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A Way of Life (2004)

At 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) ... See full summary »



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Cast overview, first billed only:
Stephanie James ...
Leigh-Anne Williams
Gary Sheppeard ...
Robbie Matthews
Nathan Jones ...
Gavin Williams
Dean Wong ...
Stephen Rajan
Julie Osman (as Sara Gregory)
Oliver Haden ...
Hassan Osman
Eli Williams ...
Rebecca Williams
Darcy Williams ...
Rebecca Williams
Lynsey Richards ...
Victoria Pugh ...
Social Worker
Karen Williams
Gareth Gethyn Evans ...
Philip Howe ...
Brenda Williams


At 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) across the street becomes target to her growing paranoia that Social Services are going to take her daughter, Rebecca, away from her. Her behavior becoming increasingly desperate as her delusions over her neighbor grow. She convinces Steven, Gavin, and Robbie he needs a lesson. Written by kwedgwood@hotmail.com

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In the real world there are no happy endings




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Release Date:

12 November 2004 (UK)  »

Also Known As:

I genia tou misous  »

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Did You Know?


A Thousand Trees
Written by Jones/Jones/Cable
Published by Universal Music Publ. Ltd.
Performed by Stereophonics
Licensed courtesy of V2 Music Ltd.
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Good material, wooden delivery
20 July 2007 | by (United Kingdom) – See all my reviews

This film certainly had a lot of potential. The film certainly pulls no punches when it comes to portraying the main characters. We are shown their violence, racism and bigotry in depth. Not that they are averse to exploiting their own, as several episodes show.

Whilst the main characters certainly have many unsavoury characteristics the film does allow time to explore what made them what they are. Many factors are highlighted, lack of stable partnerships, low self-esteem, lack of commitment, lack of parenting skills, drugs, unstable violent backgrounds, unemployment, discrimination and lack of opportunities.

My main criticism of the film is not that it isn't well researched. The problem is in the production. The direction is so leaden and obvious. The characters have no space to develop and the director rams their points into your face. You could almost imagine that this was produced as a course material for a school sociology program.

The camera-work and sound tract only reinforce this. The angles and shots are all so daytime TV, zooming into faces for close ups in those confrontation moments, giving the obligatory 2 second scenic scene setting shots at all the appropriate moments. Need I say that the soundtrack is hardly subtly or seamlessly enmeshed.

All in all whilst this film has good intentions, good material and some good acting the whole thing feels poorly put together and ends up loosing a lot of its impact between the cracks in the production.

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