Lost Embrace
(2004)
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Lost Embrace
(2004)
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| Cast overview, first billed only: | |||
| Daniel Hendler | ... |
Ariel Makaroff
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| Adriana Aizemberg | ... |
Sonia Makaroff
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Jorge D'Elía | ... |
Elías Makaroff
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Sergio Boris | ... |
Joseph Makaroff
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Rosita Londner | ... |
Abuela de Ariel
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Diego Korol | ... |
Mitelman
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Silvina Bosco | ... |
Rita
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Isaac Fajm | ... |
Osvaldo
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| Melina Petriella | ... |
Estela
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Atilio Pozzobon | ... |
Saligani Papá
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Mónica Cabrera | ... |
Saligani Mamá
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Franco Tirri | ... |
Saligani Hijo
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Luciana Dulizky | ... |
Saligani Hija
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| Eloy Burman | ... |
Saligani Bebé
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Juan José Flores Quispe | ... |
Ramón
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In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business, trying to get his Polish passport and move to Europe. Ariel has never understood why his father left him when he was a baby to fight in the Yom Kippur War in 1973. When his father returns to Buenos Aires, Ariel discovers the reason why his father left his family. Written by Claudio Carvalho, Rio de Janeiro, Brazil
A Jewish Argentinian young man, a little confused, a little depressing; a father that went away to Israel when he was a just a baby, a mother that seems to be living in a fantasy world, a polish grandmother who thinks that "there in Europe they want to kill all the jews", a brother who has sort of an export-import business in which he sells all kind of useless stuff, a lover married to an old man, a commercial gallery full of weirdos ... AND TONS OF Argentinian SARCASM!
Lively dialogues, the Argentinian verbal-diarrhoea which is present in every sequence, the innate naturalness of Argentinian actors, and a filming style pretty similar to latest north-European cinema, Von Trier, the DOGMA manifesto, and all that ... That's (maybe) the weakest point of "El Abrazo Partido": too much camera movement, so much that in some sequences it gets a little annoying. (I'm not very in favour on making a whole movie with the camera on your shoulder).
In short: a film about ordinary people, plenty of Argentinian sacastic humour.
My rate: 7/10