stellar 'Raincoat'}, Prasenjit Chatterjee {Devdas in Bengali} costars.
2 out of 2 people found the following comment useful :-
analogy between the British colonization of India and the subjugation of women, 19 February 2005
Author: proserpine
The Hindi version of the film is 121 minutes. Set in Bengal in the early 1900's, the film (based on Tagore's novel) draws an analogy between the British colonization of India and the subjugation of women. An educated and beautiful woman, Binodini becomes a widow within a year of her marriage, but she does not accept the constraints imposed on her as a widow by her society. The film has a beautiful look to it but perhaps Aishwarya Rai is out of her depth in portraying Binodini's strong character with its subtle combination of idealism and deviousness. Binodini's idealism does not come across, and as a result, the analogy between women and colonization remains somewhat buried.
3 out of 5 people found the following comment useful :-
Very slow-paced; Aishwarya miscast, 22 November 2004
Author: AishFan from Santa Clara, CA, US
First, I would like to admit that Chokher Bali was not my cup of tea. This movie was evidently not targeted toward the masses. It's the type that critics would enjoy watching. The hype and publicity were quite misleading.
I was expecting something very dramatic like Devdas. Understanding that the story and time-period demand it, I found the movie extremely slow-paced.
I'm a die-hard Aishwarya fan, and I regret to say that I thought she was miscast. The role of Chokher Bali required an actress who can portray herself as subversive, not innocent and naive. Everyone else gave a good performance. Tagore's depiction of the human condition does come across the celluloid to give the movie an interesting theme.
Add another comment
Related Links