IMDb > War Game (2002)

War Game (2002) More at IMDbPro »


Overview

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Down 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Michael Foreman (book)
Simon Nicholson (screenplay)
Contact:
View company contact information for War Game on IMDbPro.
Genre:
Plot Keywords:
Awards:
2 wins See more »
NewsDesk:
(28 articles)
BAFTA Game Awards – The Results
 (From Blogomatic3000. 5 March 2013, 3:07 PM, PST)

2013 BAFTA Games Awards Nominations Revealed!
 (From The Hollywood News. 14 February 2013, 6:25 AM, PST)

Video Game BAFTA Nominees Announced, Journey Leads the Pack
 (From Obsessed with Film. 12 February 2013, 2:40 PM, PST)

User Reviews:
A nice family-friendly historical animation but I couldn't help wanting it darker and deeper See more (5 total) »

Cast

  (in credits order)
Iain Jones ... Will (voice)

Adam Godley ... Lacey / Dad (voice)
Tom Wesel ... German Soldier (voice)

Colin McFarlane ... Little General / King George (voice)
Philip Rowson ... Machine Gunner (voice) (as Phil Rowson)

Kate Winslet ... Mum / Annie (voice)
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Directed by
Dave Unwin 
 
Writing credits
Michael Foreman (book)

Simon Nicholson (screenplay)

Produced by
Sunkee Chung .... co-executive producer
Iain Harvey .... producer
Ian McCue .... line producer
Nik Powell .... executive producer
 
Original Music by
Julian Nott 
 
Film Editing by
Taylor Grant 
 
Art Direction by
Paul Osborne 
 
Art Department
Gill Bradley .... design treatment: attack sequence
Dave Unwin .... storyboard artist
 
Sound Department
Michael Corden .... sound effects design editor (as Michael Cordon)
Colin Martin .... dubbing mixer
Stuart Parmenter .... track reader
Rik Elliott .... 5.1 sound mixer (uncredited)
David Peacock .... sound recordist (uncredited)
David Peacock .... voice recordist (uncredited)
 
Visual Effects by
Katarina Baraka .... compositor
Graham Bebbington .... effects animator
Richard Clayton .... compositor
Julian Crowe .... digital ink and paint artist
Ellis Freebury .... digital ink and paint artist
Patricia Garnette .... effects animator
Kay Gotthilf .... visual effects producer
Dave Griffiths .... compositor
Niki Groves .... digital ink and paint artist
Zoe Kovacs .... digital ink and paint artist
Ben Marshall-Corser .... digital ink and paint artist
Robbie McIntosh .... digital ink and paint artist
Kerri Tokens .... digital ink and paint artist
Becky Websdale .... compositor (as Becki Websdale)
Ben Weschke .... compositor
Paul Weschke .... digital ink and paint artist
 
