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One Missed Call (2003)
"Chakushin ari" (original title)

6.2
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Ratings: 6.2/10 from 12,657 users   Metascore: 54/100
Reviews: 71 user | 107 critic | 11 from Metacritic.com

People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths.

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Title: One Missed Call (2003)

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Cast

Cast overview, first billed only:
...
Yumi Nakamura (as Kô Shibasaki)
Shin'ichi Tsutsumi ...
Kazue Fukiishi ...
Natsumi Konishi
Anna Nagata ...
Yoko Okazaki
Atsushi Ida ...
Kenji Kawai
Mariko Tsutsui ...
Marie Mizunuma
Kumiko Imai
Keiko Tomita
Kayoko Fujii
Yoshiko Noda
Azusa ...
Ritsuko Yamashita
Tetsushi Tanaka
Mitsuhiro Sato
Kaoru Hanaki
Hassei Takano
Edit

Storyline

People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters pursue the answers to this mystery which could save their lives. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

death | message | asthma | sound | hospital | See more »

Taglines:

Death cannot be put on hold... See more »

Genres:

Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for violence, disturbing images and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 January 2004 (Japan)  »

Also Known As:

One Missed Call  »

Box Office

Opening Weekend:

$86,329 (Hong Kong) (11 June 2004)

Gross:

$140,322 (Hong Kong) (18 June 2004)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

During the opening credit sequence, one of the cell phone ring-tones is the theme song from an earlier 'Takashi Miike (I)' film, Gozu (2003). See more »

Connections

References Black Christmas (1974) See more »

Soundtracks

Ikutsuka no Sora
(Few Skies)
by Kou Shibasaki
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Hello, it's you here. You'll die in a couple of days. You are me... and I'll be dead in just a few seconds"
14 December 2006 | by (the Doomed Megalopolis of Blasphemous Technoids) – See all my reviews

Well, what can I say? Takashi Miike's take on the whole so-called J-horror hoopla. I bet he was thinking "I can do this too. And I can do it better". And you know what? He was right! RINGU can be considered as the original one that started it all (because of being the first big hit in the genre, for one thing). I'm not even gonna argue about whether it's the best J-horror movie or not. But I am gonna say that ONE MISSED CALL is without a doubt, on some levels, more effective than RINGU. Where Sadako's ghostly tale of terror was sort of touching the boundaries and establishing some clearly defined characteristics of the genre, CHAKUSHIN ARI pushes the boundaries and uses these characteristics as a reference to the genre.

Miike handles a very tight script and a plot that has virtually no holes and a lot of eye for details. Almost every little aspect that is being mentioned in the plot, carries a little set-up within that delivers a pay-off later. The story is intriguing. The death scenes are original and rather graphic. The ghostly creepiness is there. Every jump-scare works (there was one were I almost went through the roof! I recommend watching this with the sound turned up a notch; just let it blast out of the speakers, and I guarantee you: you will jump!). The conclusion is great and practically unpredictable; the twists were damn good. And then there's Miike, who just once again had to give this movie that Miike-touch of his, making it all just one bit more special in a way. And this time, surprisingly, he doesn't do it in the usual way. Not be inserting a sickening scene, or adding some repulsive imagery (though some events and effects really are quite gruesome). No. This time he does it by taking the movie to a different level, by adding that very last scene. And the very last shot should normally have you thinking about something that someone in a very brief scene said, earlier in the movie. The effect it had on me was: wanting to re-watch the movie. Now that's just great if a movie manages to do that. So maybe I should really rate this one 10/10. But I'll reserve that rating for THE AUDITION, my favorite Takashi Miike film ever (for now, at least).

And, by the way: I'm ready for the re-make. It's gonna be directed by Frenchman Eric Valette, who previously directed the magnificent, claustrophobic & Lovecraftian-like MALÉFIQUE. For once, I just might have a little faith in an upcoming re-make.


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