Animation Department
Gary Andrews .... animator
Nick Appleton .... assistant animator
Steve Austin .... assistant animator
Glenn P.W. Bailey .... clean-up artist
Stella Benson .... assistant animator
Guy Brockett .... final checker
Monica Brufton .... assistant animator
Alex Cassels .... assistant animator (as Alex Cassells)
Isabel Castellano .... assistant animator
Edoardo Cavalli .... animator
Vanessa Clegg .... background artist
Erica Darby .... final checker
Jaqui Davies .... assistant animator (as Jacqui Davies)
Denise Dean .... assistant animator
Helga Egilson .... assistant animator
Rachel Feasey .... assistant animator
Eduardo Lopes Fernandes .... assistant animator
Stan Fong .... animation supervisor
Julianna Franchetti .... assistant animator
Mark Francis .... animator
Michael Gabriel .... background artist
Mario Roberto Galindo .... assistant animator
Iain Gardner .... animator
Fiona Gomez .... assistant animator
Kevin Grady .... animator
Ian Henderson .... background artist
Gunther Herbst .... background artist
Dennis Hunt .... assistant animator
Jan Johnston .... assistant animator
Dominik Jun .... line tester
Kasper Jørgensen .... assistant animator
Roger Mainwood .... animator
Ann Marriott .... animator
Loraine Marshall .... background artist
Jem Mirza .... assistant animator
Andy Murray .... assistant animator (as Andrew Murray)
Mark Naisbitt .... animator
Ray Newman .... assistant animator
Richard Nye .... layout artist
David Parle .... assistant animator
Mark Paterson .... animator
John Perkins .... animator
Stephen Perkins .... line tester
Stephen Perry .... animator
Andy Price .... layout artist
Hans Ranum .... assistant animator
Kenny Robinson .... animator
Denis Ryan .... background artist (as Dennis Ryan)
Nikki Smith .... assistant animator
Sharon E. Smith .... assistant animator
Alex Stewart .... assistant animator
Paul Stone .... animator (as Paul R. Stone)
Simon Swales .... animator
Janette Taylor .... assistant animator
Melanie Telford .... animo operator: in-house
Aurea Terribili .... assistant animator
Sue Tong .... background artist
Pauline Trapmore .... animator
Jeroen van Blaaderen .... layout artist
Nicolette van Gendt .... animator
Sarah Vincent .... animator
Dave Webster .... animator
Fiona Woodcock .... assistant animator
Paul Wright .... background artist
 
Music Department
Nic Raine .... conductor
Nic Raine .... orchestrator
Steve Parr .... music mixer (uncredited)
Steve Parr .... music recordist (uncredited)
 
Other crew
Sandra Cadogan .... studio assistant
Morgan Francis .... technical manager: digital production
Alison Gentleman .... assistant to producer
Ninya Grut .... production coordinator
Ann Lucas .... production accountant
Rose Taylor .... development assistant
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
Runtime:
29 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Certification:
UK:PG (video rating) (2003) | UK:U (original rating)

Did You Know?

Goofs:
Anachronisms: The aerial dog fight couldn't have taken place in 1914 since both the Fokker Eindekker and machine gun on board airplanes was not seen until 1915.See more »

FAQ

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3 out of 5 people found the following review useful.
A nice family-friendly historical animation but I couldn't help wanting it darker and deeper, 27 December 2005
Author: bob the moo

It is 1914 and a pair of brothers are happily working on their family farm and spending spare time playing football for the village in the county league. However the war with Germany means that both sign up to fight for their country and soon find themselves in the trenches on the front line. The tension is high and the conditions are poor but for one brief moment on Christmas Day, 1914, something wonderful seems to just happen.

This animation caught my eye in the crowded TV schedule and it looked quite interesting because, although I knew about it, I have never seen or really read anything about the football "match" between the two warring sides played in no man's land. This film follows our couple of characters to the trenches, showing the family's pain as they go away, the nature of life in the trenches, the peace and ease of the match and finally the sheer bloody pointlessness of the whole thing. This is all well and good but, by aiming for a family audience (I assume) they have stayed away from the reality a bit too much and have produced something that is more about introducing children to history rather than being of greater value. This can be seen in several areas but mostly it is in the animation. It looks very like The Snowman in style – big round faces, smoothed surfaces and nice colours. This seems to feed into the story because everything is a bit like that and it reduces the emotional impact it can have. Credit for a last scene attempt at showing the horrific pointlessness of the front line but this was too little, too late.

The voice talent wasn't. The presence of Kate Winslet in the top billing is praiseworthy but she doesn't add much – she has a small role and she is asked to produce emotion from nothing (and she can't). The rest of the cast are all a bit too cheery and "chappy" and they never for once convinced me as real people. In that regard they matched the animation by being suitable for families but being too "nice" to do anything else.

Overall this is an OK way in for families but is not dark or real enough to satisfy adults being told the story. It is all a bit too nice and soft and the dark conclusion can't cover up for how bland it had been up till that point. It does still produce an emotional reaction and it does make one shake one's head and wonder if the men could get along why their superiors couldn't, but these feelings are more to do with the story being told rather than the manner of telling.

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